DUMBARTON OAKS PAPERS articles sorted by subject Created 12 April 2021 based on the master Zotero database of all DOP articles available here. N.b.: Articles are listed under their primary subject, but may relate to several; these lists should not be taken as comprehensive. Art and Archaeology • General • Architecture and Topography • Ceramics • Glass • Iconography • Manuscripts and Book Illumination • Metalwork • Painting and Mosaics • Sculpture • Textiles • Biographies and Obituaries • Epigraphy • Fieldwork • Cyprus • Egypt • Greece/Macedonia • Istanbul • Turkey • Other • History • General • History of Religion / Church History • Military History • Social and Economic History • Hymnography and Musicology • Law • Literature and Language • Liturgy • Numismatics • Other • Reports on Dumbarton Oaks Symposia • Science and Medicine • Sigillography • Theology and Philosophy • Byzantium and Its Neighbors • Arabs • Armenia • Latin East • Persia • Slavs • Turks and Ottomans • West Art and Archaeology General Belting, Hans. “Byzantine Art among Greeks and Latins in Southern Italy.” Dumbarton Oaks Pa- pers 28 (1974): 1–29. https://doi.org/10.2307/1291353. Betancourt, Roland. “Why Sight Is Not Touch: Reconsidering the Tactility of Vision in Byzan- tium.” Dumbarton Oaks Papers 70 (2016): 1–24. https://www.jstor.org/stable/26497727. Björklund, Heta. “Classical Traces of Metamorphosis in the Byzantine Hystera Formula.” Dumbarton Oaks Papers 70 (2016): 151–66. https://www.jstor.org/stable/26497732. Brubaker, Leslie. “The Elephant and the Ark: Cultural and Material Interchange across the Med- iterranean in the Eighth and Ninth Centuries.” Dumbarton Oaks Papers 58 (2004): 175–95. https://doi.org/10.2307/3591385. Carr, Annemarie Weyl. “Byzantines and Italians on Cyprus: Images from Art.” Dumbarton Oaks Papers 49 (1995): 339–57. https://doi.org/10.2307/1291718. Drandaki, Anastasia. “Piety, Politics, and Art in Fifteenth-Century Venetian Crete.” Dumbarton Oaks Papers 71 (2017): 367–406. www.jstor.org/stable/26497755. Focillon, Henri. “Préhistoire et Moyen Age.” Dumbarton Oaks Papers 1 (1941): 1–23. https://doi. org/10.2307/1291037. 1 | Dumbarton Oaks Papers, sorted by subject Modified 12 April 2021 Folda, Jaroslav. “The Figural Arts in Crusader Syria and Palestine, 1187-1291: Some New Reali- ties.” Dumbarton Oaks Papers 58 (2004): 315–31. https://doi.org/10.2307/3591390. Foss, Clive. “Syria in Transition, A. D. 550-750: An Archaeological Approach.” Dumbarton Oaks Papers 51 (1997): 189–269. https://doi.org/10.2307/1291765. Frankel, Rafael. “Presses for Oil and Wine in the Southern Levant in the Byzantine Period.” Dumbarton Oaks Papers 51 (1997): 73–84. https://doi.org/10.2307/1291762. Gerevini, Stefania. “Art as Politics in the Baptistery and Chapel of Sant’Isidoro at San Marco, Ven- ice.” Dumbarton Oaks Papers 74 (2020): 243–68. www.jstor.org/stable/26979084. Gonosová, Anna. “The Formation and Sources of Early Byzantine Floral Semis and Flo- ral Diaper Patterns Reexamined.” Dumbarton Oaks Papers 41 (1987): 227–37. https://doi. org/10.2307/1291560. Grabar, André. “Une réflexion d’Eschyle sur l’art de son temps, et l’évolution de l’art byzantin.” Dumbarton Oaks Papers 41 (1987): 239–42. https://doi.org/10.2307/1291561. Grabar, Oleg. “Islamic Art and Byzantium.” Dumbarton Oaks Papers 18 (1964): 67–88. https://doi. org/10.2307/1291207. Hanfmann, George M. A. “Hellenistic Art.” Dumbarton Oaks Papers 17 (1963): 77–94. https://doi. org/10.2307/1291191. Harrison, Evelyn B. “The Constantinian Portrait.” Dumbarton Oaks Papers 21 (1967): 79–96. https://doi.org/10.2307/1291259. Hedrick, Tera Lee, and Nina Ergin. “A Shared Culture of Heavenly Fragrance: A Comparison of Late Byzantine and Ottoman Incense Burners and Censing Practices in Religious Contexts.” Dumbarton Oaks Papers 69 (2015): 331–54. https://www.jstor.org/stable/26497721. Kazhdan, Alexander, and Henry Maguire. “Byzantine Hagiographical Texts as Sources on Art.” Dumbarton Oaks Papers 45 (1991): 1–22. https://doi.org/10.2307/1291688. Kitzinger, Ernst. “The Byzantine Contribution to Western Art of the Twelfth and Thirteenth Cen- turies.” Dumbarton Oaks Papers 20 (1966): 25–47. https://doi.org/10.2307/1291241. ———. “The Hellenistic Heritage in Byzantine Art.” Dumbarton Oaks Papers 17 (1963): 95–115. https://doi.org/10.2307/1291192. Koehler, Wilhelm. “Byzantine Art in the West.” Dumbarton Oaks Papers 1 (1941): 61–87. https:// doi.org/10.2307/1291040. Loverdou-Tsigarida, Katia. “Thessalonique, centre de production d’objets d’arts au XIVe siècle.” Dumbarton Oaks Papers 57 (2003): 241–54. https://doi.org/10.2307/1291883. Maguire, Henry. “Epigrams, Art, and the ‘Macedonian Renaissance.’” Dumbarton Oaks Papers 48 (1994): 105–15. https://doi.org/10.2307/1291723. ———. “The Profane Aesthetic in Byzantine Art and Literature.” Dumbarton Oaks Papers 53 (1999): 189–205. https://doi.org/10.2307/1291800. Marinis, Vasileios. “Tombs and Burials in the Monastery Tou Libos in Constantinople.” Dumbar- ton Oaks Papers 63 (2009): 147–66. http://www.jstor.org/stable/41219765. 2 | Dumbarton Oaks Papers, sorted by subject Modified 12 April 2021 Narkiss, Bezalel. “The ‘Main Plane’ as a Compositional Element in the Style of the Macedo- nian Renaissance and Its Origins.” Dumbarton Oaks Papers 41 (1987): 425–41. https://doi. org/10.2307/1291578. Niewöhner, Philipp. “The Significance of the Cross before, during, and after Iconoclasm: Early Christian Aniconism in Constantinople and Asia Minor.” Dumbarton Oaks Papers 74 (2020): 185–242. www.jstor.org/stable/26979083. Sodini, Jean-Pierre. “La Contribution de l’archéologie à La Connaissance Du Monde Byz- antin (IVe-VIIe Siècles).” Dumbarton Oaks Papers 47 (1993): 139–84. https://doi. org/10.2307/1291676. Trilling, James. “Late Antique and Sub-Antique, or the ‘Decline of Form’ Reconsidered.” Dumbar- ton Oaks Papers 41 (1987): 469–76. https://doi.org/10.2307/1291582. Tsafrir, Yoram. “The Maps Used by Theodosius: On the Pilgrim Maps of the Holy Land and Jerusalem in the Sixth Century C. E.” Dumbarton Oaks Papers 40 (1986): 129–45. https://doi. org/10.2307/1291534. Vikan, Gary. “Art and Marriage in Early Byzantium.” Dumbarton Oaks Papers 44 (1990): 145–63. https://doi.org/10.2307/1291624. Weitzmann, Kurt. “‘Loca Sancta’ and the Representational Arts of Palestine.” Dumbarton Oaks Papers 28 (1974): 31–55. https://doi.org/10.2307/1291354. Architecture and Topography Ahunbay, Metin, and Zeynep Ahunbay. “Recent Work on the Land Walls of Istanbul: Tower 2 to Tower 5.” Dumbarton Oaks Papers 54 (2000): 227–39. https://doi.org/10.2307/1291841. Alchermes, Joseph. “Spolia in Roman Cities of the Late Empire: Legislative Rationales and Archi- tectural Reuse.” Dumbarton Oaks Papers 48 (1994): 167–78. https://doi.org/10.2307/1291726. Bakirtzis, Charalambos. “The Urban Continuity and Size of Late Byzantine Thessalonike.” Dumbarton Oaks Papers 57 (2003): 35–64. https://doi.org/10.2307/1291875. Bardill, Jonathan. “The Church of Sts. Sergius and Bacchus in Constantinople and the Mono- physite Refugees.” Dumbarton Oaks Papers 54 (2000): 1–11. https://doi.org/10.2307/1291830. Belting, Hans. “Eine Privatkapelle Im Frühmittelalterlichen Rom.” Dumbarton Oaks Papers 41 (1987): 55–69. https://doi.org/10.2307/1291545. Berger, Albrecht. “Streets and Public Spaces in Constantinople.” Dumbarton Oaks Papers 54 (2000): 161–72. https://doi.org/10.2307/1291837. Brenk, Beat. “Spolia from Constantine to Charlemagne: Aesthetics versus Ideology.” Dumbarton Oaks Papers 41 (1987): 103–9. https://doi.org/10.2307/1291549. Croke, Brian. “Justinian, Theodora, and the Church of Saints Sergius and Bacchus.” Dumbarton Oaks Papers 60 (2006): 25–63. http://www.jstor.org/stable/25046210. Ćurčić, Slobodan. “Some Palatine Aspects of the Cappella Palatina in Palermo.” Dumbarton Oaks Papers 41 (1987): 125–44. https://doi.org/10.2307/1291551. 3 | Dumbarton Oaks Papers, sorted by subject Modified 12 April 2021 ———. “The Role of Late Byzantine Thessalonike in Church Architecture in the Balkans.” Dumbarton Oaks Papers 57 (2003): 65–84. https://doi.org/10.2307/1291876. Demus, Otto. “San Marco Revisited.” Dumbarton Oaks Papers 41 (1987): 155–56. https://doi. org/10.2307/1291553. Downey, Glanville. “The Builder of the Original Church of the Apostles at Constantinople: A Contribution to the Criticism of the ‘Vita Constantini’ Attributed to Eusebius.” Dumbarton Oaks Papers 6 (1951): 51–80. https://doi.org/10.2307/1291083. ———. “The Church of All Saints (Church of St. Theophano) near the Church of the Holy Apostles at Constantinople.” Dumbarton Oaks Papers 9/10 (1956): 301–5. https://doi. org/10.2307/1291100. Edwards, Robert W. “Ecclesiastical Architecture in the Fortifications of Armenian Cilicia.” Dumbarton Oaks Papers 36 (1982): 155–76. https://doi.org/10.2307/1291466. ———. “Ecclesiastical Architecture in the Fortifications of Armenian Cilicia: Second Report.” Dumbarton Oaks Papers 37 (1983): 123–46. https://doi.org/10.2307/1291480. Ellenblum, Ronnie. “Who Built Qal'at Al-Subayba?” Dumbarton Oaks Papers 43 (1989): 103–12. https://doi.org/10.2307/1291606. Epstein, Ann Wharton. “The Date and Significance of the Cathedral of Canosa in Apulia, South It a l y.” Dumbarton Oaks Papers 37 (1983): 79–90. https://doi.org/10.2307/1291478. Eyice, Semavi. “La Fontaine et les Citernes Byzantines de la Citadelle D’Afyon Karahisari.” Dumbarton Oaks Papers 27 (1973): 303–7. https://doi.org/10.2307/1291346. Finkelstein, Israel, and Asher Ovadiah. “Byzantine Monastic Remains in the Southern Sinai.” Dumbarton Oaks Papers 39 (1985): 39–79. https://doi.org/10.2307/1291515. Forsyth, George H. “Architectural Notes on a Trip Through Cilicia.” Dumbarton Oaks Papers 11 (1957): 223–36. https://doi.org/10.2307/1291108. ———. “The Monastery of St. Catherine at Mount Sinai: The Church and Fortress of Justinian.” Dumbarton Oaks Papers 22 (1968): 1–19. https://doi.org/10.2307/1291273. Forsyth, Ilene H., and Elizabeth Sears. “George H. Forsyth and the Sacred Fortress at Sinai.” Dumbarton Oaks Papers 70 (2016): 117–50. www.jstor.org/stable/26497731. Foss, Clive. “Late Antique and Byzantine Ankara.” Dumbarton Oaks Papers 31 (1977): 27–87. https://doi.org/10.2307/1291403. ———. “St. Autonomus and His Church in Bithynia.” Dumbarton Oaks Papers 41 (1987): 187–98.