ferry corsten blueprint album download password ferry corsten. Ferry Corsten is a Dutch DJ, producer and recorder who first started out in 1991 producing underground hardcore gabber tracks. He soon expanded into clubhouse and trance music. But don't put Ferry into the trance corner, because his sound encompasses several genres of electronic music. In 1999 Ferry Corsten was voted Best Producer of the Year at the Ericsson Muzik Award in London. In 2000, he was awarded Best Remix for Adagio for Strings (Ferry Corsten remix) at the Dancestar 2000 awards. He has worked with many other famous DJs, such as DJ Tiesto, Benny Benassi, and Vincent de Moor. In 1999 Ferry Corsten was voted Best Producer of the Year at the Ericsson Muzik Award in London. In 2000, he was awarded Best Remix for Adagio for Strings (Ferry Corsten remix) at the Dancestar 2000 awards. He has worked with many other famous DJs, such as DJ Tiesto, Benny Benassi, and Vincent de Moor. In 1997 he established the famous Tsunami dance label together with Robert Smit & the German dance company Purple Eye Entertainment. He left Tsunami and Purple Eye in 2005. In 2005 Ferry started his own company named Flashover Recordings. The first record on Flashover was Who's Knockin'? with a Flashover remix. The single Fire was the next record. This would be the second album released under Flashover. Since his first solo album, Ferry has continued to evolve his style. He started with the concept name L.E.F. which stands for "Loud. Electronic. Ferocious." and has organized events under this name. Ferry released his second solo album aptly named L.E.F. Ferry has also participated in compiling and mixing the Trance Nation series with Ministry of Sound which has sold millions of copies worldwide. Trance Nation 2002 was the latest Trance Nation compilation from Ferry. Next to Trance Nation, he compiled many other mixed CDs such as Creamfields, Tsunami One, Dance Valley 2001, Passport: Kingdom of the Netherlands, Mixed Live: Spundae @ Circus Los Angeles, Live at Innercity, World Tour Tokyo and Washington, and many others. He has been known to use a lot of other aliases including: 4x4, A Jolly Good Fellow, Albion, Bypass, Cyber F, Dance Therapy, Delaquente, Digital Control, East West, Eon, Exiter, Ferr, Firmly Undaground, Free Inside, Funk Einsatz, Kinky Toys, Lunalife, Moonman, Party Cruiser, Pulp Victim, Raya Shaku, Sidewinder, System F, The Nutter and Zenithal. In addition to these releases, Ferry has also worked with other DJs on several projects. Together with Tijs Verwest (DJ Ti?sto), he set up Gouryella and Vimana. Ferry has also teamed up with Vincent de Moor on the one-time alias project Veracocha. In addition, Ferry has worked with Benny Benassi to produce the one-time alias FB/FB feat. Edun, which stands for the first letter of each of their first names, Ferry and Benny, and also features Edun, Russian/Nigerian gospel and electronic vocal singer. Other groups that he has been in include: Alter Native, Blade Racer, Discodroids, Double Dutch, Elektrika, Energiya, fernick, Mind To Mind, Nixieland, Penetrator, Project Aurora, Riptide, Roef, S.O.A., SCUM, Selected Worx, Sons of Aliens, Soundcheck, Spirit of Adventure, Starparty, and The Tellurians. Moreover, his track Ferry Corsten & Ramin Djawadi - Prison Break Theme (Ferry Corsten Breakout Mix) is now famous worldwide due to the success of the Prison Break television series. With the exception of Gouryella, Ferry no longer uses any other aliases. Gouryella is nowadays only Ferry since Tijs stepped out of the project. Ferry corsten blueprint album download password. Completing the CAPTCHA proves you are a human and gives you temporary access to the web property. What can I do to prevent this in the future? If you are on a personal connection, like at home, you can run an anti-virus scan on your device to make sure it is not infected with malware. If you are at an office or shared network, you can ask the network administrator to run a scan across the network looking for misconfigured or infected devices. Another way to prevent getting this page in the future is to use Privacy Pass. You may need to download version 2.0 now from the Chrome Web Store. Cloudflare Ray ID: 679f3f168947f14a • Your IP : 188.246.226.140 • Performance & security by Cloudflare. Ferry Corsten's "Blueprint" Redefines The Electronic Concept Album. The idea of the concept album has been heavily debated since its origins in the 1940s. The one commonality, however, is the belief that a concept album revolves around a single underlying theme or motif for the entirety of the album. From Frank Sinatra and Woody Guthrie, to the contemporary rock operas of The Who and Pink Floyd, concept albums have been heralded as some of the most important works for any artist in their given genre. Not only do concept albums generally contain thought-provoking thematic material, but they are often known to be sonically exceptional from start to finish. When it comes to electronic music, it almost seems expected that the thematic nature of any concept album would revolve around science fiction. For his newest album, Blueprint , Ferry Corsten wanted to shift the idea around, and teamed up with screenwriter David H. Miller to shed light on humanity’s place in the universe and reflect on our own existence. Ferry had been openly discussing his ideas for a science-fiction concept album for some time, but had never taken the first step. “My dad and I were listening to some of the new Gouryella (an old alias I re-launched last year) music and we were talking about how much storytelling it actually had. This was when my dad said 'why don't you take that next step and create the story album you always wanted to make? Remember Jeff Wayne's War of The Worlds?’ That was my 'aha' moment.” Corsten's had an appreciation for film scores, and wanted to produce a work that transcended lyrically oriented music, but could still tell a strong story. Creating a collection of songs, that combined itself with a theatrical narration, could help expand on this dream. Thankfully enough, Ferry’s manager happened to be old friends with screenwriter David H. Miller ( House of Cards , Rosewood ), and suggested the two meet for a potential collaboration. Before you knew it, the two were together and the ideas were flowing. David spoke highly of the pair’s first meeting. “We hit it off as soon as we sat down and the ideas came fast and furious. It was honestly the smoothest collaboration I have ever been a part of.” The story evolved from a basic idea about artificial intelligence and extraterrestrial life. These were fitting themes for a genre of music often described as sounding like circuitry, or alien sounds. The base narrative of the album is the tale of an ominous sound echoing from the cosmos that translates to an interstellar blueprint for our small-town protagonist longing for something greater: Lukas. As he builds the creation that this echoing drum beat commands, he soon realizes that the blueprint was for an android; an antenna for the consciousness of a far-away being known as Venera (Vee). Their relationship evolves as Vee spends her time learning about Earth from Lukas, and soon shows him how to expand his consciousness across the cosmos to experience her home-world. But Vee’s curiosity grows as quickly as his fondness for her, and soon the pair find themselves struggling with their expanding desires. The story was shaped by a lecture that Miller happened to attend at the Smithsonian, on science fiction concepts in the real world by physicist Michio Kaku. “The way he described the ‘reality’ of teleportation ended up being a lot like the film The Prestige ; a consciousness is teleported, but the body stays behind (although in the case of that film (and Kaku’s theory) -- SPOILER ALERT -- the process is more like a duplication; two bodies/two minds are created) I fell in love with that idea of unbounded consciousness, because it had a sort of poetry to it, and it allowed room for one to believe in the soul. Once Ferry and I had narrowed down that we wanted to tell a story about artificial intelligence and extraterrestrial life, I thought back to that Kaku lecture and came up with this idea.” The music itself is saturated with emotion and intensity. Corsten’s compositions compliment the existential and introspective nature of the theme, and are a brilliant accompaniment to Miller’s words. Each song lends itself into the next as the narrative progresses. The introduction to the album, “Reception,” is simply a heartbeat-like kick drum thumping through the silence, with an ominous piano melody crawling along in the background. Our narration begins: “It begins… with a sound, echoing from the depths of space. ” Immediately following the final words of “Reception” is the first traditional track of the album, entitled “Blueprint.” A steady, deep, and pinpoint kick drum carries the beat as a crunchy sawtooth bassline drones in the background. Industrial snares and hihats are added piece by piece until percussion drops out entirely, and nothing but a stepping melody cuts through the emptiness; built upon just enough reverb that it brings with it astronomical vastness. “Blueprint” is an ideal introduction to Corsten’s cinematic masterpiece. From here, the album progresses track by track, explaining our protagonist’s relationship with his newly built android friend Vee, and their mutual discovery of things they’d been longing for. Our next moment of intensity is Vee’s attempt to explain how her consciousness came to reach his world, through the song “Here We Are.” This is one of the few songs on the album that abandon trance music’s common formula of swelling synths and a driving four-on-the-floor drum pattern.