Mime Journal Volume 23 Essays on François Delsarte Article 14 4-30-2005 Bibliography - Essays on François Delsarte Nancy LC Ruyter [email protected] Follow this and additional works at: http://scholarship.claremont.edu/mimejournal Recommended Citation Ruyter, Nancy LC (2005) "Bibliography - Essays on François Delsarte," Mime Journal: Vol. 23, Article 14. DOI: 10.5642/ mimejournal.20052301.014 Available at: http://scholarship.claremont.edu/mimejournal/vol23/iss1/14 This Article is brought to you for free and open access by the Journals at Claremont at Scholarship @ Claremont. It has been accepted for inclusion in Mime Journal by an authorized administrator of Scholarship @ Claremont. For more information, please contact [email protected]. Mime Journal April 2005. ISBN 1-887482-06-07 print. ISSN 2327-5650 online. 207 BIBLIOGRAPHY Abbreviations DC Dartmouth College Library, Hanover, New Hampshire ESW Edgar S. Werner LSU Hill Memorial Library, Louisiana State University, Baton Rouge NY New York NYPL-PA New York Public Library for the Performing Arts at Lincoln Center P Press U University WVM Werner’s Voice Magazine (New York, 1889–1892) WM Werner’s Magazine (New York, 1893–1902) (The Werner magazine was first called and was published by ESW, New York, 1879–1888) The Voice Archival Sources Arthur Waley Collection, Rutgers U. Delsarte Collection. LSU. Jaques-Dalcroze, Émile.Unpublished lesson plans, 1908–1948. 90 vols. Geneva: Centre International de Documentation Jaques-Dalcroze (CIDJD). Mary Anderson Scrapbook. Robinson Locke Collection of Theatre Scrapbooks, Billy Rose Theater Collection. NYPL-PA, Series 1, Vol. 17. Richard Hovey Collection. DC. Steele Mackaye Archive. DC. Ted Shawn Collection. Dance Collection. NYPL-PA Bust of François Delsarte 1959 Gift of M.K. Curtis to Dartmouth College. Courtesy of Dartmouth College Library. scholarship.claremont.edu/mimejournal Mime Journal April 2005. ISBN 1-887482-06-07 print. ISSN 2327-5650 online. 208 ESSAYS ON FRANÇOIS DELSARTE Published Materials and Theses Abraham, Anke, and Roni Haft. 1986. Düsseldorf: Graphische Werkstatt. Maja Lex Adams, Florence A. Fowle. 1893. “Studies in Posing: From Old Greek and Roman Art.” 15 (December):416–17 WM Adams, Fred Winslow. 1893. “The Stage View of Delsarte.” 15 (February):41–43. WM Aitchison, Evelyn Allen. 1899. “Statue-Posing.” 22 (February):435. WM Alexander, F. Matthias. 1995. London: Mouritz. Articles and Lectures Alger, William Rounseville. 1894. “The Aesthetic Gymnastics of Delsarte.” (January): 3–4 WM Arnaud, Angélique. 1882. (FrançoisFrançois Delsarte: Del his Sarte: discoveries Ses découvertes in aesthetics, en esthétique, his science, sa hisscience, method). sa méthode Paris: Librairie Ch. Delagrave. Trans. and ed. by Abby L. Alger as: “The Delsarte System” in , 2nd ed. (1883) and subsequent editions. Delsarte System of Oratory _____. (1893). “The Delsarte System.”In 4th ed. Delsarte System of Oratory, Artioli, Umberto. 1993. “Contro l’arbitrio del significante: Delsarte e l’estetica dell’espressione” (Against the arbitrariness of the signifier. Delsarte and the aesthetics of expression). In Randi 1993, 11–41. 1855. New York: S. French. Art of Acting Aubert, Charles. 1927. Trans. Edith Sears. Salem N.H.: Ayer Company Publishers,The Art 1985. of PantomimeFirst published in Paris as in 1901. L’Art Mimique Auerbach, Nina. 1982. Cambridge: Harvard UP.Woman and the Demon: The Life of a Victorian Myth Austin, Gilbert. 1806. Eds. Mary Margaret Robb and Lester Thonssen. Carbondale:Chironomia Southern Illinois UP, 1966. Baker, George M. 1889. Boston: W. H. Baker. Forty Minutes with a Crank, or the Seldarte Craze _____. 1893. Boston: W. H. Baker. The Seven Ages: A Tableau Entertainment _____. 1894. Boston:The Sculptor’s W. H. Triumph,Baker. a National Allegory; and The Rival Poets, an Interlude. _____. 1898. Boston: W. H. Baker. A Grecian Bend: A Farce Balance, John [Edward Gordon Craig]. 1912. “Jacques [sic] Dalcroze and his School.” 5/1 (July). Reprinted in Rood, 227–30 The Mask scholarship.claremont.edu/mimejournal Mime Journal April 2005. ISBN 1-887482-06-07 print. ISSN 2327-5650 online. BIBLIOGRAPHY 209 Balzac, Honoré de. 1833. (Theory of bearing). In his , 7 vols.Théorie Préface de la de démarche Pierre-Georges Castex, présentation et notesLa Comédie de Pierre Humaine Citron (Paris: Seuil, 1965–1966). Vol. VII, 580–96. Banner, Lois. 1983. Chicago and London: U of Chicago P. American Beauty Banta, Martha.1987. NY: ColumbiaImaging UP. American Women: Ideas and Ideals in Cultural History Battaille, Charles; Augustin Privat-Deschanel; Paul Féval; and François Delsarte. 1866. (Lectures of theConférences Philotechnic de Association,l’Association Philotechnique.1865). Paris: Victor Année Masson 1865 et Fils. Delsarte’s lecture, 89–139. Beacham, Richard, writer and producer. 1991. Videocassette. Princeton:The Design Films of forModern the Theatre: Humanities.Adolphe Appia’s Innovations Benois, Alexander.1941. Mary Britnieva, trans. London: Putnam Reminiscences of the Russian Ballet Berchtold, Alfred. 1965. “Émile Jaques-Dalcroze et son temps” (Émile Jaques-Dalcroze and his time). In Martin, 27–158. Bernhardt, Sarah. 1924. H. J. Stenning, trans. London: Geoffrey Bles. The Art of the Theatre Bishop, Emily M. 1895. NY: Werner’s Magazine,Self Expression ESW. and (1st Health: pub. as Americanized Delsarte Culture, Meadville, PA, 1892.) Americanized Delsarte Culture Blair, Fredrika. 1986. NY: William MorrowIsadora, Portrait of the Artist as a Woman Blair, Hugh. 1783. Reprinted, Philadelphia: TroutmanLectures & Hayes,on Rhetoric 1850. and Belles Lettres Blanchard, Fred C. 1954. “Professional Theatre Schools of the Early Twentieth Century.” In Wallace, 617–40. Bloch, Susana. 1993. “Alba Emoting: A Psychophysiological Technique to Help Actors Create and Control Real Emotions.” 3:121–38. Theatre Topics Bober, Phyllis Pray; and Ruth Rubenstein. 1986. Oxford: HarveyRenaissance Miller Publishers, Artists andOxford Antique Sculpture:UP. A Handbook of Sources. Bordman, Gerald Martin, ed. 1992. , 2nd ed. NY: Oxford UP. The Oxford Companion to the American Theater Bordwell, David, Janet Staiger, and Kristin Thompson. 1985. NewThe Classical York: Columbia Hollywood UP. Cinema: Film Style & Mode of Production to 1960 Braun, Edward, trans. and ed. 1969. London: Routledge. Meyerhold on Theatre scholarship.claremont.edu/mimejournal Mime Journal April 2005. ISBN 1-887482-06-07 print. ISSN 2327-5650 online. 210 ESSAYS ON FRANÇOIS DELSARTE Brecht, Bertolt. 1964. John Willett, ed and trans. BrechtNY and on London:Theatre. TheHill Development & Wang, Methuen. of an Aesthetic Brestoff, Richard. 1995. Lyme, NH: Smith & Kraus. The Great Acting Teachers and Their Methods Brockett, Oscar G. 1987. 3rd ed. Boston: Allyn & Bacon (1st ed. 1968) History of the Theatre . 1919. Dir. D. W. Griffith. DVD. Kino on Video, 2002. Broken Blossoms Brown, Moses True. 1886. The Synthetic .Philosophy Boston and of NY:Expression Houghton as Applied Mifflin. to the Arts of Reading, Oratory, and Personation Brunet-Lecomte, H[élène]. 1950. (Jaques-Dalcroze: his life, his work).Jaques-Dalcroze: Geneva: Jeheber. sa vie, son oeuvre Burgh, James. 1762. London. The Art of Speaking Burns, Judy. 1996. “The Culture of Nobility/The Nobility of Self-Cultivation.” In , Gay Morris, ed. London and NY: Routledge,Moving Words;203–226. Rewriting Dance Byckling, Liisa. 2000. (Mikhail Chekhov in Western theatreMikhail and Chekhov film). v StZapadnom Petersburg: Teatre Kikimora i Kino Publications. Cabanis, Pierre-Jean-George. 1805. (Relations of the physical and the moralRapports in man). du Physique 2 vols. et Paris: du Moral Crapelet de l’Homme (1st ed. 1802). Call, Annie Payson. 1905. Boston: Little, Brown, and Company. Power Through Repose Chamberlain, Franc. 2004. London: Routledge. Michael Chekhov Chapman, Mary Megan. 1992. “ ‘Living Pictures;’ Women and in Nineteenth-Century American Fiction and Culture.” TableauxPh.D. diss. CornellVivants U. Chavat, William. 1936. – . Philadelphia: UniversityThe of OriginsPennsylvania. of American Critical Thought 1810 1835 Chekhov, Michael.1991. Mel Gordon, ed. NY: Harper On the Technique of Acting Chekhov, Mikhail. 1986. (Literary Legacy in Two Volumes: 1. ReminiscencesLiteraturmoe and Nasledie letters; v 2. dvuch On the tomakh art of the actor). Moscow: Iskusstvo. Clark, Janis Dawn. 1982. “The Influence of the Delsarte System of Expression on American Acting 1871–1970.” Ph.D. diss. Washington State U. Cole, Toby and Helen Krich Chinoy, eds. 1949. New York: Crown Publishers. Actors on Acting Coquelin, Constant-Benoît. 1894. Paris. English translation: E. Fogerty. 1932. L’Art. London: du Comédien. George Allen and Unwin. The Art of the Actor scholarship.claremont.edu/mimejournal Mime Journal April 2005. ISBN 1-887482-06-07 print. ISSN 2327-5650 online. BIBLIOGRAPHY 211 Curry, Samuel S. 1891. The Province of Expression: A Search for Principles Boston:Underlying School Adequate of Expression. Methods of Developing Dramatic and Oratoric Delivery. Daly, Ann. 1995. Bloomington: Indiana UP. Done into Dance: Isadora Duncan in America Dasgupta, Gautam. 1993. “Commedia Delsarte.” 45 (September):95–102. Performing Arts Journal Delamont, Sara. 1978. “The Contradictions in Ladies’ Education” (134–63); and “The Domestic Ideology and Women’s Education” (164–87). In Sara Delamont and Lorna Duffin, eds. NY: Barnes & NobleThe Nineteenth-Century Woman: Her Cultural and Physical World Delaumosne, Abbé. 1874. Paris. Trans. by Frances A. Shaw as: “ThePratique Delsarte de L’art System”