Exhibit goes beyond straight print By Gary L. Presley tures." the photographs texture, graphs as The Lantern De Alfaro achieves well as his whether accenting the methods. He chose male - rough, elegant bright, dull and slightly curves of a woman's backer nudes as subjects Live Joni His photographs look as unexpected colorations in because By Gary L. Presley in others. tor in the sound of this Metheny s group, and a man 's legs. artistically they are , if they have been painted , his photographic prints by "very The Lantern Mitchell's voice also album is Jaco Pastorius , Don Alias a former De Alfaro says the taboo" and difficult to deal rougher, the current Weather Weather Report percus- embossed and riddled with "painting" them. pinholes have Review sounds a little tiny holes. the same ef- with. like it has an edge, in Report bassist, who sionist, fill out this ex- The painting is done en- fect a lace curtain in front De Alfaro They look that way says this taboo this live setting. began playing on Mitch- cellent band. be- tirely with photochemi- of a photograph would. makes it challenging cause that is what he, cals. Colors in his prints and Joni Mitchell gives her But her voice becomes ell's albums with "Hej- There is also some These textures were very forces him into "taking a clear as she elegantly ira." squawking through most Luciano Franchi de Alfaro range from earthy browns appealing to one viewer in fans another nudge with III , has done to them. definite stand" in his the release of her sec- eases into the jazz Pat Metheny, gener- of the album that is pas- to bright pinks. With some the gallery. Cindy Willett, a works. , phrasings of "Goodbye ously billed as lead sed off as saxophone and "My nature is experi- prints it takes de Alfaro up sophomore from Columbus ond live album mental ," de Alfaro All of his displayed "Shadows and Light." Pork Pie Hat." guitarist, plays beauti- attributed to Michael says. to 60 hours to see the re- majoring in photography, photographs He is the first in a series sults of his work. have a human When listening to the "In France They Kiss fully behind Mitchell. Brecker. said she had "never seen form as the subject, the and He is especially good on The Persuasions, an a of five artists who will pre- De Alfaro holds degrees things like this before. album for the first time On Main Street" sent exhibits in the Silver " majority are male nudes. most of the songs on "Free Man In Paris" "Amelia " and "Furry cappella group, provide in sculpture and fine arts. De Alfaro destroys De Alfaro' Image Gallery this quarter. He has been in photo- s photographs "Shadows and Light" were originally light Sings the Blues." Mitchell with back-up. prints , Willett said , but he will be on display in Has- sound rough and un- and breezy, slightly Since most Mitchell Even with those The theme of the photo- graphy for about five years. "destroys prints in a beaut- kett Hall' graphy series is "Beyond Besides painting his s Silver Image finished compared to jazzy pop tunes. songs have generous damnable scratches , iful way." Gallery, weekdays from 8 rhythm and sparse lead pops and clicks included the Straight Print." prints , de Alfaro uses pins the studio versions. The changes come not De Alfaro, De Alfaro takes chances a.m. through 5 p.m. until This is because Mitch- only from Mitchell , but guitar parts, Metheny in the price of almost an artist in re- to poke holes in them. A with the subjects he photo- Nov. 7. ell has changed the does not get heard as every Elektra/Asylum sidence in Chicago, has viewer might expect also from the musicians without a doubt extended phrasings in some of the she uses as her back-up much as he deserves. pressing I know of , photographs that appear to songs and drastically al- Lyle Mays , the "Shadows and Light" is the meaning of "photo- have been fired at with band. grapher" to " tered the arrangements The most obvious fac- keyboardist in Pat wonderful. one who uses buckshot. 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