Moving Image | University of Stirling

Moving Image | University of Stirling

09/28/21 FMSU9M2 : Moving image | University of Stirling FMSU9M2 : Moving image View Online David Rolinson 91 items Links not working? Contact your librarian (1 items) If any links do not work please contact the Subject Librarians Let us know which resource is not working and which list it is on. Thanks CAMERA (4 items) Film art: an introduction - David Bordwell, Kristin Thompson, Jeff Smith, 2017 Book | Essential | Chapter 5: ‘The Shot: Cinematography’ Supporting reading (3 items) Chapter 2 - W. Phillips Chapter | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 Introduction, IN: Style and meaning: studies in the detailed analysis of film - J. Gibbs, D. Pye Chapter | Recommended | Film art: an introduction - David Bordwell, Kristin Thompson, Jeff Smith, 2017 Book | Recommended | Chapter 2 MISE EN SCENE (5 items) Film art: an introduction - David Bordwell, Kristin Thompson, Jeff Smith, 2017 Book | Essential | ‘Part 3: Film Style/ The Shot: Mise-en-Scene’ pp. 112-158. [Page numbers vary in different editions.] Supporting reading (4 items) 1/9 09/28/21 FMSU9M2 : Moving image | University of Stirling Looking at movies: an introduction to film - Richard Meran Barsam, Dave Monahan, c2013 Book | Recommended | Mise-en-scene’ pp. 171-223 The role of the production designer, IN: Production design: architects of the screen - J. Barnwell Chapter | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 Chapter 2 - T. Corrigan, P. White Chapter | Recommended The Elements of Mise-en-Scene, IN: Mise-en-scene: film style and interpretation - J. Gibbs Chapter | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 DIRECTORS OF PHOTOGRAPHY: LIGHTING AND COLOUR (9 items) Film art: an introduction - David Bordwell, Kristin Thompson, Jeff Smith, 2017 Book | Essential | Chapter 5: The shot: Cinematography, pp. 159-215 How cinematography creates meaning in Happy Together (Wong Kar-Wai, 1997), IN: Style and meaning: studies in the detailed analysis of film - C. Greenhalgh Chapter | Essential | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 Supporting reading: lecture references you may want to follow up (7 items) Painting with light - John Alton, American Council of Learned Societies, c1995 Book | Recommended Looking at movies: an introduction to film - Richard Meran Barsam, Dave Monahan, c2013 Book | Recommended Magic hour - Jack Cardiff, Martin Scorsese, 1996 Book | Recommended Talking Shop’ (interviews at Camerimage festival), - Roger Clarke, Edward Lawrenson, 2009 Article | Recommended On film-making: an introduction to the craft of the director - Alexander Mackendrick, Paul Cronin, Martin Scorsese, 2004 Book | Recommended Film lighting: talks with Hollywood's cinematographers and gaffers - J. Kris Malkiewicz, 1986 Book | Recommended A Very Brief History of Cinematography’ - Barry Salt, 2009 2/9 09/28/21 FMSU9M2 : Moving image | University of Stirling Article | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 EDITING 1 – CRAFT (10 items) Film art: an introduction - David Bordwell, Kristin Thompson, Jeff Smith, 2017 Book | Essential | Chapter 6: The Relation of Shot to Shot: Editing, pp. 216-262 Lecture references (6 items) Editing, IN: Looking at movies: an introduction to film - R. Barsam Chapter | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 Closely watched films: an introduction to the art of narrative film technique - Marilyn Fabe, c2004 Book | Recommended Closely watched films: an introduction to the art of narrative film technique - Marilyn Fabe, American Council of Learned Societies, c2004 Book | Recommended Closely watched films: an introduction to the art of narrative film technique - Marilyn Fabe, 2004 Book | Recommended On film-making: an introduction to the craft of the director - Alexander Mackendrick, Paul Cronin, Martin Scorsese, 2004 Book | Recommended The technique of film editing - Karel Reisz, 1968 Book | Recommended Lecture: supporting references (3 items) The editing of Lawrence of Arabia: an interview with Ann V. Coates - Gary Crowdus, 2009 Article | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 The art and craft of film editing - Richard Chew, 2009 Article | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 Film form: genre and narrative, IN: Early cinema: from factory gate to dream factory - S. Popple, J. Kember Chapter | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 3/9 09/28/21 FMSU9M2 : Moving image | University of Stirling EDITING - ART (4 items) Film art: an introduction - David Bordwell, Kristin Thompson, Jeff Smith, 2017 Book | Essential | Chapter 6: The Relation of Shot to Shot: Editing, pp. 216-262 Supporting reading: (2 items) Film art: an introduction - David Bordwell, Kristin Thompson, Jeff Smith, 2017 Book | Recommended Chapter 5 - J. Izod Chapter | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 Further reading (1 items) The films of Nicolas Roeg - Neil Sinyard, 1991 Book | Recommended SOUND (9 items) Film art: an introduction - David Bordwell, Kristin Thompson, Jeff Smith, 2017 Book | Recommended | Chapter 7: ‘Sound in the Cinema’ Supporting Reading (8 items) The Sounds of early cinema - Domitor Conference, 2001 Book | Recommended Moving Lips: Cinema as Ventriloquism’ - Rick Altman, 1980 Article | Recommended Sound theory, sound practice - Rick Altman, 1992 Book | Recommended Film art: an introduction - David Bordwell, Kristin Thompson, Jeff Smith, 2017 Book | Recommended | The Classical Hollywood Cinema after the Coming of Sound, 1930s-1940s’ pp. 474-476 Audio-vision: sound on screen - Michel Chion, Claudia Gorbman, Walter Murch, c1994 Book | Recommended Film, a sound art - Michel Chion, 2009 Book | Recommended Sound design: the expressive power of music, voice, and sound effects in cinema - David Sonnenschein, c2001 Book | Recommended 4/9 09/28/21 FMSU9M2 : Moving image | University of Stirling Film sound: theory and practice - Elisabeth Weis, John Belton, 1985 Book | Recommended MUSIC (12 items) The American film musical - Rick Altman, c1987 Book | Recommended Film art: an introduction - David Bordwell, Kristin Thompson, Jeff Smith, 2017 Book | Recommended Film music and film genre - Mark Brownrigg, University of Stirling. Dept. of Film and Media Studies, 2003 Thesis | Recommended Hearing place: Film music, geography and ethnicity. - Brownrigg, Mark1 [email protected], 2007 Article | Recommended From Fanfare to Funfair: The Changing Sound World of UK Television Idents - Mark Brownrigg and Peter Meech, 2002 Article | Recommended Unheard melodies: narrative film music - Claudia Gorbman, 1987 Book | Recommended Further Reading (6 items) Tracking British Television: Pop Music as Stock Soundtrack to the Small Screen - K. J. Donnelly, 2002 Article | Recommended Flow amid Flux The Evolving Uses of Music in Evening Television Drama - 2011-11-01 Article | Recommended Look! Hear! The Uneasy Relationship of Music and Television - Simon Frith, 2002 Article | Recommended Interpreting television - Karen Lury, 2005 Book | Recommended | Sound Popular songs and comic allusion in contemporary cinema, IN: The popular music studies reader - J. Smith Chapter | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 Television Aesthetics and Style - Steven Peacock, Jason Jacobs, 2013 Book | Recommended | Woods, Faye. (2014) ‘Storytelling in Song: Television Music, Narrative and Allusion in The O.C 5/9 09/28/21 FMSU9M2 : Moving image | University of Stirling DIGITAL AND CGI (10 items) The impact of digital technologies on film aesthetics, IN: Film theory and criticism: introductory readings - M. Allen Chapter | Essential | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 Tales of Upward Mobility, IN: Film theory and criticism: introductory readings - K. Whissel Chapter | Essential | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 Film theory and criticism: introductory readings - (2016) Book | Recommended Also return to reading listed in Week 1 on the academic value of reading film form, to which this lecture will return as a form of conclusion to the first block of the module: (2 items) Introduction, IN: Style and meaning: studies in the detailed analysis of film - J. Gibbs, D. Pye Chapter | Recommended The Significance of Film Form, IN: Film art: an introduction - David Bordwell, Kirsten Thompson Chapter | Recommended | Digitised under the CLA Digitisation Licence therefore only available to students on module FMSU9M2 Supporting reading (5 items) Essential reading Allen, Michael, ‘The impact of digital technologies on film aesthetics’, in Leo Braudy and Marshall Cohen (editors), Film Theory & Criticism Seventh Edition (New York: Oxford University Press, 2009), pp. 824-833. Whissel, Kristen, ‘Tales of Upward Mobility: The New Verticality and Digital Special Effects’, in Braudy & Cohen, pp. 834-852. Also return to reading listed

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