Munich and Thr National Socialism

Munich and Thr National Socialism

Unverkäufliche Leseprobe Winfried Nerdinger Munich and National Socialism Catalogue of the Munich Documentation Centre for the History of National Socialism 624 Seiten mit 850 teils farbigen Abbildungen. In Leinen ISBN: 978-3-406-67789-2 Weitere Informationen finden Sie hier: http://www.chbeck.de/14534363 © Verlag C.H.Beck oHG, München Introduction In January 1947, the two Nazi ‘Temples of Honour’ (Ehren- engage with the history of the ‘Third Reich’ in Munich re- tempel) on Munich’s Königsplatz were demolished by mained quite modest for a long time. order of the US authorities. The coffins of the 16 people Yet, the former ‘Capital of the Movement’ (Hauptstadt laid to rest there were removed. They had been shot in der Bewegung) had a very special reason and a particular the attempted coup on November 9, 1923 and honoured obligation to face up to its past. Munich was tied to and as ‘martyrs’ and ‘blood witnesses’ of their ‘movement’ by entangled in National Socialism more than any other city. the National Socialists in a pseudo-religious ritual.1 The al- Although the Nazi ‘seizure of power’ (Machtübernahme) most two-metre tall, 21 by 21 metre pedestals remained and the war of extermination cannot be explained from standing. At first, they were hidden behind a fence, and the perspective of a city history alone, Munich citizens as then in 1956, in light of the 800th anniversary of the city well as Munich authorities and institutions bore a decisive of Munich, they were covered over with plants. Grass share of responsibility for the emergence and spread of grew over them and the pedestals disappeared from the radical right-wing, anti-Semitic party, as well as for the view – a veritable symbol of the repression and ‘politics of rise of Hitler, Himmler, and Heydrich. It was from Munich the past’ (Vergangenheitspolitik) of the early Federal Repu- that the Dachau Concentration Camp was organised – the blic.2 In the conflicted post-war society of West Germany, epitome of the Nazi system of terror and its ‘school of the few opponents of the Nazi regime and its many ac- violence’. In 1938, the ‘Munich Agreement’ was con- complices and followers joined together in a sort of truce cluded here, which has caused the name of the city to be in order to reconstruct the destroyed nation. The wounds associated with a failed appeasement policy and annexa- would heal, but the price of this was that almost all former tion throughout the world ever since. And it was in party members, even those who had committed serious Munich’s City Hall on November 9, 1938 that the call for crimes, were integrated into the society of West Ger- a pogrom against the Jews arose – thus launching the many in the mid-1950s. The pedestals on Königsplatz dis- Holocaust. Why of all places was Munich in the 1920s fer- appeared beneath the overgrowth, and atop the slaughter- tile ground for pioneers and murderers of the later Holo- house3 left behind by the Nazi regime, the economic caust? Why did some of the worst crimes originate in Mu- miracle flourished. nich? These questions deeply affect the self-understand- The repression of the National Socialist past proceeded ing of a city that has advanced to become the ‘secret cap- in Munich in the first two decades after the war much as ital’ of the Federal Republic and has profited from a self- it did in the rest of West Germany.4 Only when a genera- made image as the ‘world city with a heart’ (Weltstadt mit tional shift occurred in the 1970s and 1980s did wide sec- Herz). tions of the population gradually begin to develop a con- It was only in the 1990s that citizens’ initiatives, city sciousness of guilt and responsibility. While people in district groups, regional commissions, and individual poli- many West German cities began to intensively discuss ticians in Munich, with the support of national and inter- Nazi history and to refer to it in public spaces, efforts to national media, gained enough influence to finally make Introduction 9 the Munich city council (in 2001) and the Bavarian state period to the present, and it aims to teach and yield in- parliament (in 2002) pass a resolution to build a Docu- sight into how ‘democracy can fail‘, into ‘marginalisation mentation Centre for the History of National Socialism on as the beginning of inhumanity’, and ‘against forgetting – the premises of the former ‘Brown House’, the party head- for democracy’. quarters on Königsplatz. Then, engaged citizens and asso- Consequently, the Documentation Centre is, above all, ciations joined together to form an initiative to accompany a place where the historical events and contexts are con- and advance further discussions and actions concerning veyed as objects of knowledge,5 because knowledge the future centre. In 2008, a contract was finally agreed about National Socialism is declining among the general between the federation, the Bavarian state, and the population almost at the same rate as scholarly research municipality concerning the financing of the building after on it is growing. However, only on the basis of knowledge protracted stages with consultants and committees. In can one gain insight and develop critical reflections. For 2008/09, an architectural competition followed, and in this reason, it is the aim of the Docu mentation Centre to March 2012 the cornerstone of the new building designed become a place where dealing with the crimes of National by the Berlin architectural firm Georg Scheel Wetzel was Socialism can reassure us of our democratic achieve- laid. ments, which have to be defended anew every day. In 2011/12, on behalf of the cultural department of the Reinhart Koselleck has pointed out that remembrance city of Munich, Hans Günter Hockerts, Marita Krauss, of National Socialism needs to begin with this question: Peter Longerich, and Winfried Nerdinger developed a “What should be remembered?”6 It is a matter of re- plan for the Documentation Centre’s exhibition on the membering a “negative event” – a lack of freedom, mur- basis of previous consultations and recommendations der, and crime. Historically, this sort of “negative mem- from an advisory board of scholars. In 2012, the publisher ory” has always been shaped by an attempt to compen- of the present volume was appointed the centre’s found- sate for past misdeeds by means of revenge, punish- ing director. He compiled the script for the permanent ments, or acts of atonement, or conversely to reinterpret exhibit together with a team of scholarly colleagues, as “negative memories” as something positive. “However, well as with those who had drafted the initial plan, several there is no such interpretation that could retroactively ex- external working groups, and numerous other historical cuse the crimes of National Socialist Germans.” As a re- experts. The plan was implemented in cooperation with sult, the answer to the question of what should be re- several exhibition designers and involved on-going adap- membered must be “that for us Germans there is only tation to architectural and pedagogical requirements. the one possibility: The perpetrators and their misdeeds Several crucial provisions provide the framework for must be included in the remembrance and not only the the Documentation Centre for the History of National So- victims alone. This distinguishes us from other nations. cialism in Munich. It is not a museum or exhibition hall, For we are politically responsible, and therefore we must nor is it a research or study centre, but rather a ‘place for bear in mind the criminals and their crimes and not just learning and remembrance about the history of National commemorate the victims.”7 Socialism’ in Munich. Thus, it is, on one level, about his- Thus, dealing with the perpetrators and their actions torically documenting the emergence, development, and and motivations forms the basic content of the Documen- after-effects of National Socialism in Munich with a few tation Centre. This orientation is strengthened through central, guiding questions: ‘Why Munich?’, ‘How did this the incorporation of authenthic ‘perpetrator sites’ (Täter- descent into a society of radical exclusion come about?’, orte), because the Centre occupies the site of the former ‘How did racism and violence escalate in the war?’ On Nazi Party headquarters on Königs platz, then called the another level, it is intended as a place where visitors can ‘Forum of the Movement’, right in the heart of the Nazi recognise that what happened then is still pertinent to us district, where about 6000 people kept the various party today. Accordingly, the exhibition also includes the way organisations and their activities functioning until the end the Nazi past has been dealt with from the post-war of the war. 10 Introduction Even the location of the Documentation Centre is rele- theticisation and create an aura around them. Additionally, vant, focusing our attention on the perpetrators of the the documentation of the actions of perpetrators at a ‘per- mass crimes. This placement provides a crucial founda- petrator site’ has to exclude any form of em pathising or tion for the exhibition’s entire concept: The authentic emotionalising. Therefore, the exhibition exclusively uses ‘perpetrator sites’ form part of the documen tation and its reproductions and reproducible media including photo- presentation. Only by bringing into view the perpetrators graphy and film, together with explanatory texts. The aim and their accomplices, the causes, backgrounds, motiva- is to contextualise historical events and clearly mediate tions, and structures that led to the racist war of extermi- them in an objective way. It is about explaining and under- nation and to the Holocaust can be found and highlighted. standing, or, in the words of Klaus von Dohnanyi: “We Herein lies the very special meaning of an exhibition at a need ruthless enlightenment, we need a bright light to site where the perpetrators planned their crimes: Sites really illuminate the dark past.”9 that commemorate victims are about empathy with those In order to appeal to and reach as many visitors as pos- who were persecuted, but looking at the victims cannot sible, the permanent exhibit is structured to present in- explain why they were persecuted.

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