IMS Business Report 2015 an Annual Study of the Electronic Music Industry by Kevin Watson

IMS Business Report 2015 an Annual Study of the Electronic Music Industry by Kevin Watson

IMS Business Report 2015 An annual study of the Electronic Music industry by Kevin Watson 1 IMS Business Report 2015 by KevinWatson.net The IMS Business Report 2015 covers five different aspects of the industry Music 1 Sales of tracks, albums and streaming by country DJs & Live Acts 2 Profiles of leading artists, including earnings and social media Clubs & Festivals 3 Popularity of festivals and clubs around the World Companies & Brands 4 Key players in industry, recent M&A activity and partnerships Industry Overall 5 Updated estimate of value growth of Electronic Music globally Hint: follow the sections through the report by looking for the starred number at the top of each page 2 IMS Business Report 2015 by KevinWatson.net 1 Music Dance share of US track sales in 2014 equalled all-time high, with even higher share of streams Electronic / Dance Music Share of Sales by Format (USA) • Dance’s share of digital Streams track sales is now 1.5x the level it was in 2011, maintaining the 4.6% first achieved in 2013 Digital Tracks • Album share slipped significantly in 2014, but this could well be a one- off Albums • In terms of streams, Dance significantly over- indexes, accounting for 6.8% in 2014 Source: Nielsen Music U.S. report 3 IMS Business Report 2015 by KevinWatson.net 1 Music In both the USA & Canada, Dance is the 4th most popular genre for streams – higher than Country Share of Streams by Genre (2014*) USA Canada • Dance accounted for 1 in every 10 streams in 29 21 Canada in 2014 • In the USA, total streaming across all 25 26 genres grew by 55% YoY, in comparison to album and track sales 21 27 which both declined >11% • Consumers listened to 7 10 an estimated 12 billion Dance / Electronic streams in North 6 5 America in 2014 Note: * For Canada, data from July-December 2014 only; 4 Source: Nielsen Music U.S. Report 2014; Nielsen Music Canada Report 2014; IMS Analysis IMS Business Report 2015 by KevinWatson.net 1 Music The official videos of the Top 9 EDM tracks in 2014 generated over 2bn views on YouTube Views & Likes Subscriptions Audiences 9 tracks on the Billboard Subscribers to EDM • EDM fans are more Top 100 2014 were EDM – channels grew likely to be online official videos of these significantly in 2014 • Consumers less than 25 tracks generated a huge years old view most number of views and likes EDM content on on YouTube YouTube • Those between 25 and 34 years old were the 2.3bn EDM segment with views highest growth in 2014 • Even interest in EDM on 8.4m YouTube amongst 35 to likes 49 year olds grew 80% last year 5 Source: Think with Google – ‘Have You Heard of EDM?’ report IMS Business Report 2015 by KevinWatson.net 1 Music Dance’s share of single sales in the UK reached an 8 year high in 2014 Dance Music Share of Sales by Format (UK) • Dance music share of singles grew slightly YoY in 2014, to the highest Compilations level since 2006 • 27 of the 100 top selling singles of the year were Dance, as were 1st and 3rd Singles most streamed tracks on Spotify (Clean Bandit – Rather Be, Mr Probz – Waves) Albums • Share of Compilations and Albums dropped slightly, but the genre maintained position of 2nd and 3rd most popular, respectively Source: Official Charts Company / BPI, Spotify 6 IMS Business Report 2015 by KevinWatson.net 1 Music Local DJs & Artists in South Africa dominated the domestic Airplay 100 chart in 2014 South Africa Airplay Top 100 2014 by Genre INDICATIVE Domestic International • Estimates suggest almost half of the Domestically produced records in the 2014 Airplay Top 100 were Dance / Electronic 20% • There are a number of successful South African DJs & Artists, 44% including Spoek Mathambo, Das Kapital and DJ Kent • Black Coffee in particular has built a sizeable global fanbase: o >1m Facebook fans Dance / Electronic Other Genres o >700k Twitter followers o >25k Soundcloud followers • For International tracks, one fifth were estimated to be Dance • c.7% of best selling tracks were estimated to be from the genre Source: Entertainment Monitoring Africa, Facebook, Twitter, Soundcloud, Industry Press, IMS Analysis 7 IMS Business Report 2015 by KevinWatson.net 1 Music There are now ten times more tracks available to download on Beatport as there were in 2008 Beatport Registered Users & Tracks Available (2008-14) • The number of tracks Tracks available on Beatport has Available increased tenfold since 2008, equivalent to c.50% per annum Index • Significant user growth (2008 has also been sustained =100) over the past seven years, with the total user base Registered Users now 4.5x that in 2008 • In addition, Beatport have recently launched a streaming service Source: Beatport 8 IMS Business Report 2015 by KevinWatson.net 2 DJs & Live Acts Forbes data shows inflation in DJ Earnings slowed in 2014, except for #1 Calvin Harris ($66m) Forbes Electronic Cash Kings (2012-14) $m 66 +97% YoY% 30 252 Top 9 12% 28 225 28 66 #1 43% 46 23 $m 114 2014 22 $305m 92 179 186 #2-9 4% Note: * Excludes DJ Pauly D 9 Source: Forbes IMS Business Report 2015 by KevinWatson.net 2 DJs & Live Acts DJs are using different social media platforms, such as Soundcloud, to drive their popularity Topdeejays.com Highest Ranked DJs (May 2015) Skrillex & Calvin Harris: >5m Sound- cloud followers Deadmau5: sizeable Twitter following Juicy M: Ukrainian female DJ known on YouTube for 4 CDJ mixing (>45m views) DVBBS: Smaller online fanbase, but DJ Mag #20 10 Source: Topdeejays.com, DJ Mag Top 100, Facebook, Twitter, Soundcloud IMS Business Report 2015 by KevinWatson.net 2 DJs & Live Acts Martin Garrix continues to grow his online fanbase by c.22k a day, reaching over 17m users Martin Garrix Social Media Reach by Platform – Additions by Year (2014 Vs 2015) YoY k 2,750 3,000 Chg • Garrix has added almost (%) twice as many YouTube subscribers in 2015 as 2014 -71 (c.150k a month) 820 • His 2014 Ultra Music Festival performance received 1.3m +27 680 views a year later in April 2015 +90 • He has also grown Twitter 440 and Instagram followers by a greater amount in 2015 +15 420 2015 • 54% of his fanbase is female YTD = • In April 2015, he received 2.5m -46 most Twitter mentions from 140 USA, Argentina, Spain, Philippines and Mexico Jan-May 2014 Jan-May 2015 Source: Next Big Sound, 5th May 2015 11 IMS Business Report 2015 by KevinWatson.net 2 DJs & Live Acts The success achieved by Nervo could be helping other female DJs in Asia to gain popularity Celeste Siam Nervo Nicole Chen Country: Country: Country: Rank*: 1 Rank*: 1 Rank*: 2 Facebook fans: 136k Facebook fans: 3.2m Facebook fans: 199k • 21st in DJ Mag Top 100 Nakadia poll 2014 Gayle San Country: • Only all-female act in Country: Top 100** Rank*: 2 Rank*: 3 Facebook fans: 57k • Highest ranking Asia- Facebook fans: 68k Pacific DJs in poll • Large following on Lisa Bluestar other social media Eva T Country: platforms, incl.Twitter Country: (741k), Soundcloud Rank*: 3 (423k) & YouTube (29m Rank*: 1 Facebook fans: 44k plays) Facebook fans: 43k Note: * Topdeejays.com Facebook rank for country of origin, November 2014; ** Excluding Krewella Source: Topdeejays.com, Facebook, Soundcloud, Twitter, YouTube, DJ Mag; 12 IMS Business Report 2015 by KevinWatson.net 3 Clubs & Festivals In the DJ Mag Top 100 Clubs 2015, European venues dominate, but 18 are in the USA, 6 in LV DJ Mag Top 100 Clubs by Country & INDICATIVE Continent (2015) • 18 clubs in 2015 Top 100 are in 30 6 clubs in Las Vegas 29 USA, including six Las Vegas venues, four in Miami, three in NY 5 in London • UK is next most represented 18 country, followed by Spain – 16 7 in Ibiza mainly thanks to seven venues in Ibiza being in the list # 10 Asia (7) Africa (1) 9 5 5 4 4 North Europe America (57) (21) Note: * includes Canada, Netherlands, Belgium, Cyprus, Bulgaria, Greece, Columbia, China, Japan, Malaysia, Egypt, Panama, Paraguay, Peru, Philippines, Portugal, Russia, Singapore, South Korea, India and Ecuador 13 Source: DJ Mag Top 100 Clubs 2015 IMS Business Report 2015 by KevinWatson.net 3 Clubs & Festivals In 2014, the 12 largest Electronic Music clubs in the US generated half a billion dollars in revenue INDICATIVE Electronic Music Clubs in USA by Revenue (2014) Revenue pa ($m): City Las Vegas Las Vegas Las Vegas Miami Las Vegas New York Miami New York Los Angeles Total = Miami $505m San Francisco Los Angeles Source: Nightclub & Bar Top 100 2015 (Low End of Range Shown) 14 IMS Business Report 2015 by KevinWatson.net 3 Clubs & Festivals Eventbrite study: quarter of all nightlife tickets sold in the US are for Electronic Music events 26% 72% of all Nightlife of EDM fans go events were $81 out at least two EDM related nights a week average spend on a night out c.3x music ticket 57% of price in NYC Vs 3 per night - EDM fans use Austin avg number of ridesharing drinks apps (Vs 46% consumed avg) 15 Source: Eventbrite: The Nightlife Economy: How Much Do People Spend on a Night Out? IMS Business Report 2015 by KevinWatson.net 3 Clubs & Festivals USA Festival growth has been huge since 2007, but levelled off in 2014, due to one weekend UMF USA Electronic Music Festival Capacity INDICATIVE (2007-2014) x10 increase = 46% CAGR • Research suggests Electronic Music fans in the US are 13% more 1.4m 1.4m likely than average to attend a festival • Many new festivals have entered the 980 USA, including Tomorrowworld, Beyond Wonderland and Mysteryland k 660 • However, attendance in 2014 475 remained flat YoY as UMF switched 345 back to one weekend 215 • Despite being sold out in 2015, the 145 price of early bird tickets for Ultra Festival 2016 have been lowered significantly

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