Styleguide Prosiebensat.1 Media AG

Styleguide Prosiebensat.1 Media AG

Content Production & Global Sales Jan Frouman, October 10, 2012 | October 10, 2012 Page 1 Red Arrow cordially welcomes you to today's presentation Red Arrow Reel | October 10, 2012 Page 2 Experienced leadership team Jan Frouman Jens Richter Ralf Schremper Group Managing Director Group Director – Group Director - Finance . Oversees all business activities International Distribution . Responsible for all day-to-day and international operations . Oversees all worldwide program financial activities sales . Focuses on driving Group . Launched Red Arrow in 2010 . Launched Red Arrow International strategy and led growth (formerly SevenOne International) 11 17 in 2004 10 . With ProSiebenSat.1 Group . Previously at ProSiebenSat.1 since 2010, previously at . Previously at Beta Film and Bertelsmann and RTL Group and Saban Capital Group Prisma Sports & Media Michael Schmidt John Jongerden Group Director – Group Director - Operations Creative Ops. & Business Development . Responsible for production and sales operations across the group . Oversees all content development . Special focus on operational expansion . Experience in broadcasting, producing, and integration efforts commissioning and development . Previously at FremantleMedia, Endemol and GRUNDY . Previously at BRAINPOOL, RTL and VIVA 21 22 X Years of industry experience | October 10, 2012 Page 3 Red Arrow is already a top-tier global production and distribution group Production & Development Distribution 18 production companies across Sales offices: fiction / non- fiction TV genres . Munich . Los Angeles . Hong Kong Development partners Total revenues 2011 EUR 110m* | October 10, 2012 Page 4 *Revenues entity view (incl. internal and external sales) Outstanding broadcaster relationships across the world’s 1 2 Superior creative talent largest markets 1 Best-in-class sales execution Content line-up securing future track record 33 4 growth and profitability | October 10, 2012 Page 5 Outstanding broadcaster relationships across the world’s 1 2 Superior creative talent largest markets 1 Best-in-class sales execution Content line-up securing future track record 33 4 growth and profitability | October 10, 2012 Page 6 Powerful footprint - 18 production assets across 1 nine territories SE/DK/NO UK (2011-2012) (2010-2012) IL (2012) Hong Kong (2012) USA (2010-2012) BE/NL (2010) D/AU (2004-2010) AUS (2010) Co-production partnership | October 10, 2012 Page 7 Targeting the largest addressable markets in the world: 1 USA, Germany and UK - totaling EUR 23bn volume Global territories for TV content originations (estimated size excl. news and sports rights in EURbn, 2011) 11 Red Arrow production assets across 3 out of 4 largest markets 20% 10% 15% n/ 16.3 a USA ✔ 9.6 GERMANY ✔ 3.6 2.6 UK ✔ USA Japan1 Germany UK % Average market gross margins | October 10, 2012 Page 8 Source: Red Arrow estimates 1Market not addressable for Red Arrow Red Arrow is an established partner 1 for leading broadcasters Country Broadcaster Highlights Betty White‘s Off Their Rockers The Taste Perez Hilton: All Access Das geteilte Glück My Man Can Old Ass Bastards Restless A League Of Their Own Mr. & Mrs. | October 10, 2012 Page 9 Impressive performance: start-up to Top 10 in 1 under 3 years Rank Independent production group1 1 FremantleMedia Red Arrow is: 2 Endemol . established as part of the world’s 3 Shine leading global production groups 4 All3Media . in line with competition, active in both scripted 5 Zodiak and non-scripted content 6 Banijay . geographically positioned in the 7 Eyeworks world’s largest production markets 8 Red Arrow 9 Talpa 10 Tinopolis | October 10, 2012 Page 10 Based on est. 2011 revenues. Source: Red Arrow analysis and company information. 1Defined as working independently regardless of ownership by a broadcaster group or studio. Outstanding broadcaster relationships across the world’s 1 2 Superior creative talent largest markets 1 Best-in-class sales execution Content line-up securing future track record 33 4 growth and profitability | October 10, 2012 Page 11 2 Strengthened creative team: recent top-tier additions Banks Tarver Ken Druckerman Left/Right Left/Right Credits: Credits: . ‘Watch Me Jumpstart’ (award-winning . Critically acclaimed documentary series documentary, MTV) ‘Frontline’ (PBS), ‘Boston 24/7’ (ABC), ‘The Residents’ (Discovery), . ‘True Life’ (MTV, currently in its 13th season) . Feature documentary ‘Ghosts of Attica’ . ‘First Year’, ‘Candidate’, ‘Aftermath of Terror’, and Emmy Award-winning ‘Fight For Your Rights: Take A Stand Against Violence’ Lisa Shiloach Eilon Ratzkovsky July August Productions July August Productions Credits: Credits: . ‘Who’s Still Standing’ (sold to over 30 . Produced some of the most successful films countries incl. NBC) made in Israel: ‘The ‘A’ Word’ (Keshet, sold to Lionsgate . ‘The Frame’ (sold to over 20 countries, incl. Entertainment) US - The CW, Spain and France) ‘Taxi Driver’ (Reshet & YES) . ‘The Million Pound Drop’ (Keshet), ‘1 vs. 100’ ‘The Ran Quadruplets’ (Reshet & YES) (Reshet) | October 10, 2012 Page 12 2 Strengthened creative team: recent top-tier additions Danielle Lux Murray Boland CPL Productions CPL Productions Credits: Credits: . Commissioned award-winning shows incl. ‘A League of Their Own’ (Sky1, season 6 ‘Green Wing’ and ‘So Graham Norton’ for picked up), ‘All Stars Mr. & Mrs.’ (ITV1, Channel 4 series 4 in production) . Won awards for commissions such as ‘Friday . RTS and Montreux award-winning ‘Your Night with Jonathan Ross’ and ‘The Kumars’ Face or Mine’, ‘Infamous Fives’ and ‘Five Go at BBC Dating’ . ‘All Star Mr. & Mrs.’ (ITV), ‘A League of Their Own’ (Sky1)’ Hilary Bevan-Jones Jago Lee & John Farrar Endor Productions NERD Credits: Credits: . ‘Cracker’ (ITV, BAFTA Best Drama Series, . ‘The Big Bid’ (BBC1), adapted by ABC) ‘SuperHuman’ (Channel 4) . ‘State of Play’ (BBC, BAFTA & RTS Best . ‘Second Rise’ (THC), ‘Getting Out Drama Series) Alive’ (Discovery US) . ‘The Girl in the Café’ (HBO, BBC1, Emmy for . ‘Ricky Gervais‘ Life’s Too Short’ Outstanding Made for Television Movie) (BBC2 / HBO), ‘Escape to the Legion’ (Channel 4) | October 10, 2012 Page 13 Original shows with outstanding on-air success 2 across all genres Average audience share vs. channel average +408% +41% +185% +41% +92% +35% +61% +29% +55% +24% +44% +24% | October 10, 2012 Page 14 Source: Group production company reports, ProMefo, ProSiebenSat.1 Format Research Strategic collaboration drives local and 2 global creative success ... Local development . Top-tier creative talent (18 production companies, 5 development partners, central development team) . Best practice sharing . Attractive economics . Hit formats with . Strong collaboration with local multi-season potential pre-sales team . International . Synchronization with channel viability / appeal needs & major market events (MIPCOM/TV, Realscreen, etc.) . IP asset value International content sales | October 10, 2012 Page 15 ... resulting in growing track record of in-house 2 format creation with global traction Formats exported internationally1 Examples: 11 10 1 2010 2011 2012 YTD, August | October 10, 2012 Page 16 1Source: Red Arrow. Refers to owned or exploited formats that have travelled to 2 or more countries in total and have been picked up in the relevant year. Outstanding broadcaster relationships across the world’s 1 2 Superior creative talent largest markets 1 Best-in-class sales execution Content line-up securing future track record 33 4 growth and profitability | October 10, 2012 Page 17 Distribution business positioned to monetize across 3 the entire value chain 3rd-party and original content Complete Sales team 500+ titles 130+ countries value chain Truly international, Sales of ready- Core markets: Free TV / Pay TV / well-regarded mades and France, Italy, CEE, VoD / DVD, etc. sales team formats US, UK, Australia Produced by own Established deal Sales offices in and 3rd-party flow in Latin Munich, Los producers (incl. America, Asia- Angeles, Hong Canada, France, Pacific, Middle Kong US, UK) East, Africa | October 10, 2012 Page 18 Travelling format success achieved with both 3 in-house and 3rd-party properties 45+ 25+ 10+ COUNTRIES COUNTRIES COUNTRIES 40+ 20+ COUNTRIES 10+ COUNTRIES COUNTRIES 25+ 10+ 10+ COUNTRIES COUNTRIES COUNTRIES | October 10, 2012 Page 19 Red Arrow International is one of the Top 10 3 independent distributors Rank1 Distribution company Sales offices 1 BBC Worldwide 11 offices 11 offices 2 FremantleMedia 3 ITV Global Entertainment 5 offices c. 8 offices 4 Endemol (EWD) Red Arrow International 5 Munich, Los Angeles, Hong Kong 6 Zodiak Rights 3 offices 7 Shine 4 offices 8 All3Media n/a | October 10, 2012 Page 20 Based on 2011 gross revenues. Source: Red Arrow analysis and company information 1Cut-off at EUR 50m gross revenues 3 Recent sales successes & broadcaster highlights | October 10, 2012 Page 21 Outstanding broadcaster relationships across the world’s 1 2 Superior creative talent largest markets 1 Best-in-class sales execution Content line-up securing future track record 33 4 growth and profitability | October 10, 2012 Page 22 Content portfolio focused on and in line with 4 global demand % Global market pick-up mix by genre Reality/factual/docu Entertainment shows v v 60% 16% v v 13% 11% Scripted series TV movies | October 10, 2012 Page 23 Recent acquisition of leading factual reality producer 4 in all-important US market Key position in cable market in NYC (balancing Kinetic’s LA presence with more network focus) Diverse client base of leading US broadcasters (VH1,

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    28 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us