Natascha Petrinsky Mezzo-Soprano

Natascha Petrinsky Mezzo-Soprano

Straussengasse 14 /1 1050 Vienna – Austria Ivan Paley: [email protected] Stefan Astner: [email protected] Natascha Petrinsky Mezzo-Soprano Website: www.viemuc.com Vienna born mezzo-soprano Natascha Petrinsky has sung at La Scala, Teatro Real Madrid, Théâtre Royal de la Monnaie, Teatro La Fenice, State Opera Berlin, Bayreuth Festival, Maggio Musicale Florence and The Netherlands Opera in Amsterdam. Throughout her career she has worked with famous conductors such as G. Sinopoli, R. Muti, J. Tate, D. Gatti, I. Metzmacher, R. Chailly, G. Dudamel, C. Eschenbach, H. Graf and H. Haenchen. She has sung with orchestras such as the the Bamberg Symphony Orchestra, the Netherlands Philharmonic Orchestra, the Israel Philharmonic Orchestra, the London Symphony Orchestra and the German Symphony Orchestra. She has performed the roles of Medea, Amneris, Azucena, Maddalena, the Wagner roles of Kundry, Venus, Wellgunde, Waltraute and Brangäne, the title role of Phaedra, Klytämnestra, Carmen, Varvara, Vixen, Judith (Bluebeard’s Castle), Jocaste (Oedipus Rex), Miranda (The Tempest), Mère Marie or Gräfin Geschwitz among others. © Birkigt Press: “Soloist Natascha Petrinsky interpreted the 4th movement “O Mensch! Gib Acht!” in impeccable fashion. The essence of her voice is life-giving, organic and touches the heart.” “Della compania di canto piace ricordare Waltraute, la Valchiria annuciatrice della fine a Brunilde:Natascha Petrinsky, dall’intonazione perfetta, dal timbro meraviglioso e dalla dizione chiarissima.” “Das liegt auch an der fulminanten Interpretin der Amneris durch Natascha Petrinsky, die mit leidenschaftlichem darstellerischen Ein- satz und phänomenalem Gesang einen überwältigenden Eindruck hinterlässt. Ihr dramatischer Mezzo mit reizvoll gutturalem Timbre und sieghafter Höhe bewältigt auch die heilen Ausbrüche in der Gerichtsszene unangefochten.” “L’œuvre est défendue par deux magnifiques artistes Mireille Delunsch etNatascha Petrinsky. Deux voix admirablement projetées, aux couleurs multiples, qui s’harmonisent à la perfection dans le duo central.” Highlights in 2015/16: A. Berg: “Lulu” Götterdämmerung (La Monnaie) DVD, 2014 “Hänsel und Gretel” (La Monnaie) “Elektra” (Teatro Comunale di Bologna) “Penthesilea” (La Monnaie) “Salome” (Teatro San Carlo) “The Rake’s Progress” (La Fenice) “Salome” (Hong Kong Opera) “Penthesilea” (Opéra National du Rhin) !.

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