A CONDUCTOR'S ANALYSIS OF ANTONIO MARÍA VALENCIA'S REQUIEM by Juan Camilo Hernández Carreño Submitted to the faculty of the Jacobs School of Music in partial fulfillment of the requirements for the degree, Doctor of Music Indiana University May 2020 Accepted by the faculty of the Indiana University Jacobs School of Music, in partial fulfillment of the requirements for the degree Doctor of Music Doctoral Committee ______________________________________ Dominick DiOrio, Research Director ______________________________________ Betsy Burleigh, Chair ______________________________________ Gary Arvin ______________________________________ Walter Huff April 22, 2020 ii Copyright © 2020 Juan Camilo Hernández Carreño iii To my parents for their unconditional support through this long journey. To my husband for his encouragement and endless patience. iv Table of Contents Table of Contents .................................................................................................................................... v! List of Examples ..................................................................................................................................... vi! List of Tables ......................................................................................................................................... ix! List of Appendices .................................................................................................................................. xi! Introduction ............................................................................................................................................. 1! Chapter 1: Biography ............................................................................................................................... 2! Chapter 2: INTROITUS ......................................................................................................................... 33! Chapter 3: KYRIE ................................................................................................................................. 43! Chapter 4: GRADUALE ........................................................................................................................ 50! Chapter 5: TRACTUS ........................................................................................................................... 57! Chapter 6: SEQUENTIA ....................................................................................................................... 62! Chapter 7: OFFERTORIUM .................................................................................................................. 81! Chapter 8: SANCTUS ........................................................................................................................... 90! Chapter 9: AGNUS DEI ........................................................................................................................ 97! Chapter 10: COMMUNIO ................................................................................................................... 104! Chapter 11: ABSOLUTIO ................................................................................................................... 110! Bibliography........................................................................................................................................ 182! v List of Examples Example 2.1. Introitus, Structure Graphic .............................................................................................. 34! Example 2.2. Valencia, Introitus, Exaudi ............................................................................................... 36! Example 2.3. Valencia, Section A’......................................................................................................... 37! Example 2.4. Liber Usualis, Introitus ..................................................................................................... 37! Example 2.5. Valencia, Introitus, Bass and Tenor .................................................................................. 38! Example 2.6. Valencia, Introitus, Pedal Point ......................................................................................... 38! Example 2.7. Introitus, Soprano and Alto ............................................................................................... 40! Example 2.8. Valencia, Introitus, Last Verse .......................................................................................... 41! Example 2.9. Valencia, Introitus, Anabasis ............................................................................................ 42! Example 3.1. Kyrie, Structure Graphic ................................................................................................... 43! Example 3.2. Liber Usualis, Kyrie ......................................................................................................... 44! Example 3.3. Liber Usualis, Kyrie Transcribed, Melody and Text .......................................................... 44! Example 3.4. Valencia, Kyrie, Ambitus ................................................................................................ 47! Example 3.5. Liber Usualis, Kyrie, Last Declamation ............................................................................ 48! Example 3.6. Valencia, Kyrie, Last Declamation ................................................................................... 49! Example 4.1. Graduale, Structure Graphic ............................................................................................. 50! Example 4.2. Valencia, Graduale, Sections A (a and b) and A’ (a’ and b’) ............................................. 52! Example 4.3. Liber Usualis, Graduale .................................................................................................... 53! Example 4.4. Liber Usualis, Graduale, Dies Iræ Melody ........................................................................ 53! Example 4.5. Valencia, Graduale, Dies Iræ Melody ............................................................................... 53! Example 4.6. Valencia, Graduale, Et Lux Perpetua ................................................................................ 55! Example 4.7. Valencia, Graduale, Final Cadential Process ..................................................................... 56! Example 5.1. Tractus, Structure Graphic ................................................................................................ 57! vi Example 5.2. Valencia, Tractus, Usage of Thirds in Cadences................................................................ 60! Example 5.3. Valencia, Tractus, Imitation .............................................................................................. 61! Example 6.1. Sequentia, Structure Graphic ............................................................................................ 63! Example 6.2. Sequentia, Melody ............................................................................................................ 65! Example 6.3. Sequentia, Melody 2 ......................................................................................................... 66! Example 6.4. Valencia, Sequentia, Arch Form ....................................................................................... 68! Example 6.5. Valencia, Sequentia, Parallel Fifths Arch Form ................................................................. 68! Example 6.6. Valencia, Sequentia, Usage of Dies Dies Iræ Melody ........................................................ 69! Example 6.7. Liber Usualis, Sequentia, Per Sepulchra Melody ............................................................... 69! Example 6.8. Bass Melody 2, Tenor Countermelody .............................................................................. 71! Example 6.9. Valencia, Sequentia, Rex Tremendæ ................................................................................. 72! Example 6.10. Valencia, Sequentia, Liber Scriptus Melody on Recordare .............................................. 73! Example 6.11. Valencia, Sequentia, Dies Iræ Melody on Ne Me Perdas ................................................. 73! Example 6.12. Valencia, Sequentia, Dies Iræ Melody on Tantus Labor .................................................. 74! Example 6.13. Valencia, Sequentia, Ultionis/Remissionis/Rationis Juxtaposition ................................... 74! Example 6.14. Valencia, Sequentia, Supplicanti Parce Deus Cadence .................................................... 75! Example 6.15. Valencia, Dies Iræ Melody on Qui Mariam Absolvisti .................................................... 76! Example 6.16. Valencia, Sequentia, Fire ................................................................................................ 76! Example 6.17. Valencia, Sequentia, Dies Iræ Melody on Et Ab Hædis ................................................... 77! Example 6.18. Liber Usualis and Valencia, Sequentia, Voca Me Comparison ........................................ 78! Example 6.19. Valencia, Sequentia, Lacrimosa Canon ........................................................................... 79! Example 6.20. Liber Usualis and Valencia, Sequentia, Amen ................................................................. 80! Example 7.1. Offertorium, Structure Graphic ......................................................................................... 81! Example 7.2. Liber Usualis