STEPHAN M. MOORE Curriculum Vitae 2038 W. Fargo Avenue, Unit 2E, Chicago, IL 60645 +1.518.331.3131 | [email protected] | http://oddnoise.com Table of Contents I. Contact Information …………………………………………………………………………. 1 II. Table of Contents …………………………………..…………….………..………………… 1 III. Education ……………………………………………………………………………………. 2 a. Academic Degrees ……………………………………………………………………… 2 b. Professional Training/Workshops/Other ..…………………………………………….. 2 IV. Employment ………………………………………………………...…….……………….… 2 a. Academic Positions …………………………………………………………………….. 2 b. Non-Academic Positions ……………….…………………………...….…….………... 3 c. Contract Employment ………………………………………………...……….………. 3 V. Teaching and Academic Service ……………………………………………...……………… 6 a. List of Courses Taught …………………………………………...…..………………… 6 b. Advising/Mentorship – Northwestern University …..……………...…………………. 7 c. Advising/Mentorship – Other Institutions ……..…………………………………..…. 7 d. Adjudication Panels ………………………………………………………………..….. 8 e. Other Academic Service ………………………………………………………….....…. 8 VI. Professional Accomplishments …………………………………………………………….. 8 a. Artist Residencies …………………………………………………….………….…….. 8 b. Grants ………………………………………………………………………………….. 9 c. Honors and Awards ……………………………………………………..…………….. 11 d. Memberships ……………………….……………………………….…………………. 11 e. Curatorial Projects ……………………………………………………….……………. 11 f. Bibliography …………….……………………………………………………………… 12 g. Selected Interviews & Press ……….…………………………………………………… 12 VII. Publications/Presentations ………………………………………………………………...... 14 a. Discography / Recordings / Media …………..………………………..….…………… 14 b. Books ……..………………………..….…………..………………………..….………... 15 c. Journal Articles ………………………………………………………..…….………..... 15 d. Conference Panels / Papers / Posters ………………………………………………...... 15 e. Other Conference Participation ……………………………………………….………. 17 f. Presentations / Workshops / Talks ……………………………………………………. 17 VIII. Creative Work …………………………………………………………..…………………… 19 a. Performing Groups / Ensembles / Long-term Collaborative Projects ……………….. 19 b. Solo Exhibitions …………………………………………………………………............ 20 c. Group Exhibitions ……………………..……………………………………………….. 21 d. Exhibitions of Collaborative Work …………………………………………………….. 22 e. Sound for Video — Screenings ………………………………………..………………. 24 f. Performances …………………………………………………………………………… 25 1. Performances with the Merce Cunningham Dance Company ……………………… 41 g. Broadcasts / Radio ………………………………………………………..……………. 43 h. Selected Compositions / Scores / Installations / Visual Artworks / Etc. ……………… 43 IX. Notes ………………………………………………………………………………………...... 50 Education Academic Degrees 2010-15 Ph.D. in Computer Music and Multimedia Composition, Brown University, Providence, RI. Dissertation Title: “Diacousticon: Curation, Audience, and the Listening Machine” 2000-03 M.F.A. in Integrated Electronic Arts, Rensselaer Polytechnic Institute, Troy, NY. 1991-96 B.Mus. major in Music Composition, Western Michigan University, Kalamazoo, MI. Minors in Creative Writing, Computer Science, and Mathematics, completed full sequence in Audio Engineering. 1990-91 High school diploma, concentration: vocal performance, Interlochen Arts Academy, Interlochen, MI. Professional Training / Workshops / Other 2017 Workshop in Multichannel Sound (Ambisonics and Wave Field Synthesis), Experimental Media Performing Arts Center (EMPAC), Rensselaer Polytechnic Institute, Troy, NY. 2016 Professional training in Constellation System Operation, Meyer Sound, Berkeley, CA. Rob Mele, instructor. 2011-12 Private instruction in Ambisonic Room Modeling with CATT-Acoustic and the ARUP SoundLab, ARUP Inc., NYC. Joseph Digerness, instructor. 2005 Circuit Bending Workshop, HarvestWorks, NYC. Nicolas Collins, instructor. 2002 Improvisation and Deep Listening Retreat, Deep Listening Institute. Big Indian, NY. Pauline Oliveros, instructor. 1997-98 Graduate studies in Electronic Music Composition, The Peabody Conservatory of Johns Hopkins University, Baltimore, MD. Ichiro Fujinaga, instructor. Employment Academic Positions 2015-now Northwestern University, Evanston, IL. Senior Lecturer (full-time) in the Department of Radio, Television, & Film, core faculty to the Sound Arts & Industries program. (Hired as Lecturer 2015, promoted to Senior Lecturer in 2018) 2011-2014 Brown University, Providence, RI. Instructor, teaching assistant, and studio assistant in the Music Department’s Multimedia and Electronic Music Experiments (MEME) program during graduate studies. 2003-2004 Massachusetts College of Art, Boston, MA. Adjunct Professor in the Studio for Interrelated Media (SIM) program, and the Film & Video Department. 2002-2004 Simon’s Rock College of Bard, Great Barrington, MA. Adjunct Professor in the Music Department. 2002-2003 Rensselaer Polytechnic Institute, Troy, NY. Adjunct Professor in the Integrated Electronic Arts Department. 1999-2000 Maryland Institute College of Art, Baltimore, MD. Adjunct Professor in the Video Department. 1997-1998 Peabody Conservatory of the Johns Hopkins University, Baltimore, MD. Teaching Fellow in the Electronic Music Department. STEPHAN MOORE, C.V. PAGE 2 Non-Academic Positions 2012-now Isobel Audio LLC, Chicago, IL. President & Sole Proprietor This custom loudspeaker manufacturer, specializing in making Hemisphere point-source loudspeakers, was officially formed with the introduction of powered speaker models in 2012, though speaker-building activities date back to 2001. Company website: http://isobelaudio.com 2012-now Caramoor Center for Music and the Arts, Katonah, NY. Curator of Sound Art Beginning with the major exhibition In the Garden of Sonic Delights, in June-November 2014, I have curated an annual exhibition of sound art as part of the Caramoor Summer Music Festival, commissioning new work each year. Plans are currently underway for exhibitions beyond 2020, when a major new permanent work of sound art will be unveiled. I am also supervising the development of a permanent collection of sound art at Caramoor. 2004-2010 Merce Cunningham Dance Company, New York, NY. Music Coordinator and Sound Engineer Oversight of all music-related activities for this touring dance company over the course of more than 250 concerts, including planning all touring activities, administrative and technical supervision of new works, coordination and hiring of company musicians, sound design for each performance venue, engineering/mixing all performances, and performing as one of the company’s core group of musicians. 1999-2000 Polk Audio, Baltimore, MD. New Media Director First to hold the position of in-house webmaster and online services strategist for this major loudspeaker manufacturer. 1998-1999 SOUNDPRINT, Laurel, MD. Chief Audio Engineer Primary editor, engineer, and technical supervisor for the syndicated weekly independent documentary program “SOUNDPRINT,” distributed by National Public Radio. Additional assignments included the creation, design and programming of websites for several clients, including the Smithsonian Institute and the Corporation for Public Broadcasting, as well as the training of numerous professional clients on Pro Tools and Sonic Solutions software, including the full staff of WQED-FM, Pittsburgh. Contract Employment 2020 VGA Gallery, Chicago, IL. Sound design for the virtual reality-based videogame Frameswitch, created in conjunction with the Qatar-based journalism museum Media Majlis, and funded in part by the MacArthur Foundation. 2020-now Özge Samanci, media artist, Evanston, IL. Sound design and score for virtual reality-based interactive new media work. 2020 Nicole Mitchell, media artist, composer and musician, North Carolina. Multi-channel sound system design for a new sound installation work. 2020 NON-OP, Experimental music presenter, Chicago, IL. Lead Audio Designer, HPSCHD@50. Events at the Chicago Cultural Center reproducing the landmark 1969 multimedia performance event by John Cage and LeJarren Hiller. 2020-now Sonde, LLC, Sound art & design projects, Chicago, IL. Sound & interaction design, as well as technical and logistical consulting. 2019-2020 Eric Patrick, filmmaker, Evanston, IL. Score for the short film “Lines of Exile,” featuring the drawings and words of Northwestern University Professor Emeritus and film scholar Hamid Naficy. 2019-now Listen, Inc., Experiential branding agency, NYC. Strategic consulting for new social media projects. STEPHAN MOORE, C.V. PAGE 3 2019 Analogue Studio, architectural firm, Boston, MA. Consulting work for clients on developing a new site for sound performance and sound art exhibition. 2018-2019 Josefina Cerda, filmmaker, Chicago, IL. 360-degree sound design production and post-production for the Virtual Reality film The Circle. 2018 Stanford University, Palo Alto, CA. Contributor to a class on Experimental Dance Theater administered by Stanford Introductory Studies, working with choreographer Parijat Desai. 2018-2019 Dolores Kohl Educational Foundation, Highland Park, IL. Sound design and consulting for the touring educational exhibition “Vincent and Me,” bringing the work of Vincent Van Gogh to a young audience. 2018-now Samson Young, sound artist, Hong Kong, China. Programming, sound design, and artistic consultation on new works, including works shown at the Guggenheim Museum NYC, the Wuzhen International Contemporary Arts Exhibition, the M+ Gallery Hong Kong, Prix Ars Electronica, the Edinburgh Festival, the Smart Museum of Art, Chicago, and the Ryosoku-in Temple in Kyoto, Japan. 2018-now Tim Mellon, philanthropist, Winchester, VA. Sound/system design for a proposed Memorial Park dedicated