Their Darkest Hour

Their Darkest Hour

LAURENCE REES THEIR DARKEST HOUR ~ EBURY PRESS 1 3 5 7 9 10 8 6 4 2 Published in 2007 by Ebury Press, an imprint of Ebury Publishing A Random House Group Company Copyright © Laurence Rees 2007 Laurence Rees has asserted his right to be identified as the author of this Work in accordance with the Copyright, Designs and Patents Act 1988 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. The Random House Group Limited Reg. No. 954009 Addresses for companies within the Random House Group can be found at www.randomhouse.co.uk A CIP catalogue record for this book is available from the British Library. ISBN 978 0 091 917579 (hardback) ISBN 978 0 091 92334 1 (paperback) The Random House Group Limited makes every effort to ensure that the papers used in our books are made from trees that have been legally sourced from well-managed and credibly certified forests. Our paper procurement policy can be found on www.randomhouse.co.uk To buy books by your favourite authors and register for offers visit www.rbooks.co.uk Printed and bound in Great Britain by Clays Ltd) St Ives PLC Plate section picture credits: p.l Ishikawa Kiyoko, Petras Zelionka; p.2 Aleksey Bris, Mainichi; p.3 Bildarchiv Preussischer Kulturbesiz/Pk-Haehle, Masaya Enomoto; p.4 Australian War Memorial, Jewish Museum, Imperial War Museum; p.5 Museum Panorama; p.6 Zinaida Grigorievna Pytkina, Bildarchiv Preussischer Kulturbesiz; p.7 Karl Bohm-Tettelbach, Kenichiro Oonu.ki; p.8 AKG London CONTENTS INTRODUCTION .........................................................................vii PART ONE - MASS KILLING 1 Paul Montgomery and Bombing the Japanese to Destruction ........................................................................ 5 2 Petras Zelionka and the Killing Fields of the Holocaust ........ ll 3 Oskar Groening and a Double Life in Auschwitz .................. 17 PART TWO - RESISTANCE 4 Alois Pfaller and the Struggle Against the Nazis ................... 29 5 Aleksey Bris and the Shattered Dreams of the Ukrainians ..... 35 6 Vladimir Kantovski and Stalin's Penal Battalions ................... 41 PART THREE - FIGHTING AND KILLING THE 'INFERIOR' AND THE 'INHUMAN' 7 James Eagleton and Killing the Japanese .............................. 51 8 Hajime Kondo and the Making of a Devil in the Japanese Imperial Army ...................................................................... 59 9 Wolfgang Horn and Shooting Red Army Soldiers ................ 67 10 Masayo Enomoto and Rape, Murder and Cannibalism ......... 73 PART FOUR - PRISONERS 11 Aleksandr Mikhailovski and the Nazis' Human Mine Detectors ............................................................................. 83 12 Samuel Willenberg and Surviving a Death Camp .................. 89 13 Peter Lee and the Virtues of an Englishman Imprisoned by the Japanese .................................................................... 95 14 Tatiana Nanieva and the Revenge ofStalin ......................... l0l 15 Estera Frenkiel and Choices in the Ghetto ......................... 107 16 Maria Platonow and Betrayal by the British ........................ 113 17 Toivi Blatt and the Philosophy of Sobibor. ......................... 121 18 Connie Sully and Rape by the Japanese .............................. 129 19 Lucille Eichengreen and Abuse in the Ghetto .................... 135 PART FIVE - SOLDIERS OF BELIEF 20 Vladimir Ogryzko and the Panic in Moscow ...................... 151 21 Suren Mirzoyan and Hand-to-Hand Combat in Stalingrad ....................................................................... 157 22 Jacques Leroy and the Mentality of a SS Fanatic ................ 163 23 Zinaida Pytkina and SMERSH ........................................... 171 24 Hiroo Onoda and the Refusal to Surrender. ....................... 177 PART SIX - SERVANTS OF THE REGIME 25 Erna Krantz and Living an Ordinary Life under the Nazis .......................................................................... 191 26 Mark Lazarevich Gallay and the Mind OfJosefStalin ......... 197 28 Manfred Freiherr von Schroeder and Working with Hitler ................................................................................. 205 29 Ken Yuasa and Human Experiments in War ........................ 213 27 Fritz Hippler and 'The Eternal Jew' ................................... 219 30 Nigel Nicolson and Deporting yugoslavians ....................... 225 31 Karl Boehm-Tettelbach and the Charming Nazis ................ 231 32 Kristina Soderbaum and Acting for Hitler .......................... 239 PART SEVEN - MASS SUICIDE 33 Kenichiro Oonuki and the Logic of the Kamikaze ............. .251 34 Waltraud Reski and Mass Rape in Demmin ........................ 259 35 Shigeaki Kinjou and the Death of the Innocent .................. 265 Postscript ................................................................................. 271 Timeline ................................................................................... 279 Acknowledgements ................................................................... 31 0 INTRODUCTION How could Nazi killers shoot Jewish women and children at close range? Why did Japanese soldiers rape and murder on such a horren­ dous scale? How was it possible to endure the torment of a Nazi death camp? For nearly 20 years I have tried to answer these and many other similar questions by meeting hundreds of people who participated in World War II. I was particularly interested in the motivation of the perpetrators - the people who committed atroci­ ties - though I also met many of their victims and others who faced difficult, sometimes impossible, decisions during the war. In the course of my work I travelled from Japan to the Baltic States, from Poland to America, from Germany to Borneo and from Italy to China. I encountered rapists, murderers and cannibals. I talked to soldiers who acted heroically; survivors of the worst atroci­ ties imaginable; even a man who shot little children. Each of the hundreds of interviews was filmed, and each encounter lasted several hours. I used some of this interview material in a series of television documentaries I wrote and produced about the war and in the accompanying books, but an enormous amount of historical informa­ tion remained unpublished. So I decided to study carefully once again the more than 7 million words of interview transcript and write a series of essays about the 35 most extraordinary people I met on my travels. This approach has enabled me to include in the previously published stories information that has not been made public before, and to add several new interviews, which appear here in book form entirely for the first time - notably my encounters with Hiroo Onoda, Nigel Nicolson, Marie Platonow, Fritz Hippler and Kristina VIII I THEIR DARKEST HOUR Soderbaum. This fresh format also allowed me to offer an insight into my own personal encounters with all of these interviewees, which the previous narrative form prevented. Over the years, as I questioned people who had been tested in ways that I had never been, I also felt questions asked of myself. And the one question that I believed I had to address more than any other was simple: what would I have done in similar circumstances? Of course, I could not know for certain. Had I been in those circum­ stances all those years ago then I would not have been the identical person I am today, since we are all shaped so much by the times in which we live. But in order to read any history we have to imagine what the past was like and create once again the circumstances in which historical characters lived. And by a similar act of imagination we can surely place ourselves in history and ask what kind of person we would have become in that situation, and consequently what choices we might have exercised. The past is not some alien world. They may have 'done things differently' there but that is because the circumstances were differ­ ent, not because human beings and their fundamental needs and motivations were different. The physiology of the human mind has not changed over the last few thousand years (certainly not since World War II) and so the dilemmas and challenges faced in this book were faced by people essentially like us - indeed, by our parents and grandparents. I believe there is consequently a great deal we can learn about ourselves by asking, 'What would we have done?' It was vital, of course, to treat the oral testimony that I and my team were gathering with an element of scepticism - especially when people were talking so long after the event. We researched all the interviewees thoroughly before filming, and checked that the factual details of their story were consistent both internally with their own testimony and externally with documents of the period, like the war INTRODUCTION IIX diaries of the various military units concerned. If we had any doubts about the fundamental veracity of a potential contributor's testi­ mony, then we did not film an interview. Unlike some interviews conducted for oral-history projects, I also focused each filmed interview around a handful of specific themes. There were two reasons for this. First, I found we got the most interesting answers when we concentrated on one area rather than trying to cover an entire biography, and, second, it allowed us to check once again with internal references

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    293 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us