09/24/21 5AACTL40: Virgils Aeneid | King's College London 5AACTL40: Virgils Aeneid View Online Andrew Feldherr. 1995. ‘Ships of State: “Aeneid” 5 and Augustan Circus Spectacle’, Classical Antiquity, 14.2 (University of California Press): 245–65 <http://www.jstor.org/stable/25011022> ‘Anns v Merton London Borough Council [1978] AC 728.’ [n.d.]. (Westlaw) <http://login.westlaw.co.uk/maf/wluk/app/document?&suppsrguid=i0ad82d080000014ce6f 8751b5b04a187&docguid=I5E75B200E42711DA8FC2A0F0355337E9&hitguid=I5E758AF0E 42711DA8FC2A0F0355337E9&rank=1&spos=1&epos=1&td=3&crumb-action=append&co ntext=1435&resolvein=true> BANDERA, CESÁREO. [n.d.]. ‘Sacrificial Levels in Virgil’s “Aeneid”’, ArethusaArethusa, 14.2 (State University of New York at Buffalo, Dept. of Classics.) <http://search.proquest.com/docview/1307021623/14E5083B953E45B9PQ/5?accountid=1 1862> Bernard M. W. Knox. 1950. ‘The Serpent and the Flame: The Imagery of the Second Book of the Aeneid’, The American Journal of Philology, 71.4 (The Johns Hopkins University Press): 379–400 <http://www.jstor.org/stable/292386> Brunt, P.A. 1990. ‘Laus Imperii’, in Roman Imperial Themes (Oxford: Clarendon Press) <https://www.fulcrum.org/concern/monographs/5138jd92m> Cairns, Francis. 1989. Virgil’s Augustan Epic (Cambridge: Cambridge University Press) <https://www.cambridge.org/core/books/virgils-augustan-epic/3F1E5005FDC34F9A006EFE F642093E10> Camps, W. A. 2010. An Introduction to Virgil’s Aeneid (Oxford: Oxford University Press) ‘Caparo Industries v DIckman [1990] 2 AC 605.’ [n.d.]. (Westlaw) <http://login.westlaw.co.uk/maf/wluk/app/document?&suppsrguid=ia744d0650000014ce6f 9a8f18bf0f739&docguid=I821BAC00E42711DA8FC2A0F0355337E9&hitguid=I821B84F0E4 2711DA8FC2A0F0355337E9&rank=1&spos=1&epos=1&td=1&crumb-action=append&con text=1453&resolvein=true> Clausen, Wendell Vernon. 1987. Virgil’s Aeneid and the Tradition of Hellenistic Poetry (Berkeley, Calif: University of California Press) Conte, Gian Biagio, Charles Segal, and Gian Biagio Conte. 1986. The Rhetoric of Imitation (Ithaca, NY: Cornell University Press) David West. 1969. ‘Multiple-Correspondence Similes in the Aeneid’, The Journal of Roman 1/5 09/24/21 5AACTL40: Virgils Aeneid | King's College London Studies, 59.1 (Society for the Promotion of Roman Studies): 40–49 <http://www.jstor.org/stable/299845> D. Feeney. 1983. ‘The Taciturnity of Aeneas’, The Classical Quarterly, 33.1 (Cambridge University Press): 204–19 <http://www.jstor.org/stable/638656> D. P. Fowler. 1991. ‘Narrate and Describe: The Problem of Ekphrasis’, The Journal of Roman Studies, 81 (Society for the Promotion of Roman Studies): 25–35 <http://www.jstor.org/stable/300486> Feeney, D. C. 1986. ‘History and Revelation in Vergil’s Underworld’, Proceedings of the Cambridge Philological Society, 32: 1–24 <https://doi.org/10.1017/S0068673500004806> Feeney, D.C. 1990. ‘The Reconciliations of Juno’, in Oxford Readings in Vergil’s Aeneid (Oxford: Clarendon Press), pp. 179–94 Feeney, D. C. 1991. The Gods in Epic: Poets and Critics of the Classical Tradition (Oxford: Oxford University Press) Fitzgerald, William. [n.d.]. ‘Aeneas, Daedalus and the Labyrinth’, ArethusaArethusa, 17.1 (State University of New York at Buffalo, Dept. of Classics.) <http://search.proquest.com/docview/1307034723/33FC463AA9A54022PQ/6?accountid=1 1862> Foley, Helene P. 1981. ‘On Creusa, Dido and the Quality of Victory in Virgil’s Aeneid’, in Reflections of Women in Antiquity (New York: Gordon and Breach Science), pp. 355–77 Fowler, D. 1987. ‘Vergil on Killing Virgins’, in Homo Viator: Classical Essays for John Bramble (Bristol: Bristol Classical), pp. 185–98 Fowler, Don. 1990. ‘Deviant Focalisation in Virgil’s Aeneid’, Proceedings of the Cambridge Philological Society, 36: 42–63 Frances Muecke. 1983. ‘Foreshadowing and Dramatic Irony in the Story of Dido’, The American Journal of Philology, 104.2 (The Johns Hopkins University Press): 134–55 <http://www.jstor.org/stable/294288> Galinsky, Karl. 1988. ‘The Anger of Aeneas’, The American Journal of Philology, 109.3 <https://doi.org/10.2307/294888> ———. 1996. Augustan Culture: An Interpretive Introduction (Princeton, N.J: Princeton University Press) Gransden, K. W. 1984. Virgil’s Iliad: An Essay on Epic Narrative (Cambridge: Cambridge University Press) Griffin, J. 1982. ‘The Creation of Characters in the Aeneid’, in Literary and Artistic Patronage in Ancient Rome, 1st ed (Austin: University of Texas Press) Hardie, Philip R. 1986. Virgil’s Aeneid: Cosmos and Imperium (Oxford: Clarendon Press) 2/5 09/24/21 5AACTL40: Virgils Aeneid | King's College London ———. 1993. The Epic Successors of Virgil: A Study in the Dynamics of a Tradition (Cambridge: Cambridge University Press) <https://doi.org/10.1017/CBO9781139163743> ———. 1998. Virgil, Virgil, Greece and Rome New Surveys in the Classics (Cambridge: Cambridge University Press) Hardie, P.R. 1997. ‘Closure in Latin Epic’, in Classical Closure : Reading the End in Greek and Latin Literature (Princeton, N.J: Princeton University Press), pp. 139–51 Harrison, E. L. 1984. ‘Chapter 5. The Aeneid and Carthage’, in Poetry and Politics in the Age of Augustus (Cambridge: Cambridge University Press), pp. 95–116 Harrison, S. J. 1990. Oxford Readings in Vergil’s Aeneid (Oxford: Clarendon Press) H. C. Gotoff. 1984. ‘The Transformation of Mezentius’, Transactions of the American Philological Association (1974-), 114 (The Johns Hopkins University Press): 191–218 <http://www.jstor.org/stable/284147> Heinze, Richard. 1993. Virgil’s Epic Technique (London: Bristol Classical Press) Hinds, Stephen. 1998. Allusion and Intertext: Dynamics of Appropriation in Roman Poetry (Cambridge: Cambridge University Press) Horsfall, Nicholas. 1995. A Companion to the Study of Vergil (New York: E.J. Brill) <https://ebookcentral.proquest.com/lib/kcl/detail.action?docID=4812546> Horsfall, N.M. 1990. ‘Numanus Remulus. Ethnography and Propaganda’, in Oxford Readings in Vergil’s Aeneid (Oxford: Clarendon Press), pp. 108–16 James E. G. Zetzel. 1989. ‘Romane Memento: Justice and Judgment in Aeneid 6’, Transactions of the American Philological Association (1974-), 119 (The Johns Hopkins University Press): 263–84 <http://www.jstor.org/stable/284275> Jenkyns, Richard. 1998. Virgil’s Experience: Nature and History (Oxford: Clarendon Press) Johnson, W. R. 1976. Darkness Visible: A Study of Vergil’s ‘Aeneid’ (Berkeley: University of California Press) Keith, A. M. 2000. Engendering Rome: Women in Latin Epic (Cambridge: Cambridge University Press) Lyne, R. O. A. M. 1987. Further Voices in Vergil’s Aeneid (Oxford: Clarendon Press) ———. 1989. Words and the Poet: Characteristic Techniques of Style in Vergil’s Aeneid (Oxford: Clarendon Press) Martindale, Charles. 1997. The Cambridge Companion to Virgil (Cambridge: Cambridge University Press) <https://doi.org/10.1017/9781316756102> Maurizio Bettini. 1997. ‘Ghosts of Exile: Doubles and Nostalgia in Vergil’s “Parva Troia” (“Aeneid” 3.294ff.)’, Classical Antiquity, 16.1 (University of California Press): 8–33 <http://www.jstor.org/stable/25011052> 3/5 09/24/21 5AACTL40: Virgils Aeneid | King's College London Michael C. J. Putnam. 1998. ‘Dido’s Murals and Virgilian Ekphrasis’, Harvard Studies in Classical Philology, 98 (Department of the Classics, Harvard University): 243–75 <http://www.jstor.org/stable/311344> Millar, Fergus, and Erich Segal. 1984. Caesar Augustus: Seven Aspects (Oxford: Clarendon Press) Nugent, S Georgia. [n.d.]. ‘Vergil’s “Voice of the Women” in “Aeneid” V’, ArethusaArethusa , 25.2 (State University of New York at Buffalo, Dept. of Classics.) <http://search.proquest.com/docview/1307020907/8B25DCCB63184F0CPQ/6?accountid=1 1862> O’Hara, James J. 1990. Death and the Optimistic Prophecy in Vergil’s Aeneid (Princeton, N.J.: Princeton University Press) Otis, Brooks. 1964. Virgil: A Study in Civilized Poetry (Oxford: Clarendon Press) Parry, A. 1966. ‘The Two Voices of Virgil’s Aeneid’, in Virgil: A Collection of Critical Essays (Englewood Cliffs, N.J.: Prentice-Hall) Perkell, Christine G. 1999. Reading Vergil’s Aeneid: An Interpretive Guide (Norman, [Okla.]: University of Oklahoma) <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=15296&a mp;site=ehost-live> Putnam, Michael C. J. 1995. Virgil’s Aeneid: Interpretation and Influence (Chapel Hill: The University of North Carolina Press) <http://search.ebscohost.com/login.aspx?direct=true&db=nlebk&AN=1550&am p;site=ehost-live> Quint, David. 1993. Epic and Empire: Politics and Generic Form from Virgil to Milton (Princeton, N.J.: Princeton University Press) Reed, J. D. 2007. Virgil’s Gaze: Nation and Poetry in the Aeneid (Princeton: Princeton University Press) <http://kcl.eblib.com/patron/FullRecord.aspx?p=457887> R. O. A. M. Lyne. 1983. ‘Virgil and the Politics of War’, The Classical Quarterly, 33.1 (Cambridge University Press): 188–203 <http://www.jstor.org/stable/638655> ———. 1994. ‘Vergil’s “Aeneid”: Subversion by Intertextuality Catullus 66.39-40 and Other Examples’, Greece & Rome, 41.2 (Cambridge University Press): 187–204 <http://www.jstor.org/stable/643013> Robin N. Mitchell-Boyask. 1996. ‘Sine Fine: Vergil’s Masterplot’, The American Journal of Philology, 117.2 (The Johns Hopkins University Press): 289–307 <http://www.jstor.org/stable/1561899> Rossi, A. 2002. ‘The Fall of Troy: Between Tradition and Genre’, in Clio and the Poets: Augustan Poetry and the Traditions of Ancient Historiography (Leiden: Brill), pp. 231–51 Rossi, Andreola. 2004. Context of War: Manipulation of Genre in Virgilian Battle Narrative (Ann Arbor, MI: University