PRAISE FOR SING BACKWARDS AND WEEP “The artist’s journey to find one’s true voice can travel some very dark roads; addiction, violence, poverty, and soul-crushing alienation have taken the last breath of many I have called friend. Mark Lanegan dragged his scuffed boots down all of those bleak byways for years, managed to survive, and in the process created an astonishing body of work. Sing Backwards and Weep exquisitely details that harrowing trip into the heart of his particular darkness. Brutally honest, yet written without a molecule of self-pity, Lanegan paints an introspective picture of genius birthing itself on the razor’s edge between beauty and annihilation. Like a Monet stabbed with a rusty switchblade, Sing Backwards and Weep is breathtaking to behold but hurts to see. I could not put this book down.” —D. RANDALL BLYTHE, author of Dark Days and lead vocalist of Lamb of God “If you ever wondered how Mark Lanegan’s music came to blossom, here’s a taste of the dark dirt that fertilized it. But saying that, or something like it, feels irresponsible, almost like saying, ‘If you want to make great, soul- shattering art, traumatize yourself to the limit and beyond’ … Sing Backwards and Weep is gnarly, naked, and true.” —MICHAEL C. HALL of Dexter and Six Feet Under “A no-holds-barred memoir of uncompromising honesty. All of the usual suspects are here—sex, drugs, rock and roll—and if that were all, it would be compelling enough on the strength of Lanegan’s writing and the setting of ’80s and ’90s Seattle, a near mythical time and place in music history. But what elevates Sing Backwards and Weep above the pack is the window into Lanegan’s development as an artist, from his first musical influences to the singular singer and songwriter we see today. He seamlessly weaves that story line into the more conventional rock memoir fabric, and the results are outstanding.” —TOM HANSEN, author of American Junkie and This Is What We Do “Harrowing, edgy, tense, and hypnotic. A very truthful, sobering account of what it’s like in the throes of addiction, with shades of Bukowski, Burroughs, and Hunter S. Thompson.” —GERARD JOHNSON, director and writer of Tony, Hyena, and Muscle “Some books amuse you, some intrigue you, and some—they don’t come along often—like Mark Lanegan’s Sing Backwards and Weep, squeeze you by the throat and drag you down the back stairs of the author’s soul and blast you till you see what he’s seen and feel what he’s felt. Mark Lanegan spares no detail of the toxic and maniacal things he’s done and had done to him, nor of the glorious, weird beauty he walked out with on the other side. You can’t look, and you can’t look away. This is my kind of book. Fucked- up, full of heart, and as hardcore as a shot of battery acid in the eye.” —JERRY STAHL, author of Permanent Midnight; I, Fatty; and Happy Mutant Baby Pills “Sing Backwards and Weep is powerfully written and brutally, frighteningly honest. First thought that came to my mind was, Mark Lanegan gives the term bad boy a whole new meaning. These are gritty, wild tales of hardcore drugs, sex, and grunge. But this is also the story of a soulful artist who refused the darkness when it tried to swallow him whole. And who found redemption through grace and the power of his unique and brilliant music. Finally, the song becomes truth. And the truth becomes song.” —LUCINDA WILLIAMS For Tony And all my other absent friends Contents Praise for Sing Backwards and Weep Dedication Title Page Epigraph Prologue 1 Childhood of a Fiend 2 The Fragile Kingdom 3 Seduced, Fucked 4 If You Start Again, It Will Be as Though You’d Never Stopped 5 Meatloaf 6 Tiny Daggers 7 Fired, Rehired, and a Thousand Forms of Fear 8 Nice Wardrobe 9 Yeah, This Is the Cops! 10 House of Pain 11 Drinking Bloody Water 12 Strung Out and Exhausted 13 Enjoying the Idiot 14 Not Bad, Young Fella 15 Take Me to the River 16 Jeffrey Lee Pierce 17 Did You Call for the Night Porter? 18 It’s Genius, Don’t You Hear It? 19 Spanking the Monkey 20 Parasite Child 21 Days Gone Dark 22 Wilderness of Horrors 23 Go Fuck a Donkey 24 Back to the Needle 25 Night Out with Jerry 26 Seasons of Madness 27 Miss Australia 1971 28 Payback, the Bitch 29 The Lottery 30 Lucky 31 Is This Love? 32 Family Reunion 33 I Smoked Weed—HIV-Positive 34 Gold for Garbage 35 One Heavy Tear 36 Wu Tang to Waylon 37 Secret Death Games 38 See You in Miami, Mate! 39 Absence and Hardship 40 Ice-Cold European Funhouse 41 Cotton Fever 42 Last Rungs 43 Psychic Storms, Epiphany, and Rebirth Epilogue: The Wolf in Seal’s Clothing Acknowledgments Also by Mark Lanegan Copyright Fix It’s true It keeps raining baby So crystalline in my head Gonna watch from the balcony Sing backwards and weep PROLOGUE “Police.” At first his warning didn’t register, my mind fixated on the pinprick ending of the morning’s routine, the relief from what at this point was only a dull, aching pain. “Police,” the African cab driver whispered again in a thick accent while motioning with a roll of the eyes and quick hunch of his shoulders to look in the rearview mirror where, sure enough, the three young guys following in the van behind looked like undercover cops, eager to beat someone’s ass. Maybe mine. My six-foot-four cross-dressing drug buddy St. Louis Simon and I had just scored a bag of dope and a bag of coke, both of which I had thrown somewhat carelessly in my unbuttoned shirt pocket. I had a sack of new rigs stuffed in the front pocket of my tight pants as I hadn’t expected to encounter the authorities today. Now I felt totally exposed. Another ten blocks across Seattle’s Capitol Hill and it was obvious we were indeed being followed. As the car pulled up just down the street from my building I hopped out and started walking up the sidewalk, trying my best to act naturally. Simon got out the other side and, wearing a trailer- park-style denim skirt and wedge shoes that made him even taller, started to cut across the gravel lot between buildings where out the corner of my eye I saw two guys tackle him to the ground … not good. I was almost to the corner when a short, young cop in jeans and muscle shirt suddenly jumped around in front of me, held a badge in my face, and said, “Hold on a second, buddy! Where ya off to so fast, buddy?” Hands raised automatically, I did my best full-of-shit, bewildered, what’s-this-all-about look. “I’m just going home.” I pointed dumbly to my apartment building. “What’s this?” he asked, reaching out to squeeze the drugs through the thin cloth of my shirt. “What the fuck, man? I live here! What do you want?” I yelled while pulling away from him with phony indignation. In my head, I quickly calculated how sick I’d be in jail before making bail since I hadn’t done a shot yet that morning. Down the street, I could see both Simon and the cab driver sitting curbside in handcuffs, feet in the gutter, the entire backseat pulled out of the cab. “Okay, man, let’s see some ID.” In my mind, I saw my passport upstairs on the coffee table covered in crack pipes and the huge pile of used syringes next to it. That wasn’t going to be an option. “I don’t have it on me. My name is Mark Lanegan.” The cop narrowed his eyes, took a hard look at me, then said, “Didn’t you used to be a singer?” After walking me back down the street to the surveillance van, he took a small black-and-white photo off the dashboard: a guy they wanted for auto theft and who looked something like me. He had me sign it with a ballpoint pen, then let us be on our way. 1 CHILDHOOD OF A FIEND With the umbilical cord wrapped around my neck, I was born by C-section in November 1964 and then came up on the wrong side of the Cascade Mountains in the small, eastern Washington town of Ellensburg. My family were from a long line of coal miners, loggers, bootleggers, South Dakotan dirt farmers, criminals, convicts, and hill billies of the roughest, most ignorant sort. They came from Ireland, Scotland, other parts of the UK. My grandmother on my mother’s side had been born in Wales to Welsh parents. The names of my parents, uncles, aunts, and grandparents came straight out of the Appalachians to the deserts of eastern Washington and every trailer park in between. Names like: Marshall and Floyd, my grandfathers; Ella and Emma, my grandmothers. Roy and Marvin and Virgil, my uncles. Margie, Donna, and Laverne, my aunts. Dale, my father. Floy, my mother. My older sister was given the name Trina. I was the only one who escaped with a non- backwoods white-bread name, a name I hated but thanked God for when I found out my mother had intended to name me Lance. Lance Lanegan. I couldn’t think of anything more ridiculous or humiliating and I thanked my father for not allowing it.