SUBSCRIBE LOG IN Jackie Shane, Transgender Pioneer of 1960s Soul Music, Dies at 78 The soul singer Jackie Shane between sets in Canada in 1967. Jeff Goode/Toronto Star, via Getty Images By Liam Stack Feb. 22, 2019 Jackie Shane, a black transgender soul singer who packed nightclubs in 1960s Toronto before she stepped out of the spotlight for decades, only to re-emerge with a Grammy-nominated record in her 70s, has died. She was 78. Her death was confirmed by Douglas Mcgowan, her producer and friend. He said her body was found at her home in Nashville on Thursday. He said he did not know when she had died or the cause. Almost five decades passed between Ms. Shane’s 1960s career in Canada and her 2018 Grammy nomination for best historical album, for “Any Other Way.” The record introduced her to a new generation of fans, and today her face is part of a towering mural in downtown Toronto. “I do believe that it’s like destiny,” Ms. Shane told the Canadian Broadcasting Corporation this month. “I really feel that I have made a place for myself with wonderful people. What I have said, what I have done, they say it makes their lives better.” Jackie Shane was born in Nashville on May 15, 1940, and grew up as a black transgender child in the Jim Crow South. But she made her name after she moved to Toronto around 1959, becoming a force in its music scene and packing its nightclubs. She scored the No. 2 spot on the Canadian singles chart in 1963 with her silky cover of William Bell’s “Any Other Way.” The song is about putting on a brave face for the friend of an ex-girlfriend, but Ms. Shane gave it a subversive twist when she sang, “Tell her that I’m happy, tell her that I’m gay.” Ms. Shane said she identified as female from the age of 13, but throughout her 1960s career she was publicly referred to as a man. Speaking to The New York Times in 2017, she said she sometimes described herself to peers as gay. “I was just being me,” she said. “I never tried to explain myself to anyone — they never explained themselves to me.” As a child, she said, her unabashed femininity and unwavering self-confidence turned heads. In 2017, she told The Times about a grade school bully who unwisely threw a stone at her. The rock hit her, and the bully’s fate was sealed. “He wanted to torment me and I would never allow that,” Ms. Shane said. She picked up a jump rope and whipped the boy with it. When a teacher tried to separate them, she hit the teacher, too. Ms. Shane told the CBC this month that she had moved to Canada after witnessing a group of white men attacking a black man one night in Nashville. “One cannot choose where one is born,’’ she said, “but you can choose your home.” In Canada, Ms. Shane mingled with music royalty, sharing a stage with Etta James, Jackie Wilson and the Impressions and other stars. But in 1971 she abruptly left it all behind. In the following decades she became a cult heroine and a legend online, where fans speculated about where she had gone. The answer, it turned out, was Los Angeles. She told The Times in 2017 that she had left Toronto to be with her mother, Jessie Shane, who was living alone after the death of Ms. Shane’s stepfather in 1963. Ms. Shane may have been a star in Canada, but it didn’t feel right to her, she said, that her mother was living by herself so far away. So she went to live with her in Los Angeles, and they later moved back to Nashville, where her mother died in 1997. Mr. Mcgowan said on Thursday that Ms. Shane had no immediate survivors. After her mother died, Ms. Shane lived an intensely private life. She watched old movies and network dramas, ordered takeout and ventured outside only every once in a while. When she did, she wore a hat and dark glasses lest she be recognized. Ms. Shane watched history march on from the comfort of relative anonymity. In her interview with The Times, she shared her thoughts on the legalization of same-sex marriage (“We’ve had to fight for everything that should have already been on the table”) and shook her head at the state of pop music (“I’m going to have to school these people again”). One thing Ms. Shane did not do during her decade of Canadian stardom was record a studio album. That changed in 2017, when the Chicago-based label Numero Group released her anthology, which was later nominated for a Grammy Award. Ms. Shane shared her life philosophy with the CBC this month. “Most people are planted in someone else’s soil, which means they’re a carbon copy,” she said. “I say to them: ‘Uproot yourself. Get into your own soil. You may be surprised who you really are.’ ” Reggie Ugwu contributed reporting. A version of this article appears in print on, on Page D7 of the New York edition with the headline: Jackie Shane, 78, Transgender Soul Singer in 1960s. Order Reprints | Today’s Paper | Subscribe Related Coverage Jackie Shane, a Transgender Soul Pioneer, Re-emerges After Four Decades Oct. 15, 2017 ADVERTISEMENT Go to Home Page » NEWS Open in the app OPINION ARTS LIVING LISTINGS & MORE © 2019 The New York Times Company Contact Us Work with us Advertise Your Ad Choices Privacy Terms of Service Terms of Sale Site Map Help Subscriptions.