0 The Predatory Museum Bruno Brulon Soares and Lynn Maranda Guest editors ICOFOM Study Series, Vol. 45, 2017 ICOFOM Study Series, Vol. 45, 2017 International Journal of the ICOM International Committee for Museology (ICOFOM) The ICOFOM Study Series is a double-blind peer reviewed annual journal Editors / Rédacteurs / Editores Ann Davis Former Director, The Nickle Arts Museum, University of Calgary, Canada François Mairesse Université Sorbonne Nouvelle - Paris 3, CERLIS, Labex ICCA, France Editorial Board / Comité éditorial / Consejo Editorial André Desvallées, Conservateur général honoraire du patrimoine, France Yves Bergeron, Université du Québec à Montreal, Canada Karen Elizabeth Brown, University of St Andrews, Scotland Bruno Brulon Soares, Universidade Federal do Estado do Rio de Janeiro, Brazil Kuo-ning Chen, Director of Museum of World Religions, Taiwan Jan Dolák, Comenius University, Slovak Republic Jennifer Harris, Curtin University, Australia Anna Leshchenko, Russian State University for the Humanities, Russia Olga Nazor, Universidad Nacional de Avellaneda, Argentina Mónica R. de Gorgas, Universidad Nacional de Tucumán, Facultad de Artes, Maestría en Museología, Former Director, Museo Nacional Estancia Jesuítica de Alta Gracia, Argentina Saena Sadighiyan, Institut für Europäische Urbanistik (IfEU), Bauhaus Universität, Germany and Université catholique de l'Ouest, France. Daniel Schmitt, Université Lille Nord de France, France Kerstin Smeds, Umeå universitet, Sweden Advisory Committee / Comité d’avis d’ICOFOM / Consejo Consultivo Maria Cristina Bruno, Universidade de São Paulo, Brazil Bernard Deloche, Professor Emeritus, Université de Lyon 3, France André Desvallées, Conservateur général honoraire du patrimoine, France Peter van Mensch, Professor Emeritus, Reinwardt Academie, Netherlands Martin Schaerer, Past President of ICOM Ethics Committee, Switzerland Tereza Scheiner, Universidade Federal do Estado do Rio de Janeiro, Brazil Tomislav Šola, Professor Emeritus, University of Zagreb, Croatia Secretariat for the ICOFOM Study Series General secretary: Anna Leshchenko Articles français: Audrey Doyen Artículos en español: Mónica Risnicoff de Gorgas English articles: Lynn Maranda Articles and correspondence should be sent to the following email: [email protected] ISSN: 2309-1290 ICOFOM Study Series (Print) ISSN: 2306-4161 ICOFOM Study Series (Online) ISBN: 978-92-9012-429-0 © International Committee for Museology of the International Council of Museums (ICOM/UNESCO) Published by ICOFOM, Paris 2 ICOFOM Study Series, Vol. 45, 2017 The following symposium was organized at the MICO and at the Università Cattolica del Sacro Cuore in Milan (Italy). Contents – Sommaire – Índice Foreword – Avant-propos - Prefacio Ann Davis and François Mairesse – Editors ................... 7 Introduction Bruno Brulon Soares and Lynn Maranda – Guest editors The Predatory Museum ................................................... 13 Papers – Articles – Artículos (peer reviewed section) Karen E. Brown – Scotland Paradigm or Predator? Eco- and Community Museums in Scotland and Costa Rica ............................................. 23 Gaë lle Crenn – France Reformulation of the museum’s discourse in reflexive ethnographic exhibitions. Limits and ambivalences at the Museum der Kulturen (Basel) and the Neuchâtel Ethnography Museum .................................................... 37 Bernard Deloche – France Le musée prédateur va-t-il devenir un faux problème ? ... 47 Rime Fetnan – France Le curator en ethnographe : usages de l’anthropologie dans deux expositions internationales d’art contemporain. Les cas de Partage d’exotismes (2000) et Intense Proximité (2012) ................................................ 57 Camilla Pagani – Russia Exposing the Predator, Recognising the Prey: New institutional strategies for a reflexive museology. .... 71 Fabien Van Geert – France Légitimer la prédation ? Entre colonialisme et approche multiculturelle des collections ethnographiques ............... 85 3 Case Studies – Études de cas – Estudios de caso Indira Aguilera Kohl, Joshua Paternina Blanco – Venezuela, France Del museo devorador al museo que falta: refundación de la identidad nacional. .............................. 101 Norma Angélica Avila Melendez – Mexico Obra expuesta: Eat me Alive. Relaciones entre el museo y el arte contemporáneo ................................................. 104 Gabriela Carmona Sc. – Chile Arqueología, Identidad Indígena, Turismo y Descolonización: ¿Hacia dónde van los museos de sitio en Chile? ........... 106 Juliana Carpinelli Matias – Brazil Decolonization of an ecomuseum: historic monuments and cultural performances in movement .......................... 109 Helena Cunha de Uzeda – Brazil Challenges of musealization processes: Ethics and preservation ................................................... 110 Yun Shun Susie Chung – USA Tracing the Predatory Museum to Early Public Spaces of Mid-Nineteenth-Century Museums in England 112 Ozren Domiter – Croatia The Ultimate Predator ..................................................... 114 Nada Guzin Lukic – Canada Muséologie critique : du musée prédateur au musée créateur ............................................................. 117 Olivia Guiragossian – France L’humain au musée : la fin de la prédation ? ................... 120 Letícia Julião, Marta Eloísa Melgaço Neves, Verona Campos Segantini – Brazil Portuguese America: colonial administration and collection practice ........................................................... 123 Harumi Kinoshita – Japan What is a universal museum in the context of the outflow of Japanese art? ................................................ 125 Georgios Papaioannou, Sofia Paschou – Greece Do Predators Go Digital? Discussing Museum Ethics in the Digital Habitat ....................................................... 128 Ji Eun Park – France Du musée prédateur au musée symbiotique : l’enrichissement de la collection des œuvres nouveaux médias dans les institutions muséales ......................................... 130 4 Claudia Pecoraro – Italy Museum objects: travellers without belongings ............... 133 Valeria Pica – Italy Art Cities as Dispersed Museums: How Modern Visitors Perceive the Cultural Changes Through an Identity Place ............................................................. 135 Jean Rey-Regazzi – Canada Culte - culture - culte : religion au musée d’art, religion du musée d’art ................................................... 138 Mónica Risnicoff de Gorgas – Argentina El museo depredador, ¿cómplice o instrumento? ........... 140 Gloria Romanello – Spain #iononmilasciofregare, #Iwontgetscrewedover Cultural heritage: Time for street-art agents ............................... 143 Alejandro Sabido Sanchez Juarez – México Museos depredadores: el homo œconomicus y la razón instrumental ....................................................... 146 Éva Szereda – Switzerland Le musée qui vend : un musée prédateur ? ..................... 149 The Italian museums in the third Millennium: Aims and Expectations Angela Besana – Italy How to develop competences for the museums of the future ..................................................................... 153 Paolo Biscottini – Italy Brief considerations on the current state of Italian museums .......................................................... 154 Marco Ermentini – Italy G124 .............................................................................. 157 Christian Greco – Italy The Museo Egizio is experiencing a renaissance ............ 159 Massimiliano Vavassori – Italy Museums and the Touring Club of Italy ........................... 160 5 6 Foreword Volume 45 of the ICOFOM Study Series contains materials presented at the 39th symposium of the International Committee for Museology, which was part of the 24th ICOM General Conference held in Milan from July 3 to 9, 2016. The ICOFOM theme this year was The Predatory Museum, a theme which proved to be both provocative and challenging. The interesting results are presented here. Given the time restraints of a meeting within the General Conference, and the number of good abstracts submitted, we decided for the first time to divide submissions into two categories: verbal presentations and poster presentations. Those who made verbal presentations were then asked to write up their ideas in a formal paper which, in turn, went to double blind peer review. Our evaluators were especially selective this year, such that from this process six papers were deemed both innovative and theoretical and are featured here. These papers were then edited, a process especially important for those authors who write in a language that is not their first. Other authors were invited to submit brief notes outlining their presentations, which were then integrated in a second category. Added to this category, are poster presentations, a new direction for ICOFOM, was unexpectedly popular. We also included, in a third section, presentations on the theme of museology and the development of museums in Italy, a session that was especially interesting having been organized, during the symposium, by our colleague Christina Vannini. A journal such as this one, consisting of numerous parts, requires dedicated work by many wonderful contributors, peer reviewers, secretaries, editors and proof readers. We could not produce this without these kind volunteers. Thank you all so very much. Ann Davis and François Mairesse 7 Avant-propos Le volume