The Diversity Challenge: Changing Television Markets and Public Service Programming in Finland, 1993-2004 Minna Aslama Fordham University, [email protected]

The Diversity Challenge: Changing Television Markets and Public Service Programming in Finland, 1993-2004 Minna Aslama Fordham University, Minna.Aslama@Helsinki.Fi

Fordham University Masthead Logo DigitalResearch@Fordham Donald McGannon Communication Research McGannon Center Working Paper Series Center 4-2006 The Diversity Challenge: Changing Television Markets and Public Service Programming in Finland, 1993-2004 Minna Aslama Fordham University, [email protected] Follow this and additional works at: https://fordham.bepress.com/mcgannon_working_papers Part of the Broadcast and Video Studies Commons, and the Communication Technology and New Media Commons Recommended Citation Aslama, Minna, "The Diversity Challenge: Changing Television Markets and Public Service Programming in Finland, 1993-2004" (2006). McGannon Center Working Paper Series. 8. https://fordham.bepress.com/mcgannon_working_papers/8 This Article is brought to you for free and open access by the Donald McGannon Communication Research Center at DigitalResearch@Fordham. It has been accepted for inclusion in McGannon Center Working Paper Series by an authorized administrator of DigitalResearch@Fordham. For more information, please contact [email protected]. T H E D ONALD M C G A N N O N C OMMUNICATION R ESEARCH C E N T E R W ORKING P A P E R THE D IVERSITY C HALLENGE : C HANGING T ELEVISION M ARKETS AND P UBLIC S ERVICE P ROGRAMMING IN F I N L A N D , 1 9 9 3 - 2 0 0 4 Minna Aslama Visiting Research Fellow Donald McGannon Communication Research Center Swedish School of Social Science University of Helsinki, Finland [email protected] April, 2006 Donald McGannon Communication Research Center Faculty Memorial Hall, 4 t h f l . Bronx, NY 10458 718.817.4195 www.fordham.edu/mcgannon [email protected] The author acknowledges the support of the Academy o f Finland and the Centennial Foundation of Helsingin Sanomat which made possible the Visiting Research Fellowshi p at the McGannon Center 1 Introduction: The Diversity Paradox? AsinmostEuropeancountries,alsoinFinlandthepastdecadehas witnessedfundamental transformationsinthetelevisionmarket, includingchangingregulationand,inconsequence, increasingcommercializationandcompetition.Consequently,the changeshaveprompted speculationsontheirimpactontelevisionprogramming,andcreatedtwooppositescenariosthat couldbecalledtheDiversification ArgumentandtheDiversityParadox. AEuropean-wide claim, moreorlessexplicitlystatedbymanymediapolicy-makersandespecially commercialplayersinreferencetothecommercialisationofmediamarkets,couldbelabelledasthe Diversification argument. Essentially,itreadsthat whenastate-governedsystemtransformsintoto acommerciallyfunctioningmarket,programmesupplybecomesmorediverse.Pertainingtomedia structures(e.g.,Napoli,1999;Einstein2004),diversityisoftenunderstoodas havingthree dimensions:diversityofthesources(mediaoutlets),diversityofmediacontents,anddiversityofthe audience exposure. Abasic variationofthisargumentisthemediaeconomic‘simpleprogramme choicemodel’,accordingto which diversityinbroadcastingdependspositivelyonthenumberof channels(e.g., vander Wurff2005,253). Thediversificationscenariothenimpliesthatacompetitive marketsituationcreatesmoreoutlets,andthistranslatestoamore variedprogramming,ifnotin termsof verticaldiversity (i.e., withineachchannel) thenatleast whenthetelevisionsystemis examinedasa whole(horizontaldiversity ).(Hellman2001.) Theotherclaim,ofconvergence ,couldbecalledtheantidoteofdiversification. Theterm convergence hasmanyusesintoday’sacademicandprofessionalparlanceonbroadcasting(e.g., Hujanen&Lowe2003;Meier2003;Murdock2000) butinthiscontextitisusedtorefertoa tendency whereina competitivebattleforaudiences,televisioncontents –andthusprogramming strategies,particularlythoseofpublicservicebroadcastingandcommercialchannels –becomealike (e.g.,DeBens1998&2000,Hellman&Sauri1994, 1996;Meier2003). Thisisatleastthecaseinthe fiercemarketcompetitionsituations wherethetendencyistocompeteforaudiencesandadvertisers byofferingthemajority’spreference.(See,e.g., van Cuilenburg2000; vander Wurff& van Cuilenburg2001).Sincesourcediversitydoesnot,accordingtothisargument,equal content diversity,theclaimhasalsoaptlybeennamedasthe DiversityParadox (vanCuilenburg1998,44). Therearealsoafewadditional‘sub-claims’thatseemtosurroundtheconvergenceofprogramming. Oneissometimesreferredto withtheslogan‘dumbingdown’or‘overcommercialization’(McQuail 2 2000,260)ofprogrammesupplysothatitoffersincreasingsharesof(cheaply bought) entertainmenttoattract viewers. Thishasbeentheorizedtobeaspiralmovement:more competitionandmorefragmentedaudiencesequal lessresourcesequalmore cheaplyproduced and/oracquiredprogrammes,thusproducingadownwardcycleoflowering qualityandnarrowing programmeofferings(e.g.,Picard2000). Anotherrelatedclaimisthatof Americanizationthat which pertainstotheoriginof‘trivial’programming(e.g., deBens&Smaele2001). Thedownwardcycle hascertainlybeenone vainofpublicdiscussionon thestatusofFinnishtelevisionoutput. i WhetherthetransformationofprogrammesupplyfollowstheParadoxpathorevolvestowards diversification,itstillposesachallengeforpublicservicetelevision. Traditionally,forEuropean publicbroadcasters,diversityisthemaindefiningnotionoftheirremit.Itisaprincipledconcept,a normativecriterionofqualityandadeliberatelysoughtpolicygoal aimingatpluralismat various levels:inreflectingthe varioussectorsof society,servingthemultiplicityofaudiences,andsupplying a widerangeofchoice in programmecontent.(Blumler1991;Hellman2001;McQuail1992.). The contradictoryclaimstranslateintocontradictoryaccusationsagainstpublicservice:Eitherithas failedbybeingtooelitistandunabletoattract viewersorbyadjustingtothemarketdemandsof lighteningoutput(e.g., Collins2002). Thechallenge couldbestatedmoreneutrallyasfollows: With convergence,publicservicetelevisionmightloseitsdiversitymissionorbecomesoalikeother channelsthatitsremitcouldbequestioned; withdiversification,thechallenge becomesifandhow publicserviceshouldcontributetodiverseoutput. WiththelegitimisationcrisisofpublicservicebroadcastingalloverEurope,theissuehasbeenmuch discussed,but verylittlesystematicempiricalresearchexistsontheextentto whichtheoutputof publicservicetelevisionconvergesordivergesincompetitivemarkets(e.g.,Iosifidisetal.2004). OneinsightfuloutlookhasbeengivenbyMeier(2003) whenhediscussesconvergence andpublic serviceprogrammingstrategiesusingtheGerman situationasanillustration. Thispaperaimsto continuethediscussion withanempiricalmulti-dimensional,multi-methodcasestudyonFinnish televisionprogrammingin1993-2004. Atcoreis whetherandto whatextentchangescanbe depictedinthetelevision supplyofthenation-wide analogue channels,especiallythoseofpublic service,andwhatthedevelopmentsmeanintermsofdiversityofatelevisionsystem.Under examinationareprogrammetypestructuresoverallandbychannelas wellassystemandchannel diversityanddissimilarity. TheFinnishtelevisionprovidesatestcaseforconvergenceand diversificationclaimsfromthebirthtothefirstindependentcommercialchanneltothefirstyearsof thedigitalmulti-channelsystem. 3 Contextualizing the Change: Finnish Television Market 1993-2004 WhilemostEuropeancountriesinthemid2000soperatebydualsystemsofpublicserviceand commercialbroadcasting,inFinlandthishadbeenthecasealmostfromthebeginningoftelevision broadcasting.Since1957, therehadexisteda‘comfortableduopoly’(Hellman &Sauri1994,51), as Mainostelevisio(thepredecessorofMTV3)sentits ownprogrammesas well asadvertisementsinits ownprogramming windowsinthetwochannels TV1andTV2ofthepublicserviceFinnish BroadcastingCompany(YLE).Liberalisationofthemarketbegan,asinmanyEuropeancountries, inthe1980s,andin1985 Kolmostelevisio,ajointcompanyofMTVandYLE wasestablishedto operateathirdchannel. Anewchannel wasneeded, inpart,toprovidedomesticterrestrial alternativetoapossibleinvasionofforeignsatellitechannels.Italsolaidthebasisforthefurther commercialisationofthetelevisionsystemin1993 whenMTV3became anindependentchannel operator(Hellman1999). Asatsummer1997,thesecondnation-wideanaloguecommercial channel Nelonenenteredthemarket. Theaim wasnowtoconsolidatethestructureof TVbroadcastingin Finland,keeping commercialbroadcastingstillasnationalaspossible,butalsotoeaseoutthe wayto terrestrialdigitalisationtocome. Thelicence wasgrantedtoRuutunelonenLtd,asithadgained previousexperience asacablebroadcasterandhadeconomicallysoundowners(Hellman1999; Wiio 2003). Thesedevelopmentsresultedinamajorchangebothinsupplyanddemandoftelevision programmes. Timespent withtelevisionisstillsignificantlylowerintheNordiccountriesthan elsewhereinEuropeorintheU.S.(Tilastokeskus2005),buttelevision viewinghasgrownnotablyin 12years,fromtheaveragetwohourstenminutesperdayin1993totwohours47minutesperday in2004. Yet,thechangeintelevisionprogrammeoutputhasbeenmuchmoredramatic:Duringthe researchperiod,Finnishanalogueprogrammeoutputmorethandoubled,from133hoursper week inthreechannelsin1993, to389hoursper weekin2004infournation-wide channels. Theincrease inprogrammingtime wasnotonlyduetoNelonen’sentry,butallchannelsexpandedtheirsupply significantly(AslamaandWallenius2005). Thelate1990salso witnessedcross-mediaconcentrationandsince2001,thethreelargestmedia corporationsbyturnover, inthefollowingorder, weretheoperatorsofthenation-wide TV channels:SanomaWSOY (Nelonen), AlmaMedia(MTV3)andthepublicserviceFinnish BroadcastingCompany. Yet,despiteofthegrowthindemandandsupply,theshareofthenation- widebroadcastingoperationsofthetotalFinnishmassmediamarketincreasedonlyslightly,partly sinceFinlandis wellbeyondEuropeanaverage whenitcomestoshareoftelevisionadvertisingin 4 totaladvertisingexpenditures.(Sauri2002) Thisfact,combinedwiththerealityofasmallmarket thatcouldnotgrowendlessly,putprivatetelevisionoperatorsinafinanciallydifficultsituationinthe

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    31 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us