Handbook & Catalog

Handbook & Catalog

2019-20 Handbook & Catalog Colburn Conservatory of Music July 1, 2019-June 30, 2020 89 1 Colburn Conservatory of Music July 1, 2019– June 30, 2020 Student Catalog and Handbook Table of Contents INTRODUCTION .................................................................. 9 History of the Colburn School ............................................................................................................................................................................................. 9 The School’s Mission and Purpose ...................................................................................................................................................................................... 9 The Conservatory Student Catalog and Handbook ...................................................................................................................................................... 9 ACADEMIC CALENDAR 2019-20 ....................................... 10 APPLICATION AND ADMISSION INFORMATION .............. 11 Applying for a new program ........................................................................................................................................................................................... 11 Applying after withdrawing from the school ................................................................................................................................................................ 11 Transfer of program ........................................................................................................................................................................................................... 11 International Students ......................................................................................................................................................................................................... 12 Student F-1 Visa and Visa Services ............................................................................................................................................................................. 12 Employment ....................................................................................................................................................................................................................... 12 More Information ............................................................................................................................................................................................................. 12 Transfer of Credits .............................................................................................................................................................................................................. 12 Determination of Transfer Credits ............................................................................................................................................................................... 12 Conservatory Admissions Contact Information .............................................................................................................................................................. 12 CONSERVATORY OF MUSIC PERSONNEL ......................... 13 Conservatory of Music Faculty ......................................................................................................................................................................................... 13 Conservatory Administration and Staff .......................................................................................................................................................................... 14 CONSERVATORY OF MUSIC FACULTY BIOS ..................... 15 Erik Altenbernd, PhD, Humanities ..................................................................................................................................................................................... 15 Edward Atkatz, Percussion; Contemporary Ensemble ................................................................................................................................................. 15 Andrew Bain, Horn; Chamber Music ............................................................................................................................................................................... 15 Martin Beaver, Violin; Chamber Music ........................................................................................................................................................................... 15 Richard Beene, Bassoon; Chair, Winds, Brass, and Percussion; Woodwind Chamber Music ............................................................................. 15 Fabio Bidini, Piano/Carol Grigor Piano Chair; Chamber Music ............................................................................................................................... 16 Michael Block, PhD, Humanities ........................................................................................................................................................................................ 16 Louise Borden, English for Non-native Speakers .......................................................................................................................................................... 16 Kristi Brown-Montesano, PhD, Chair, Music History and Literature .......................................................................................................................... 16 Alan Chapman, PhD, Music Theory .................................................................................................................................................................................. 17 Joan Christodoulu, PhD, Humanities ................................................................................................................................................................................. 17 Lee Cioppa, Dean of the Conservatory ......................................................................................................................................................................... 17 Nathan Cole, Orchestral Repertoire (Violin) ................................................................................................................................................................. 17 Paul Coletti, Viola; Chamber Music ................................................................................................................................................................................. 18 Clive Greensmith, Cello; Chamber Music ....................................................................................................................................................................... 18 Ben Hong, Orchestral Repertoire (Cello) ....................................................................................................................................................................... 19 Thomas Kotcheff, DMA, Ear Training; Music Theory .................................................................................................................................................... 19 Jeffrey Kryka, PhD, Ear Training ..................................................................................................................................................................................... 19 Brian Langsbard, Music Technology ................................................................................................................................................................................ 19 Jeffrey Lavner, Keyboard Harmony ............................................................................................................................................................................... 20 Mark Lawrence, Trombone; Chair, Brass; Brass Chamber Music .............................................................................................................................. 20 Robert Lipsett, Violin/Jascha Heifetz Distinguished Violin Chair .............................................................................................................................. 20 Peter Lloyd, Double Bass; Chamber Music .................................................................................................................................................................... 21 Liviu Marinescu, DMA, Music Theory; Composition ....................................................................................................................................................... 21 2 Régulo Martínez-Antón, Keyboard Repertoire ............................................................................................................................................................. 21 Noah Meites, DMA, Ear Training; Music Theory ........................................................................................................................................................... 21 Jennie Morton, The Healthy Musician .............................................................................................................................................................................. 22 Jordan Nelson, DMA, Chair, Music Theory .................................................................................................................................................................... 22 Jeffrey Parola, DMA, Music Theory ...............................................................................................................................................................................

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    149 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us