Publications for Alexander Gawronski 2021 href="https://alexgawronski.com/2018-2/screen/">[More Gawronski, A. (2021). Art as Critique under Neoliberalism: Information]</a> Negativity Undoing Economic Naturalism. Arts, 10(1:11). <a href="http://dx.doi.org/10.3390/arts10010011">[More 2017 Information]</a> Gawronski, A. (2017). Advanced Visual Studies. In: Advanced 2020 Visual Studies. KNULP, Sydney, Australia. Gawronski, A. (2017). Art is Not Magic. DI'VAN Journal of Gawronski, A. (2020). 1. John I 2. John II 3. Fernando I 4. Ideas and Accounts, 1(2), 108-123. <a Fran�ois I 5. Fernando II 6. Fran�ois II 7. Jean Pierre 8. href="https://artdesign.unsw.edu.au/about-us/divan- Extinction. In: Extinction. Taita Studio. Taita Artist Studio journal">[More Information]</a> Residency, Málaga, Spain. <a href="https://alexgawronski.com/2020-2/extinction/">[More Gawronski, A. (2017). Ghosts series: 1. Overhead 2. Portal 3. Information]</a> Threshold. In: The National 2017: New Australian Art. Art Gallery of New South Wales. Art Gallery of New South Wales; Gawronski, A. (2020). Curated from Within: The Artist as The Museum Contemporary Art; Carriageworks, Sydney, Curator. In Brad Buckley, John Conomos (Eds.), A Companion Australia. <a href="http://www.the-national.com.au/artists/alex- to Curation, (pp. 232-261). Hoboken: Wiley. <a gawronski/ghosts/">[More Information]</a> href="http://dx.doi.org/10.1002/9781119206880.ch13">[More Information]</a> Gawronski, A. (2017). Here and Nowhere: Artistic Identity on Social Media. Broadsheet Journal, 46(1), 27-30. <a Gawronski, A. (2020). The World Around Us. In: Artspace href="https://issuu.com/cacsabroadsheet/docs/broadsheet_46.1" Studio 2.12. Artspace Studio. Artspace, Sydney, Australia. <a >[More Information]</a> href="https://alexgawronski.com/2020-2/the-world-around- us/">[More Information]</a> Gawronski, A. (2017). Justene Williams. The National: New Australian Art, Sydney, Australia: Museum of Contemporary 2019 Art. Gawronski, A. (2019). 1. Untitled (Please/ do-not/ Enter) #1 2. Untitled (Please/ do-not/ Enter) #2 3. Untitled (Please/ do-not/ 2016 Enter) #3. In: Axes. Goya Curtain, Tokyo, Japan. <a Gawronski, A. (2016). Everything and Nothing. Hany href="https://alexgawronski.com/2019-2/axes/">[More Armanious, Sydney, Australia: Museum of Contemporary Art. Information]</a> Gawronski, A. (2016). Hany Armanious. MCA Collection Gawronski, A. (2019). Trouble Every Day. In: Trouble Every Handbook, (pp. 44 - 45). Sydney, Australia: Museum of Day. KNULP Gallery, Sydney, Australia. <a Contemporary Art. href="https://alexgawronski.com/2019-2/trouble-every- day/">[More Information]</a> Gawronski, A. (2016). No Place to Hide. Tony Schwensen, Sydney, Australia: Museum of Contemporary Art. 2018 Gawronski, A. (2016). Tony Schwensen. MCA Collection Gawronski, A. (2018). 1. Disjecta 1 2. Disjecta 2 3. Disjecta 3 Handbook, (pp. 314 - 315). Sydney, Australia: Museum of 4. Disjecta 4 5. Disjecta 5 6. Disjecta 6 7. Disjecta 7 8. Disjecta Contemporary Art. 8 9. Surface Effects 10. Last Impressions 1. 11. Last Impressions 2 12. Last Impressions 3 13. Last Impressions 4. 2015 In: Fouth World Problems. True Estate Gallery, Melbourne, Gawronski, A. (2015). Art and Celebrity:the quest for Australia. <a href="https://alexgawronski.com/2018-2/fourth- ultravisibility. Contemporary Visual Art + Culture: Broadsheet, world-problems/">[More Information]</a> 44(2), 14-16. <a Gawronski, A. (2018). Alarm. In: Contour 556: Canberra's href="https://issuu.com/cacsabroadsheet/docs/bs_44.2_ebsco/16 Public Art Biennial. Contour 556. Contour 556: Canberra's ">[More Information]</a> Public Art Biennial, Canberra, Australia. <a Gawronski, A. (2015). australian art now: same place, same href="https://alexgawronski.com/2018-2/alarm/">[More time. Contemporary Visual Art + Culture: Broadsheet, 44(1), Information]</a> 33-35. Gawronski, A. (2018). Sick Mood at Sunset. In: Sick Mood at Sunset. KNULP, Sydney, Australia. <a 2014 href="http://www.knulps.org/sick-mood-at-sunset">[More Gawronski, A. (2014). forever spring? Contemporary Visual Information]</a> Art + Culture: Broadsheet, 43(4), 14-18. Gawronski, A. (2018). The Watched. Brindley Family Galleries, Gawronski, A. (2014). Phase One - The Construction of Albury, NSW, Australia: Murray Art Museum Albury. <a Reality, Phase Two - The Art Crisis, Phase Three - Archaeology href="http://mamalbury.com.au/see-and-do/exhibitions/the- as a Political Practice. In: The Three Phases. University of watched">[More Information]</a> Sydney, Fisher Library, Sydney, Australia. Gawronski, A. (2018). Untitled (Screen). In: The Watched. Gawronski, A. (2014). The Politics of Withdrawl. Murray Art Museum Albury. Brindley Family Galleries, Contemporary Visual Art + Culture: Broadsheet, 43(2), 14-19. Murray Art Museum Albury, Albury, NSW, Australia. <a Gawronski, A. (2014). Words and Pictures. Sydney, Australia: Artspace. 2011 2013 Gawronski, A. (2011). Considering the future. Contemporary Visual Art + Culture: Broadsheet, 40.2 (June), 104-107. Gawronski, A. (2013). 1. Rue des Ursins (4 arr.) after Eugene Gawronski, A. (2011). Plenty of nothing: Atget 1900 2. Impasse de Bourdonnais (1 arr.) after Eugene art/money/installation. Contemporary Visual Art + Culture: Atget 1908 3. Rue Grenier-sur-l'Eau (4 arr.) after Eugene Broadsheet, 40.3 (September), 206-209. Atget 1900 4. Passy, passage des Eaux (16 arr.) after Eugene Atget 1901 5. Passy, passage des Eaux (16 arr.) after Eugene Atget 1901. In: Atelier Paris: The Power Studio. University Art 2010 Gallery, the University of Sydney, Sydney, Australia. Gawronski, A. (2010). Afterthought. In: Silent Spaces. Macquarie University, Sydney, Australia. Gawronski, A. (2013). 1. Vault, 2013 2. Limit, 2013 3. Stand Off (Property of M.B), 2013. In: Black Square - 100 Years. Gawronski, A. (2010). Australian Pavilion 2010: Swallow it, Australian Experimental Art Foundation (AEAF). Lion Arts Dog! (after Goya). Sydney, Australia: Institute of Centre, Adelaide, Australia. Contemporary Art Newtown. Gawronski, A. (2013). 1. Welcome, 2013 2. Machine, 2013. In: Gawronski, A. (2010). beauty of distance:postmortems: Alex Look this Way. UTS Gallery, Sydney, Australia. Gawronski. Broadsheet, (pp. 204 - 208). Adelaide, Australia: Contemporary Art Centre of South Australia (CACSA). Gawronski, A. (2013). Artist-Run=Emerging/A Bad Equation. Art Monthly Australia, 257(March 2013), 25-27. Gawronski, A. (2010). Belonging. In: Belonging. Institute of Contemporary Art Newtown, Sydney, Australia. Gawronski, A., Jancic, B. (2013). Biljana Jancic and Alex Gawronski Interview Brad Buckley and John Conomos. Brad Gawronski, A. (2010). Broadsheet | between art and action: lucy Buckley John Conomos - Monograph, 2013, (pp. 31 - 48). orta. Contemporary Visual Art + Culture: Broadsheet, 39.1 Sydney, Australia: Australian Centre for Photography. (March 2010), 49-52. Amperidis, I., Gawronski, A. (2013). Black Square - 100 Years. Gawronski, A. (2010). Broadsheet | biennales and artist directed Lion Arts Centre, Adelaide, Australia: australian experimental culture. Contemporary Visual Art + Culture: Broadsheet, 39.2 art foundation. (June 2010), 106-109. Gawronski, A. (2013). Critical art writing bemoaning a Gawronski, A. (2010). Broadsheet | uncertain terms: ahmet fundamental "crisis" in contemporary art is by no means new: ogut. Contemporary Visual Art + Culture: Broadsheet, 39.3 Sweeping art under the market. Contemporary Visual Art + (September 2010), 193-195. Culture: Broadsheet, 42(1), 30-33. Gawronski, A., Donovan, S., Cescon, C. (2010). Dirt: Iakovas Gawronski, A. (2013). Daisy Cutter. In: Living in the Ruins of Amperidis. Sydney, Australia: Institute of Contemporary Art the Twentieth Century. UTS Gallery, Sydney, Australia. Newtown. Gawronski, A. (2013). ICAN: Reinventing the Autonomy of the Gawronski, A. (2010). Free Art. In: Free Art. Peloton, Artist-Run Initiative. In Andy Dong, John Conomos, Brad Chippendale, Sydney, Australia. Buckley (Eds.), Ecologies of Invention, (pp. 99-112). Sydney, Australia: Sydney University Press. Gawronski, A., Cescon, C., Donovan, S. (2010). is not. Sydney, Australia: Institute of Contemporary Art Newtown. Gawronski, A., Jancic, B. (2013). Look this Way. Sydney, Australia: UTS Gallery. Gawronski, A. (2010). Look Ahead (Rent-this-Space). In: Hardbodies. Hazelhurst Regional Gallery & Arts Centre, Gawronski, A. (2013). Right Angle. In: Election Special: Dark Sydney, Australia. Arts. Marrickville Garage, Sydney, Australia. Gawronski, A. (2010). Loose Papers. Surry Hills: Art Gawronski, A. (2013). Scenery, 2013. In: Camouflage Cultures: Bookstore. surveillance, communities, aesthetics and animals. Sydney College of the Arts, the University of Sydney, Sydney, Gawronski, A. (2010). Odyssey. In: ICAN Covers. Institute of Australia. Contemporary Art Newtown, Sydney, Australia. Gawronski, A. (2013). Something in the air: internet art as Gawronski, A. (2010). On Seeing and (dis-)Believing. In archive and strategy beyond the gates of the museum. Stephen Cleland and Blair French (Eds.), Bruce Barber, Work Contemporary Visual Art + Culture: Broadsheet, 42.3 1970 - 2008, (pp. 134-145). Woolloomooloo: Artspace Visual (September 2013), 206-209. Arts Centre Ltd. Gawronski, A. (2013). Standards 2013. In: Easy Listening. Gawronski, A. (2010). Prophecy. In: Survey. 231 Wilson St, West Space, Melbourne, Australia. Eveleigh, Sydney, Australia. Gawronski, A. (2013). Studio Portrait no. 5, 2006/2013. In: Gawronski, A. (2010). Simon Barney; Forgotten Terrain of the Atelier Paris: The Power Studio.