Vol. 42, No. 1 Published monthly by the Oklahoma Historical Society, serving since 1893 January 2011 OHS Annual Meeting to feature concert by Michael Martin Murphey The Annual Meeting Committee, chaired by Bob Klemme of Enid, has announced that a highlight of the Annual Meeting this April will be a concert by recording artist Mi- chael Martin Murphey. The concert will be held at the Briggs Auditorium on the campus of Northern Oklahoma College in Enid on the evening of Thursday, April 28, 2011. Staged by the OHS to thank the donors who made the creation of the new Cherokee Strip Regional Heritage Center in Enid possible, the concert is an invitation only event. Those donors and their families will be invited to obtain tickets to the concert by the Friends of the Cherokee Strip Regional Heritage Center. In addition, OHS members who register to attend the An- nual Meeting will be invited. There will be no charge for the concert but individuals must have a ticket to attend. Annual Meeting presenters, session moderators, and OHS employees and volunteers who work at the Annual Meeting also will be invited to the concert. Murphey is the best-selling singer/songwriter of American cowboy music who also has enjoyed success as a singer/songwriter in the pop and countryw-estern fields. A founder of the “Texas Music Scene” at Austin in 1970, he was the first singer/song- writer of this Austin scene to be signed to a major record label while living and per- forming in Austin. His initial “Cowboy Songs” album became the first gold album of cowboy music since Marty Robbins. Murphey is considered to be the world’s most prominent musical representative of the western horseman, the horse rancher, cattle rancher, and cowboy. Image from Another Hot Oklahoma Night: A For more information, please contact Paul Lambert at (405)522-5217 or Rock and Roll Exhibit, courtesy of Howard [email protected]. Pollack. In Memoriam: Rex M. Ball Rex M. Ball, member of the OHS Board of Directors, died November 28, 2010, in Memphis, Tennessee. An Oklahoma City native born on June 14, 1934, and a longtime Tulsan, Rex Martin Ball was an internationally known architect and urban designer who for many years championed historic preservation. He earned a bachelor’s degree in architecture from Oklahoma State Univer- sity and a master’s degree in architecture from Massachusetts Institute of Technology. He founded the Tulsa office of the architecture-design firm HTB Inc. in 1962. In 1994 he was named the firm’s chairman emeritus after nearly forty years in practice and with projects ranging from local expansion jobs at St. Francis Hospital and Tulsa Community College to the design of the Minis- try of Defense and Aviation Complex in Saudi Arabia. That same year Presi- dent Bill Clinton appointed Ball to the U.S. Commission of Fine Arts in recog- nition of his professional achievements and reputation. Ball was especially well known in Tulsa for his efforts to recognize and pro- tect the city’s art deco architectural landmarks. A former president of the Tulsa Historic Preservation Commission, he co-founded the Tulsa Art Deco Society and served as its president. Elected to the OHS Board in 2008, Ball was on the Historic Preservation and Development/Endowment/Membership committees. His contribution of his family and HTB Inc. archives to the OHS has been the single most significant contribution of records on architectural history that the Society has received to date. drew the community’s attention to the New Members, November 2010 theme of creativity as both a template for *Indicates renewed membership at a higher describing success and a goal for individ- level ual ambition and public policy. Here at the Oklahoma Historical Society, Fellow Director’s we are using the history of creativity as a *Governor and Mrs. David Walters, Oklahoma City window into our collective past. Associate Column As suggested by Director of Collections *Dr. and Mrs. William Beasley, Oklahoma City Larry O’Dell, the emerging theme of the *John Myles and Erin Van Laanen, Oklahoma City new museum in the Brady District of Tulsa Friend is “Crossroads of Creativity.” Using popu- *G.W. Armor, Oklahoma City *Mr. and Mrs. Jack Graves, Marlow lar culture and shared memory, we are *Mr. and Mrs. Kurt Leichter, Edmond working on a master plan that follows the *Niki Richardson, Lindsay By Bob L. Blackburn trajectory of creativity from its root stock to *Charles Sanders, Norman *Mr. and Mrs. Fred Schonwald, Jr., Oklahoma City Executive Director its flowering at the individual level. *Luann Waters, Wynnewood This will allow us to use music, movies, Family television, radio, Wild West shows, Route Historians have spent years trying to *James Anderson, Norman 66, books, theater, and other forms of pop- Elora Carder, Afton identify the key themes that describe the ular culture to explore strands of the Mr. and Mrs. Philip Comp, Oklahoma City Randy Cravens, Clinton Oklahoma experience. Oklahoma experience. Arrell Gibson thought it was mobility, a Dan and Rene Deloria, Moore Using the “crossroads” metaphor, we Geraldine Dilbeck, Porter characteristic that links the Comanche to will be able to show how Oklahomans’ cre- Mr. and Mrs. Alan Eberle, Shawnee the 89ers, horse culture to car culture, and *Robert Hays, Chickasha ativity is rooted in broader themes, economic development to the willingness Bill Hindman, Edmond whether it is American Indian culture, car David Jacob, Piedmont to pack up our lives and move to the next culture, Scots-Irish culture, or settlement *Mr. and Mrs. Steve Kline, Fort Worth, TX place of opportunity. Mr. and Mrs. Larry Lee, Oklahoma City patterns. Then we can illustrate the many Some see Scots-Irish culture as the un- Mr. and Mrs. Don McClintock, Oklahoma City ways that Oklahomans’ creativity has in- *Robert McDonald, Norman derlying theme of our state’s personality, fluenced others, both in the state and *Mrs. W. Cheryl Moore, Edmond expressed through social conservatism, around the world. Jeffrey Mosburg, Jenks patriotism, and an attitude that encour- Quintin Parrott, Lone Grove We think a new kind of museum, orga- ages members of the clan to never back Mr. and Mrs. Lynn Pringle, Oklahoma City nized around the creativity of people like Reed Smith, Oklahoma City down. Will Rogers, Bob Wills, S.E. Hinton, Leon Scott Swearingen, Tulsa Others can cite factors such as the Mr. and Mrs. Floyd Thompson, Stillwater Russell, Woody Guthrie, Ron Howard, patch-work history of settlement, the leg- Michael Thompson, Ardmore Mary Kay Place, and the Miller Brothers, *Linda Vassar, Montrose, MO acyofAmericanIndianculture,orthe will offer us a new tool to draw people into Hannah Weaver, Inola boom and bust cycles of a colonial econ- Bob and Marylee Welch, Edmond the conversation about history. omy. The list of options is both long and Robert Winters, Jr., Midwest City Yes, historians have spent years trying fascinating. Institutional to identify the key themes of the Oklahoma More recently, a growing number of peo- Genealogy Center, Tulsa experience. We think creativity may be the Rose State College LRC, Midwest City ple have seen creativity as a cohesive ele- new frontier. Individual ment to explain the Oklahoma experience. Jeff Bengs, Crescent Led by Susan McCalmont, Burns Chad Boese, McLoud Hargis, Ken Ferguson, and Chickasaw Mike Borelli, Oklahoma City Governor Bill Anoatubby, the World Cre- Mary Pat Broussard, Jackson, LA Lydia Clement, Anniston, AL ativity Forum staged in Oklahoma City William Dunlavy, Sand Springs Mary Jo Finley, Plano, TX Paula Hess, Newcastle Development News Neal McCaleb, Edmond David Pennington, Tulsa By Paul F. Lambert Margaret Reynolds, Oklahoma City Mallory Roark, Tulsa It is a new year, and we have a number of Dee Dee Tucker, Jennings challenges ahead of us at the Oklahoma His- torical Society. As everyone knows, our bud- gets over that past several years have been Oklahoma Historical Society tight. We have worked hard to do more with fewer people, and we have been successful. Membership Office: Alma Moore 405/522-5242 However, the prognosis for the next fiscal year, starting July 1, 2011, is for additional cuts <[email protected]> in state appropriations. As always, we will continue to conserve and pursue our mission of Mistletoe Leaves (USPS 018–315) is published monthly by the Oklahoma Historical Society, 800 Nazih Zuhdi Dr., Oklahoma City, OK 73105–7917. Pe- collecting, preserving, and sharing Oklahoma’s history. riodicals postage paid at Oklahoma City, OK. (ISSN 1932-0108) Past and possible new cuts in state appropriations make private support of the OHS POSTMASTER: Send address changes to Mistletoe Leaves, 800 Nazih Zuhdi more important than ever. Membership retention and growth is vital to the OHS. We are Dr., Oklahoma City, OK 73105–7917. By authorization of the Oklahoma Historical Society’s Board of Directors, grateful to our loyal members, many of whom have been with us for decades. In addition, 6,000 copies are prepared at a cost of $1,302.72 each month. The publication is financed in part with federal funds from the National Park Service, United donationstosupportspecialprojectsarecriticallyimportanttousaswestrivetoimprove States Department of the Interior. Contents and opinions do not necessarily reflect the views or policies of the the quality of our exhibits and programs statewide. A prime example of this is the more Oklahoma Historical Society or the United States Department of the Interior. Mention of trade names does not constitute endorsement or recommendation than $9,000,000 in private funds raised to make possible the new Cherokee Strip Regional by either organization. Heritage Center in Enid, which will open this spring. Thanks to the leadership of Lew and Mistletoe Leaves is published for the members and friends of the Okla- homa Historical Society in partial fulfillment of the Society’s purpose to Myra Ward of Enid, more than 530 donors supported that project.