CEDARBOUGH T. SAEJI Korea Foundation Postdoctoral Fellow, University of British Columbia, Department of Asian Studies 3655 Wesbrook Mall #116 / Vancouver BC / V6S 0G6 / CANADA 778 929 4464 • [email protected] EDUCATION Ph.D. 2012 Culture and Performance, University of California, Los Angeles (Los Angeles, California) Dissertation: "Transmission and Performance: Memory, Heritage, and Authenticity in Korean Mask Dance Dramas" M.A. 2006 Korean Studies, Yonsei University (Seoul, Republic of Korea) B.A. 1993 Human Ecology, College of the Atlantic (Bar Harbor, Maine) WORK EXPERIENCE University of British Columbia 2016-2018 Korea Foundation Postdoctoral Researcher and Teaching Fellow, Department of Asian Studies . ASIA 327 Korean Popular Music in Context (six times) . ASIA 367 Contemporary Korean Culture Korea University 2015-2016 Research Associate, Research Institute of Korean Studies 2015-2016 Adjunct Lecturer, Graduate Program in Applied Linguistics and Cultural Studies . Theories of Traditional Performance I (2015) . Theories of Traditional Performance II (2016) 2014-2016 Adjunct Lecturer, Graduate School of International Studies, Department of Korean Studies . Modern Korean History (2014, 2015, 2016) . Korean Culture (2015) Hankuk University of Foreign Studies 2013-2015 Visiting Assistant Professor, Department of Korean Studies . Introduction to Korean Studies I and II . Modern Korean History . Korean Cultural Heritage . Korean Folklore . Understanding Korean Media . Introduction to Korean Culture and Society (team-taught) . Contemporary Korean Culture and Society (taught in Korean twice, English twice) . Introduction to Korean Music: Pungmul Drumming (team-taught) . Contemporary Popular Culture (World Comparative) University of California, Los Angeles 2012-2013 Research Associate, Center for Korean Studies 2011-12 Teaching Associate (4 courses) 1 | Saeji 2008-09 Teaching Associate (3 courses) Dankook University 2011 Adjunct Instructor, International Summer Program . Korean Performance PUBLICATIONS Refereed Journal Articles: 2016 "The Audience as a Force for Preservation: A Typology of Audiences for the Traditional Performing Arts." Korea Journal 56, no. 2 (Summer 2016): 5-31. 2014 "Creating Regimes of Value through Curation at the National Museum of Korea." Acta Koreana 17, no. 2 (December 2014): 609-637. 2013 "Juvenile Protection and Sexual Objectification: Analysis of the Performance Frame in Korean Music Television Broadcasts." Acta Koreana 16, no. 2 (December 2013): 277-312. 2013 "Drumming, Dancing and Drinking Makgeolli: Liminal Time-Travel through Intensive Camps Teaching Traditional Performing Arts." Journal of Korean Studies 19, no. 1 (Spring 2013): 61-88. Journal Articles: 2015 "The Sijang as a Site of Korean Cultural Heritage." Korean Heritage 8, no. 1 (Spring 2015): 38-43. 2014 "The Republic of Korea and Curating Displays of Koreanness: Guest Editor's Introduction." Acta Koreana 17, no. 2 (December 2014): 523-536. 2012 "The Bawdy, Brawling, Boisterous World of Korean Mask Dance Dramas" (with photo essay). Cross Currents: East Asian History and Culture Review (e-journal no. 4). Available online at http://cross- currents.berkeley.edu/e-journal/issue-4/Saeji. Also published in Cross Currents: East Asian History and Culture Review 1, no. 2 (November 2012): 439-468. 2012 "Performance Review: Cheonha Je'il Talgongjakso's 'Chushyeoyo' and Ta'ak Project's 'Good Pan'." Asian Theatre Journal 29, no. 1 (Summer 2012): 291-301. 2011 "The Progression of Korean Dance." Korea 7, no. 6 (June 2011): 2-10. Book Chapters: [2018] "Replacing Faith in Spirits with Faith in Heritage: A Story of the Management of the Gangneung Danoje Festival." In Intangible Heritage Second Edition, edited by Laurajane Smith and Natsuko Akagawa. London: Routledge. 2017 "An Unexpected Voice: Performance, Gender, and Protecting Tradition in Korean Mask Dance Dramas." In Women in Asian Performance: Aesthetics and Politics, edited by Arya Mandavan. 142-156. London: Routledge. 2016 "Cosmopolitan Strivings and Racialization: The Foreign Dancing Body in Korean Popular Music Videos." In Korean Screen Cultures: Interrogating Cinema, TV, Music and Online Games, edited by Andrew David Jackson and Colette Balmain. 257-92. Oxford: Peter Lang Publishers. 2 | Saeji 2015 "Protection and Transmission of Korean Folk Theatre." In Korean Musicology Series 7: Yeonhui: Korean Performing Arts. 247-267. Seoul: National Gugak Center. Dictionary and Encyclopedia Entries: 2016 Routledge Handbook of Asian Theatre. Edited by Siyuan Liu. Entries: "Korean Dance" (114-117), "Korean Mask Dance Drama" (157-160), and "Korean Traditional Theatre in Modern Korea" (495-497). 2016 Encyclopedia of Pop Culture in Asia and Oceania. Edited by Jeremy M. Murray and Kathleen M. Nadeau. Entries on "Korean Pop Music" and "Korean Fashion." ABL-CLIO. 2014 Princeton Dictionary of Buddhism. Edited by Robert Buswell, Jr. and Donald Lopez. Wrote entries related to Korean and Japanese Buddhism. Book Reviews: [2017] "Book Review: 'SamulNori: Korean Percussion for a Contemporary World' by Keith Howard." Ethnomusicology Forum. [2017] "Book Review: 'Intimate Distance: Andean Music in Japan' by Michelle Bigenho." Journal of Folklore Research. 2017 "Book Review: 'UNESCO on the Ground: Local Perspective on Intangible Cultural Heritage' by Michael Dylan Foster and Lisa Gilman." Western Folklore 76 (3): 364-367. 2015 "Book Review: 'Korean Musicology Series 6: Korean Dance' by the National Gugak Center." Journal of Korean Dance Historiography 37, (June 2015): 227-237. 2014 Dissertation Review of Mark Andrew Nathan's "Buddhist Propagation and Modernization: The Significance of P’ogyo in Twentieth-Century Korean Buddhism" available at http://dissertationreviews.org/archives/8018. 2014 "Book Review: 'Routledge Handbook of Japanese Culture and Society' by Victoria L. Bestor, Theodore Bestor and Akiko Yamagata, eds." Journal of International and Global Studies 5, no. 2: 150-152. 2013 "Book Review: 'Wind Bands and Cultural Identity in Japanese Schools' by David G. Hebert." Ethnomusicology Review. Available online at http://ethnomusicologyreview.ucla.edu/content/ two- reviews-wind-bands-and-cultural-identity-japanese-schools 2011 "Book Review: 'Consuming Korean Tradition in Early and Late Modernity: Commodification, Tourism and Performance' by Laurel Kendall, Editor." New Zealand Journal of Asian Studies 13, no. 2 (2011): 93-96. Translation: 2011 Translation: Yi, Hunsang. "Reflections on the Intangible Cultural Heritage Policy and Folk Culture Politics in the Postmodern Era: An Autoethnographic Account of the Reconstruction of Kasan Ogwangdae." Korean Social Sciences Review 1, no. 1 (2012): 1-35. 3 | Saeji Professional Copy-editing: [2018] Korean Musicology Series 9: Vocal Music. Seoul. National Gugak Center. 2017 Korean Musicology Series 8: Korean Court Music. Seoul: National Gugak Center. 2016 Modern Geomungo for Composers: Introduction and Application, by Kim Jun-yeong. Seoul: Misokwon. 2015 Korean Musicology Series 7: Yeonhui: Korean Performing Arts. Seoul: National Gugak Center. ACADEMIC AWARDS 2016-17 Korea Foundation Postdoctoral Fellowship in North America 2014 Hankuk University of Foreign Studies Faculty Research Grant 2013 Hankuk University of Foreign Studies Faculty Research Grant 2011-12 UCLA Dissertation Year Fellowship 2010-11 Fulbright-Hays Fieldwork Fellowship 2010-11 UCLA International Institute Fieldwork Fellowship 2010-11 Asian Cultural Council Grant 2009 UCLA Chancellor’s Summer Research Mentorship 2008 Northeast Asia Council of the Association for Asian Studies, Travel Grant 2008 UCLA Chancellor’s Summer Research Mentorship 2007-12 Eugene V. Cota-Robles Fellowship 2007-08 UCLA Alumni Foundation Fellowship 2007-09 UCLA International Institute Global Scholar 2006 Yonsei University Korean Studies Graduation Award for Academic Excellence 2006 Yonsei University Korean Studies Graduation Award for Best Master’s Thesis 2004-06 Korea Foundation Fellow 2005-06 Recipient of the Yonsei Academic Excellence Scholarship RESIDENCIES AND PROGRAMS 2016 Interweaving Performance Cultures Research Center at Freie Universität Berlin, July A workshop on performance-related concepts in Korean for a future joint publication 2013 National Museum of Korea Museum Fellowship Program Participant, Seoul Two week program in Korean Art History and Archaeology run by the National Museum of Korea 2012 East-West Center Residency, Manoa, Hawai'i Residency in coordination with the exhibition on Korean mask dance dramas 2009 Kyujanggak Summer Program for Korean Studies, Seoul Two week program in Korean history, taught entirely in Korean. CONFERENCE PRESENTATIONS Panels Organized: 2017 "Koreanness” on Display: From the Museum to the Musical Stage," Association for Asian Studies, Toronto (Mar. 18) 2016 "The Futures of Communities and Intangible Heritage: Social Pressures and Local Responses in Korea, Japan, and China," AAS-in-Asia, Kyoto (Jun. 24-27) 2016 "Producing Popularity: Behind the Scenes of the K-Pop Wonderland," Association for Asian Studies, Seattle (Mar. 31- Apr. 2) 2015 "Gender Equality in the Arts?: Women Performing in Male Spaces and Male Roles," Society for Ethnomusicology, Austin (Dec. 3-6) 2014 "Authenticity, Ideology, and Economics: Curating and Presenting Korea's Heritage," Kyujanggak East Asia Print Culture and Archives Conference, Seoul (Aug. 21-22) 4 | Saeji 2014 "Curating Korea: Stories and Spaces in Conversation," Association for Asian Studies, Philadelphia (Mar. 27-30) 2013 "Cultural Policy, Heritage Protection,