May 2020 Provided below is a list of sources and bibliography drawn together by all the collaborators to our website, as well as the authors of Richard Langham Smith and Clair Rowden eds., Carmen Abroad: Bizet’s Opera on the Global Stage, Cambridge, Cambridge University Press, 2020. Manuscript Scores Carmen, Opéra[-Comique] en 4 Actes, Paroles de M. M. Meillac [sic] et Lud. Halévy, manuscrit autographe, [4 vols.], 1875, Bibliothèque-Musée de l’Opéra / Bibliothèque nationale de France. Consultable on Gallica (MSS 436–439). (Oeser and Langham Smith Source A). Carmen, Opéra-Comique en 4 Actes. Partition ayant servi à la première représentation, 3 vols. 1875. Bibliothèque-Musée de l’Opéra. (Oeser and Langham Smith Source B). Printed Scores: French editions Carmen, Opéra-Comique en 4 Actes tirée de la nouvelle de Prosper Mérimée, Partition Piano et Chant, Choudens père et fils, Paris, n. d. [1875]. Carmen, Opéra en 4 Actes, Partition Piano et Chant, Choudens, Paris, n. d. [1877]. (Contains the recitatives by Guiraud). Carmen, Opéra en 4 Actes, Partition d’orchestre, Choudens, Paris, n. d. [1877]. (Contains ballet music drawn from other works of Bizet as well as the recitatives by Guiraud). Carmen, Morceaux détachés, Chant et Piano, Choudens, Paris, 1883–1885. Carmen, Opéra en 4 Actes, Partition Piano et Chant, Édition illustrée, Choudens, Paris, n. d. [1889– 91?]. (Appended are a set of 12 illustrations printed in a russet colour by Hyacinthe Royet). Printed Scores: other editions Carmen, opéra en 4 actes, tiré de la nouvelle de Prosper Mérimée. Paroles italiennes de A. de Lauzières, paroles allemandes de D. Louis, vocal score, Paris, Choudens, 1877 (first edition), (second edition) n. d. Carmen, Opera in Four Acts with English and Italian Words, vocal score, Boston, Ditson, 1879. Carmen, drama Lirico in 4 atti, vocal score, Milan, Sonzogno / Paris, Choudens, n. d. [c. 1877– 1884]. Carmen, drama Lirico in 4 atti, piano solo score, Milan, Sonzogno / Paris, Choudens, n. d. [c. 1877–1884]. Modern Urtext editions Georg Bizet Carmen. Oper in drei Akten von Henri Meilhac und Ludovic Halévy nach der Novelle von Prosper Mérimée. Kritische Neuasusgabe nach den Quellen und deutcshe Texteinrichtung der von Ernest Guiraud nachkomponierten Rezitative. Klavierauszug, edited by Fritz Oeser, Kassel, Alkor-Edition, 1964. (German text with French underlaid). Carmen, Klavierauszug by Robert Didion, Schott, Mainz, 2000. Orchestral Score, Eulenberg, Mainz, 2003. Carmen, Opéra-comique in four acts, vocal score edited by Richard Langham Smith, London, Peters Edition, 2013. (Additional materials on Peters website: Longer Preface; Table of variant Tempo Markings; Bibliography.) 1 May 2020 Sources: Libretti Meilhac, Henri et Ludovic Halévy. Carmen. Livret. Opéra-comique en 4 actes. Tiré de la nouvelle de Prosper Mérimée, Paris, Calmann-Lévy, n. d. [1875]. Carmen, dramma lirico in quattro atti, tratto dalla novella di Prospero Mérimée, Milan, Sonzogno / Paris, Choudens, various printings, 1881, 1884. Carmen, dramma lirico in quattro atti, tratto dalla novella di Prospero Mérimée, Milan, Sonzogno, various printings, 1885, 1887, 1888, 1890, 1908. Carmen, trans. Henry Hersee, London, Dickens & Evans, [1879]. Carmen. An opera in Four Acts. Libretto by Henry Meilhac and Ludovic Halévy. Composed by Georges Bizet. English Adaptation by Henry Hersee. Book of Words. Authorized version, London, Metzler, n. d. [1879]. Carmen: a grand opera, music by Georges Bizet; words by H. Meilhac & L. Halévy; translated from the original French by Fred Leyster [sic], Melbourne, Wk. Marshall Printer, [Lorgnette Office], 1879. Carmen. The original libretto by H. Meilhac and L. Halévy, London, J. Miles & Co., 1878. Meilhac, Henri and Ludovic Halévy. Carmen (Georges Bizet), (Swedish) trans. Frans Hedberg, Stockholm, Albert Bonniers Förlag, 1878. Meilhac, Henri and Ludovic Halévy. Carmen (Georges Bizet), (Danish) trans. Pietro Holst, Copenhagen, Kgl. Hof-Musikhandel (Henrik Hennings), 1881. Carmen, [(German) trans. Julius Hopp], Vienna, Universal Edition, 1875. Carmen: Opera o čtyřech jednáních. Dle novely Mériméeovy od Meilhaca a Halévyho [Carmen: Opera in Four Acts. Based on Mérimée’s novel by Meilhac and Halévy], (Czech) trans. Eliška Krásnohorská, Prague, Urbánek, 1884. Carmen: Opera o čtyřech jednáních. Dle novely Prospera Mérimée. Napsali Henri Meilhac a Ludovic Halévy [Carmen: Opera in Four Acts. Based on a novel by Prosper Mérimée. Written by Henri Meilhac and Ludovic Halévy], (Czech) trans. Otakar Smrčka, Prague, Umělecká beseda, 1908. Sources: General Popular French Novels, London, Vizetelly, 1881. Borrow, George. The Zincali, or an Account of the Gypsies of Spain, with an original collection of their songs and poetry, and a copious dictionary of their language, London, John Murray, 1841. Published in French as La Bible en Espagne, Paris, Amyot, 1845. Grellmann, Heinrich. Histoire des Bohémiens, ou tableau des mœurs, usages et coutumes de ce peuple nomade, Paris, J. Chaumerot, 1810. Manet, Édouard. Voyage en Espagne, ed., Juliet Wilson-Bareau, Caen, l’Échoppe, 1988. Mérimée, Prosper. Nouvelles, Paris, Michel Lévy, 1852. –––––––––––––––. Romans et Nouvelles, ed. Maurice Parturier, 2 vols., Paris, Garnier, 1967. _______________. Correspondance Générale, ed. Maurice Parturier, vol. IV, Paris, Le Divan, 1945. Nietzsche, Friedrich. Der Fall Wagner, Leipzig, Naumann, 1888. Association de la régie théâtrale sources (Bibliothèque historique de la ville de Paris) 4-TMS-03738 (RES); 4-TMS-03739 (RES): two identical neatly written-out mises en scène produced by a professional print-works; both have a diagram of the stage layout for Act I 2 May 2020 (plantation) followed by a typed page headed ‘Ancienne mise en scène’ (‘Former staging’) different from the eventual layout circulated by Choudens. Most notably, it has a fountain in the centre of the scene and a detailed description of the extras. These are the only documents to refer to the ‘Scène de l’Anglais.’ 4-TMS-03741 (RES): Seven different mises en scène (handwritten staging manuals with annotations on a printed libretto) relative to the first run. These refer to the undated mise en scène published by Choudens of which another copy exists in the Bibliothèque de l’Opéra. 8-TMS-02796 (RES); 8-TMS-02630 (RES): two printed libretti with autograph annotations by Albert Carré on interleaved pages. General Bibliography L’Art du théâtre 49, January 1905; 50, February 1905. Avant Scène Opéra, Carmen 26, February 2007. Musica 117, June 1912 (Special edition). Le Théâtre 145, January 1905 (Special edition). Baker, Evan. From the Score to the Stage: An Illustrated History of Continental Opera Production and Staging, Chicago, University of Chicago Press, 2013. __________. ‘The scene designs for the first performance of Bizet’s Carmen’, 19th-Century Music 13, no. 3, 1990, 230–42. Balard, Françoise. Geneviève Straus: Biographie et correspondance avec Ludovic Halévy, 1855– 1908, Paris, CNRS Editions, 2002. Bennahum, Ninotchka Devorah. Carmen, a Gypsy Geography, Middletown, Wesleyan University Press, 2013. Clark, Robert L. A. ‘South of North: Carmen and French Nationalisms’, in Claire Sponsler and Xiaomei Chen eds., East of West: Cross-cultural Performance and the Staging of Difference, New York, Palgrave, 2000, 187–216. Clébert, Jean-Paul. The Gypsies, trans. Charles Duff, New York, E. P. Dutton & Company, 1963. Clément, Catherine. L’Opéra ou la défaite des femmes, Paris, Grasset, 1979. Curtiss, Mina. Bizet and His World, New York, Alfred A. Knopf, 1958. Dean, Winton. Bizet, London, J. M. Dent, revised edition, 1975 [1965]. ___________. Essays on Opera, Oxford, Clarendon Press, 1990. Dibbern, Mary. Carmen: a performance guide, Hillsdale, Pendragon Press, 2000. Fauser, Annegret and Mark Everist eds. Music, Theater, and Cultural Transfer, Paris, 1830–1914, Chicago and London, University of Chicago Press, 2009. Furman, Nelly. ‘The Languages of Love in Carmen’, in Arthur Groos and Roger Parker eds., Reading Opera, Princeton, Princeton University Press, 1988, 168–83. Gaudier, Charles. Carmen de Bizet: étude historique et critique, analyse musicale, Paris, Mellottée, 1922. Hauk, Minnie, Baroness de Wartegg. Memories of a Singer, London, A. M. Philpot, 1925. Henson, Karen. Opera Acts: Singers and Performance in the Late Nineteenth Century, Cambridge, Cambridge University Press, 2015. Huebner, Steven. ‘Carmen de Georges Bizet : une corrida de toros’, in Paul Prévost ed., Le théâtre lyrique en France au XIXe siècle, Metz, Editions Serpenoise, 1995, 163–218. Kelkel, Manfred. Naturalisme, vérisme et réalisme dans l’opéra de 1890 à 1930, Paris, Vrin, 1984. Lacombe, Hervé. Georges Bizet: naissance d’une identité créatrice, Paris, Fayard, 2000. 3 May 2020 _____________. ‘La version primitive de l’air d’entrée de Carmen: réflexion sur la dramaturgie et “l’autorialité” d’un opéra’, in Jean-Christophe Branger and Vincent Giroud eds., Aspects de l’opéra français de Meyerbeer à Honegger, Lyon, Symétrie, 2009, 35–56. Lacombe, Hervé and Christine Rodriguez. La Habanera de Carmen: Naissance d’un tube, Paris, Fayard, 2014. Langer, Arne. Der Regisseur und die Aufzeichnungspraxis der Opernregie im 19. Jahrhundert, Perspektiven der Opernforschung, 4, Frankfurt, Peter Lang, 1997. Langham Smith, Richard. Bizet’s ‘Carmen’ Uncovered, Woodbridge, Boydell & Brewer, 2020. ____________________. ‘Carmen’, Georges Bizet, Overture Opera Guides in association with ENO, Richmond, Alma Classics, 2013. Lehmann, Lilli. My Path through Life, trans. Alice Benedict Seligman, New York,