Marked: A Collection of Works on Paper Curated by James Gallagher Jacob Buckner, Matthew Craven, Bella Foster, John Gall, Casey Gallagher, James Gallagher, Ryan Gallagher, Johanna Goodman, Jordin Isip, Rich Jacobs, Eden Lynch, Taylor McKimens, Allyson Mellberg-Taylor, Jason Polan, Simone Shubuck, Rodger Stevens, Josie Stevenson, Todd St John, Adam Stolorow, Storm Tharp, John Whitlock, Bryce Wymer Gallery at Atlas 11 Spring St, Newburgh, NY Sept. 28 – Oct. 26, 2019 Saturday–Sunday: 12–6pm Monday–Friday: By appointment Following empress Dildospeer Shoving a knife into the back of The men who will never be remembered- as she leads us against the the police chiefs neck, 2018 (the hand of god), 2019 state, 2018 Monotype Offset lithograph Monotype 23” x 15” unframed 35’’ x 37’’ unframed 23” x 15” unframed $450 $600 $450 SOLD Jacob Buckner Jacob Buckner is a recent graduate of Purchase College, SUNY. Why are some historical objects collected and recorded while others are forgotten? What are the forgotten histories beneath the surface? My prints/drawings on paper act as a transcript of these histories. To take away, to smudge, to rip, and to erase an image illuminates the states between memory and decay. My performances, paintings, and installations follow the works on paper where an archive is asserted while at the same time it is corroded, doubled, negated, and forgotten again. Relics l, 2017 Containment ll, 2017 Crossbearer, 2017 Origins ll, 2017 Ink and found images on found paper Ink and found images on found paper Ink and found images on found paper Ink and found images on found paper 14” x 22” framed 14” x 22” framed 14” x 22” framed 14” x 22” framed $2500 $2500 $2500 $2500 Courtesy Asya Geisberg Gallery, Courtesy Asya Geisberg Gallery, Courtesy Asya Geisberg Gallery, Courtesy Asya Geisberg Gallery, New York New York New York New York Matthew Craven Attentive to physicality, Matthew Craven’s works on paper are laboriously hand-drawn on the backs of large vintage movie posters, adding a layer of age to pieces already absorbed in the passage of time. Often acquiring several copies of the same vintage textbook, he collages repeating images of ancient art and archaeological remains onto hand-drawn geometric patterns inspired by textiles and decoration from around the word. Craven’s fusions erase particularity, suggesting the primacy of geometric abstraction in our visual vocabulary and implying that patterns and perhaps histories across cultures reflect rather than oppose each other. Relying exclusively on educational and travel sources, his juxtapositions have an eerie déjà-vu quality, a result of the cultural bedrock that is embedded in our psyches. Matthew Craven was born in Michigan. He earned a BFA from Michigan State University, and received his MFA from the School of Visual Arts, NY. He has exhibited widely in the United States and abroad, including solo and two-person exhibitions at David Shelton Gallery, Houston; DCKT Contemporary, NY; Allegra LaViola Gallery, NY; Marvelli Gallery, NY; Gallery Hijinks, San Francisco; Packing, Detroit; 101/Exhibit, Los Angeles; Asya Geisberg Gallery, NY; and Get This! Gallery, Atlanta. Group exhibitions include Danese/Corey, NY; Hashimoto Contemporary, Los Angeles; SPRING/BREAK, NY; Muster-Meier, Switzerland; Richard Heller Gallery, Los Angeles; Perry Rubenstein, NY; and the Hole, NY; among others. Craven has been reviewed in The Brooklyn Rail, Art Critical, The Huffington Post, Art F City, and Burnaway, and has curated exhibitions at DCKT, Asya Geisberg Gallery, and Nudashank. 11” x 13” framed Echo Park, 2019 Clay Idol, 2019 On the Beach, 2019 Watercolor Watercolor Watercolor 16” x 20” framed / 11” x 13” unframed 11” x 14” framed / 8” x 9” unframed 11” x 14” framed / 8” x 10” unframed $1500 $1200 $1200 Bella Foster Bella Foster was born in Los Angeles, CA in 1985 and lives in Grass Valley, CA. She received a Bachelor of Fine Art from the School of Visual Arts in New York, NY in 1997. One person exhibitions of her work have been presented at Canada, New York, NY (2017), South Willard, Los Angeles, CA (2015), and Art Since the Summer of 69, New York, NY (2010), and a two-person exhibition with Elwyn Palmerton was presented at Southfirst, Brooklyn, NY in 2008. Foster’s work has been featured in thematic exhibitions such as Palo Santo, Ratio 3, San Francisco, CA (2018); Fort Greene, Venus Over Los Angeles, Los Angeles, CA (2016); Material, Salon 94, New York, NY (2012); Greater Brooklyn, CRG Gallery, New York, NY (2005); and Where are we going? Where do we come from? And where are we going?, Champion Fine Art, Los Angeles, CA (2004). PRICE LIST “Half-titled 001” $750 PRICE LIST “Half-titled 001” $750 “Half-titled 002” *The piece, “Half- $750 (spoken for)* titled 002” has been promised to someone but if a buyer was interested in acquir- ing the whole group for say, $3500 I can “Half-titled 002” *The piece, “Half- titled 002”figure has something been out $750 (spoken for)* as a replacement for “Half-titled 003” promised to someone my friend. $750 but if a buyer was interested in acquir- ing the whole group for say, $3500 I can figure something out “Half-titled 003” as a replacement for $750 “Half-titled 004” my friend. $750 “Half-titled 004” “Half-titled 005” $750 $750 “Half-titled“Half-titled 005” 009” $750 $750 Half-titled 001, 2019 Half-titled 002, 2019 Half-titled 003, 2019 Half-titled 004, 2019 Half-titled 005, 2019 Half-titled 006, 2019 Found paper collage Found paper collage Found paper collage Found paper collage Found paper collage Found paper collage 6” x 9” framed 6” x 9” framed 6” x 9” framed 6” x 9” framed 6” x 9” framed 6” x 9” framed $750 $750 $750 $750 $750 $750 SOLD “Half-titled 009” $750 John Gall For the past 25 years, graphic designer John Gall has designed award-winning books and covers for the likes of Haruki Murakami, Vladimir Nabokov and Dave Eggers. What began ten years ago as a personal pursuit to expand his way of visual thinking, the collage work soon became its own form of artistic expression and has grown to address themes beyond its original intent. Working strictly within the parameters of cutting and glueing paper to paper, Gall questions and dismantles the decision making process as it relates to our own instinctive and learned notions of what means to make art. The pieces shown here are part of an ongoing series called “Half-titled” which begin with the half-title page from books he has scavenged and is a play on the art world trope of titling art as “Untitled”. Kadija, 2018 Ink $750 Casey Gallagher Casey Gallagher is a recent graduate of the Cooper Union and is busy drawing somewhere in Brooklyn at this exact moment. Collages, 2019 Found paper $550 each James Gallagher James Gallagher uses collage to investigate human form and personal identity. His work has been exhibited in galleries around the world and featured in publications such as The Lab Magazine, Elephant Magazine, unFlop Paper and NYArts. His images have appeared in numerous books from Die Gestalten Verlag, including Cutting Edges: Contemporary Collage which Gallagher co-edited. Over the past decade he has curated numerous international collage exhibition and is the publisher, editor and creative director of the contemporary art magazine Secret Behavior. Untitled (Pure Honey), 2018 Untitled 2, 2018 Acrylic and cut paper Acrylic and cut paper Untitled 1, 2018 16” x 20” framed 30” x 30” unframed Acrylic and cut paper $450 $750 30” x 38” unframed SOLD $750 SOLD Ryan Gallagher Ryan Gallagher is a mysterious artist who’s currently living, working, and surviving in Brooklyn, NY. The Catalogue of Imaginary Beings The Catalogue of Imaginary Beings The Catalogue of Imaginary Beings , Plate No. 369, 2019 Plate No. 257, 2019 Plate No. 367, 2019 Collage on masonite Collage on masonite Collage on masonite 15.5” x 23.5” unframed 15.5” x 23.5” unframed 15.5” x 23.5” unframed $1000 $1000 $1000 Johanna Goodman New York-based Artist, Johanna Goodman studied at Boston University’s School of Fine Art (Boston) and Parsons School of Design (NYC) where she graduated with a Bachelor of Fine Arts in Illustration in 1992. She has been a freelance Illustrator ever since. Her work has garnered awards from The Society of Publication Design, American Illustration, and Communication Arts. In July 2017 she was awarded a NYSCA/NYFA Artist Fellowship grant for Printmaking / Drawing / Book Arts for her work on The Catalogue of Imaginary Beings. Clients include: The Metropolitan Transit Authority of New York, The Museum of Natural History, The Rock & Roll Hall of Fame, West Elm, Habitat Skateboards, The Sidney Hillman Foundation, The Paley Center for Media, Time Magazine, Rolling Stone, Le Monde, The New York Times, The Wall Street Journal, The Washington Post, The Los Angeles Times, New York Magazine, Entertainment Weekly, Bust Magazine, Smithsonian Magazine and The Progressive among many others. By and By, 2019 Mixed media 30” x 22” unframed $2200 Jordin Isip Jordin Isip is from Queens, NY, and has a BFA from RISD (Rhode Island School of Design). His work has appeared in numerous publications including The Atlantic, The Baffler, Juxtapoz, McSweeney’s, The New York Times, Rolling Stone, and Time, as well as on book covers, theater posters, and music packaging. Jordin has received recognition from American Illustration, The Art Directors Club, Communication Arts, Print, and the Society of Illustrators. He has exhibited throughout the U.S. and in Berlin, Hong Kong, Kilkenny, London, Manila, Paris, and Rome. Jordin has curated over two dozen group shows including Mystery Meat at Future Prospects (Philippines), Scab On My Brain at Space 1026 (Philadelphia), Melted City at Blanc Gallery (Philippines), and Panorama Project 3 at Jonathan LeVine Gallery (NYC).