09/29/21 Special Subject: Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University Special Subject: Post-Punk Britain View Online 1975-present - V1420 - Lucy Robinson Adams, Ruth. 2008a. ‘The Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia.’ Popular Music and Society 31 (4): 469–88. https://doi.org/10.1080/03007760802053104. ———. 2008b. ‘The Englishness of English Punk: Sex Pistols, Subcultures, and Nostalgia.’ Popular Music and Society 31 (4): 469–88. https://doi.org/10.1080/03007760802053104. Albertine, Viv. 2015. Clothes, Clothes, Clothes, Music, Music, Music, Boys, Boys, Boys. London: Faber & Faber. Albiez, Sean. 2003. ‘Know History!: John Lydon, Cultural Capital and the Prog/punk Dialectic.’ Popular Music 22 (3): 357–74. http://www.jstor.org.ezproxy.sussex.ac.uk/stable/3877580. ———. 2006. ‘Print the Truth, Not the Legend. The Sex Pistols: Lesser Free Trade Hall, Manchester, June 4, 1976.’ In Performance and Popular Music: History, Place and Time, edited by Ian Inglis, Ashgate popular and folk music series:92–106. Aldershot: Ashgate. https://contentstore.cla.co.uk/secure/link?id=ec23bb39-3b0e-e711-80c9-005056af4099. ———. 2012a. ‘Print the Truth, Not the Legend: Sex Pistols: Lesser Free Trade Hall. 4 June 1976.’ 4 March 2012. https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx zZWFuYWxiaWV6fGd4OjRmNWI5NTE5ZmI0OTU3NDk&pli=1. ———. 2012b. ‘Print the Truth, Not the Legend: Sex Pistols: Lesser Free Trade Hall. 4 June 1976.’ 4 March 2012. https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx zZWFuYWxiaWV6fGd4OjRmNWI5NTE5ZmI0OTU3NDk&pli=1. ———. 2012c. ‘Print the Truth, Not the Legend: Sex Pistols: Lesser Free Trade Hall. 4 June 1976.’ 4 March 2012. https://docs.google.com/viewer?a=v&pid=sites&srcid=ZGVmYXVsdGRvbWFpbnx zZWFuYWxiaWV6fGd4OjRmNWI5NTE5ZmI0OTU3NDk&pli=1. Albini, Steve. 1997. ‘Commodify Your Dissent | Ch: “The Problem with Music”.’ In Commodify Your Dissent: Salvos from ’The Baffler", edited by Matt Weiland and Thomas Frank, 164–76. New York, N.Y.: W.W.Norton. https://contentstore.cla.co.uk/secure/link?id=5c484992-350e-e711-80c9-005056af4099. Alfonso, Rita, and Jo Triglio. 1997. ‘Surfing the Third Wave: A Dialogue between Two Third 1/47 09/29/21 Special Subject: Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University Wave Feminists.’ Hypatia 12 (3): 7–16. https://doi.org/10.1111/j.1527-2001.1997.tb00002.x. Allen, Richard. 1993. The Complete Richard Allen, Vol. 2: ‘Skinhead Girls’, ‘Sorts’, ‘Knuckle Girls’. Vol. 2: "Skinhead Girls", "Sorts", "Knuckle Girls". Dunoon: S.T. Publishing. Almond, Marc. 1999. Tainted Life. London: Sidgwick & Jackson. Anderson, S. 2003. ‘Television Histories | Ch: “History TV and Popular Memory”.’ In Television Histories: Shaping Collective Memory in the Media Age, edited by Gary R Edgerton and Peter C Rollins, 19–36. Lexington, Ky: University Press of Kentucky. Andes, L. 1998a. ‘Growing up Punk: Meaning and Commitment Careers in Contemporary Youth Subculture.’ In Youth Culture: Identity in a Postmodern World, edited by Jonathon Epstein. Malden, Mass: Blackwell. ———. 1998b. ‘Growing up Punk: Meaning and Commitment Careers in Contemporary Youth Subculture.’ In Youth Culture: Identity in a Postmodern World, edited by Jonathon Epstein. Malden, Mass: Blackwell. Anning, N., N. Wates, and C. Wolmar. 1980. Squatting: The Real Story. Bay Leaf Books. Ant, Adam. 2007. Stand & Deliver: The Autobiography. [Updated ed.]. London: Pan. Aston, Martin. 2013. Facing the Other Way: The Story of 4AD. London: The Friday Project. Atton, Chris. 2004. An Alternative Internet. Edinburgh: Edinburgh University Press. ———. 2010. ‘Popular Music Fanzines: Genre, Aesthetics, and the “Democratic Conversation”.’ Popular Music and Society 33 (4): 517–31. https://doi.org/10.1080/03007761003694316. Attwood, Feona. 2007. ‘Sluts and Riot Grrrls: Female Identity and Sexual Agency.’ Journal of Gender Studies 16 (3): 233–47. https://doi.org/10.1080/09589230701562921. Austin, Joe. 2001a. Taking the Train: How Graffiti Art Became an Urban Crisis in New York City. Vol. Popular cultures, everyday lives. New York: Columbia University Press. ———. 2001b. Taking the Train: How Graffiti Art Became an Urban Crisis in New York City. Vol. Popular cultures, everyday lives. New York: Columbia University Press. Back, Les. 2000. ‘Voices of Hate, Sounds of Hybridity: Black Music and the Complexities of Racism.’ Black Music Research Journal 20 (2): 127–49. http://www.jstor.org.ezproxy.sussex.ac.uk/stable/779464. Bailey, Steve, and Anita Michel. 2004. ‘The Photocopied Self: Perzines, Self-Construction, and the Postmodern Identity Crisis.’ Reconstruction 4 (2). http://reconstruction.eserver.org/Issues/042/bailey.htm. Bakare-Yusuf, Bibi. 1997. ‘Raregrooves and Raregroovers: A Matter of Taste, Difference and Identity.’ In Black British Feminism: A Reader, edited by Heidi Safia Mirza, 81–96. London: Routledge. 2/47 09/29/21 Special Subject: Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University Baker, Sarah. 2015. Sites of Popular Music Heritage: Memories, Histories, Places. Edited by Sara Cohen. Vol. Routledge Studies in Popular Music. New York, New York: Routledge. http://suss.eblib.com/patron/FullRecord.aspx?p=1775344. Baker, Sarah, and Alison Huber. 2013a. ‘Notes towards a Typology of the DIY Institution: Identifying Do-It-Yourself Places of Popular Music Preservation.’ European Journal of Cultural Studies 16 (5): 513–30. https://doi.org/10.1177/1367549413491721. ———. 2013b. ‘Notes towards a Typology of the DIY Institution: Identifying Do-It-Yourself Places of Popular Music Preservation.’ European Journal of Cultural Studies 16 (5): 513–30. https://doi.org/10.1177/1367549413491721. ———. 2015. ‘Saving “Rubbish”: Preserving Popular Music’s Material Culture in Amateur Archives and Museums’. In Sites of Popular Music Heritage: Memories, Histories, Places, edited by Sara Cohen, Robert Knifton, Marion Leonard, and Les Roberts, Routledge Studies in Popular Music:112–24. New York, New York: Routledge. http://eu01.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pa ckage_service_id=10400231380002461&institutionId=2461&customerId=2460. Barber, Chris, and Jack Sargeant, eds. 2006. No Focus: [punk on Film]. London: Headpress. Barnard, Malcolm. 1996. ‘Chapter 6 “Fashion, Clothing and Social Revolution”.’ In Fashion as Communication. London: Routledge. Baron, S. W. 1989. ‘Resistance and Its Consequences: The Street Culture of Punks.’ Youth & Society 21 (2): 207–37. https://doi.org/10.1177/0044118X89021002005. Bayton, Mavis. 1998. Frock Rock: Women Performing Popular Music. Oxford: Oxford University Press. BBC Radio 4. 2012. ‘Riot Grrrls.’ BBC Radio 4. http://bobnational.net/record/130086. Becker, Sharon. 2012. ‘Editor’s Note: “The World”s a Mess It’s in My Kiss': Punk Women and Why They Matter’. Women’s Studies 41 (2): 117–20. https://doi.org/10.1080/00497878.2012.636326. Beer, David. 2014. Punk Sociology. Basingstoke: Palgrave Pivot. Bell, David, and Gill Valentine. 1995. Mapping Desire: Geographies of Sexualities. London: Routledge. Bennett, Andy. 1999. ‘Subcultures or Neo-Tribes? Rethinking the Relationship between Youth, Style and Musical Taste.’ Sociology 33 (3): 599–617. https://doi.org/10.1177/S0038038599000371. ———. 2004. ‘Consolidating the Music Scenes Perspective.’ Poetics 32 (3-4): 223–34. https://doi.org/10.1016/j.poetic.2004.05.004. ———. 2006. ‘Punk’s Not Dead: The Continuing Significance of Punk Rock for an Older Generation of Fans.’ Sociology 40 (2): 219–35. 3/47 09/29/21 Special Subject: Post-Punk Britain 1975-present - V1420 - Lucy Robinson | Sussex University https://doi.org/10.1177/0038038506062030. ———. 2009a. ‘As Young as You Feel: Youth as a Discursive Construct.’ In Youth Cultures: Scenes, Subcultures and Tribes, edited by Paul Hodkinson and Wolfgang Deicke. Vol. Routledge Advances in Sociology. New York: Routledge. ———. 2009b. ‘As Young as You Feel: Youth as a Discursive Construct.’ In Youth Cultures: Scenes, Subcultures and Tribes, edited by Wolfgang Deicke and Paul Hodkinson. Vol. Routledge Advances in Sociology. New York: Routledge. ———. 2009c. ‘“Heritage Rock”: Rock Music, Representation and Heritage Discourse’. Poetics 37 (5-6): 474–89. https://doi.org/10.1016/j.poetic.2009.09.006. ———. 2011. ‘The Post-Subcultural Turn: Some Reflections 10 Years on.’ Journal of Youth Studies 14 (5): 493–506. https://doi.org/10.1080/13676261.2011.559216. ———. 2013. Music, Style, and Aging: Growing Old Disgracefully? Philadelphia: Temple University Press. http://eu01.alma.exlibrisgroup.com/view/action/uresolver.do?operation=resolveService&pa ckage_service_id=10397752260002461&institutionId=2461&customerId=2460. ———. 2014. ‘Youth Culture and the Internet: A Subcultural or Post-Subcultural Phenomena?’ In Fight Back: Punk, Politics and Resistance, edited by The Subcultures Network. Manchester: Manchester University Press. Bennett, Andy, and Paul Hodkinson. 2012. Ageing and Youth Culture: Music, Style and Identity. English edition. London: Berg. Bennett, Andy, and Richard A. Peterson. 2004a. Music Scenes: Local, Translocal and Virtual . 1st ed. Nashville: Vanderbilt University Press. https://ebookcentral.proquest.com/lib/suss/detail.action?docID=3039989. ———. 2004b. Music Scenes: Local, Translocal and Virtual. 1st ed. Nashville: Vanderbilt University Press. https://ebookcentral.proquest.com/lib/suss/detail.action?docID=3039989. Bennett, Andy, and Jon Stratton. 2010. Britpop and the English