Early Modern Cultural and Artistic Encounters: Hybridity and Globalisation (HST3074M) | University of Lincoln

Early Modern Cultural and Artistic Encounters: Hybridity and Globalisation (HST3074M) | University of Lincoln

09/26/21 Early Modern Cultural and Artistic Encounters: Hybridity and Globalisation (HST3074M) | University of Lincoln Early Modern Cultural and Artistic View Online Encounters: Hybridity and Globalisation (HST3074M) Level 3 [1] Alcalâa, L.E. and Brown, J. eds. 2014. Painting in Latin America, 1550-1820. Yale University Press. [2] Alcala, L.E. 2014. ‘Painting in Latin America. A Historical and Theoretical Framework’ in Painting in Latin America, 1550-1820. L.E. AlcalaÌ and J. Brown, eds. Yale University Press. 14–68. [3] Art & Architecture Thesaurus (Getty Research Institute): http://www.getty.edu/research/tools/vocabularies/aat/index.html. [4] Bailey, G.A. 2013. Art, Architecture, and Religious Orders in the Latin Americas: From Quebec to Quito. Latin American Research Review. 48, 3 (2013), 181–192. DOI:https://doi.org/10.1353/lar.2013.0033. [5] Bailey, G.A. 2005. Art of colonial Latin America. Phaidon Press. [6] 1/14 09/26/21 Early Modern Cultural and Artistic Encounters: Hybridity and Globalisation (HST3074M) | University of Lincoln Bailey, G.A. 2005. ‘Eyeing the Other’ in Art of colonial Latin America. Phaidon Press. 69–108. [7] Bailey, Gauvin Alexander 1998. The Indian Conquest of Catholic Art: The Mughals, the Jesuits, and Imperial Mural Painting. (1998). [8] Bakewell, P.J. 2004. A history of Latin America: c. 1450 to the present. Blackwell Pub. [9] Barbara Karl Embroidered Histories: Indian Textiles for the Portuguese Market During the ... [10] Baroque: The First Global Style - Victoria and Albert Museum: http://www.vam.ac.uk/content/articles/b/the-baroque/. [11] Books with Full-Text Online | MetPublications | The Metropolitan Museum of Art: http://www.metmuseum.org/art/metpublications/titles-with-full-text-online?searchtype=F& amp;rpp=12&pg=1. [12] Bottineau, Y. et al. 1971. Living architecture: Iberian-American baroque. Macdonald & Co. [13] Brotton, J. 1997. Trading territories: mapping the early modern world. Reaktion Books. 2/14 09/26/21 Early Modern Cultural and Artistic Encounters: Hybridity and Globalisation (HST3074M) | University of Lincoln [14] Brown, J. and Brown, J. 1998. Painting in Spain, 1500-1700. Yale University Press. [15] Burke, P. A Case of Cultural Hybridity: the European Renaissance. Max Planck Institute for Social Anthropology. Open-access Googy Lecture 2010. [16] Bury, J.B. 1956. Late Baroque and Rococo in North Portugal. Journal of the Society of Architectural Historians. 15, 3 (Oct. 1956), 7–15. DOI:https://doi.org/10.2307/987760. [17] Bury, J.B. 1976. The Stylistic Term ‘Plateresque’. Journal of the Warburg and Courtauld Institutes. 39, (1976). DOI:https://doi.org/10.2307/751139. [18] Buylaert, Frederik; 2015. City Portrait, Civic Body, and Commercial Printing in Sixteenth-Century Ghent. (2015). [19] Checa Cremades, F. and Fernâandez-Gonzâalez, L. 2015. Festival culture in the world of the Spanish Habsburgs. Ashgate. [20] Churrigueresque - Grove Art Online: http://www.oxfordartonline.com.proxy.library.lincoln.ac.uk/subscriber/article/grove/art/T01 7669?q=Churrigueresque&search=quick&pos=1&_start=1#firsthit. 3/14 09/26/21 Early Modern Cultural and Artistic Encounters: Hybridity and Globalisation (HST3074M) | University of Lincoln [21] Clunas, C. 2013. The art of global comparisons: Chapter. Writing the history of the global: challenges for the 21st century. M. Berg, ed. Published for The British Academy by Oxford University Press. [22] Colonial Art and Portuguese and Spanish Empires Research Papers - Academia.edu (open access): http://www.academia.edu/Documents/in/Colonial_Art_and_Portuguese_and_Spanish_Empir es. [23] Colonial Latin America, collection of primary textual sources and misc.: http://sourcebooks.fordham.edu/halsall/mod/modsbook08.asp. [24] Colonial Latin American Art- Mexico and Peru Research Papers - Academia.edu (open access): http://www.academia.edu/Documents/in/Colonial_Latin_American_Art-_Mexico_and_Peru. [25] Crouch, D.P. et al. 1982. ‘City Planning Ordinances of the Laws of the Indies’ in Spanish city planning in North America. MIT Press. 6–22. [26] Cultural Readings: Colonization and Print in the Americas: http://www.library.upenn.edu/exhibits/rbm/kislak/index/cultural.html. [27] Dean, C. and Leibsohn, D. 2003. Hybridity and Its Discontents: Considering Visual Culture in Colonial Spanish America*. Colonial Latin American Review. 12, 1 (Jun. 2003), 5–35. 4/14 09/26/21 Early Modern Cultural and Artistic Encounters: Hybridity and Globalisation (HST3074M) | University of Lincoln DOI:https://doi.org/10.1080/10609160302341. [28] Dean, C.S. 1996. Copied Carts: Spanish Prints and Colonial Peruvian Paintings. The Art Bulletin. 78, 1 (1996). DOI:https://doi.org/10.2307/3046159. [29] Donahue-Wallace, K. 2008. Art and architecture of viceregal Latin America, 1521-1821. University of New Mexico Press. [30] Donald F. Lach Asia in the Making of Europe, Volume II: A Century of Wonder. Book 1: The ... [31] Donna Pierce, Rogelio Ruiz Gomar, Clara Bargellini, Frederick and Jan Mayer Center for Pre-Columbian and Spanish Colonial Art Painting a New World: Mexican Art and Life, 1521-1821. [32] Elena Phipps, Johanna Hecht, Cristina Esteras Martín The Colonial Andes: Tapestries and Silverwork, 1530-1830. [33] Encompassing the globe III : Portugal and the world in the 16th & 17th centuries : Levenson, Jay A (open access): https://archive.org/details/encompassingglob03leve. [34] Encompassing the globe II Portugal and the world in the 16th & 17th centuries : Levenson, Jay A (open access): https://archive.org/details/encompassingglob02leve. 5/14 09/26/21 Early Modern Cultural and Artistic Encounters: Hybridity and Globalisation (HST3074M) | University of Lincoln [35] Encompassing the globe : Portugal and the world in the 16th & 17th centuries : Levenson, Jay A (open access): https://archive.org/details/encompassingglob02leve. [36] Encompassing the Globe: Portugal and the World in the 16th and 17th Centuries Arthur M. Sackler Gallery, Smithsonian Institution, On-line Exhibition: https://www.asia.si.edu/EncompassingtheGlobe/. [37] Engraved Sources of Spanish Colonial Art: http://colonialart.org. [38] Escorial - Grove Art Online: http://www.oxfordartonline.com.proxy.library.lincoln.ac.uk/subscriber/article/grove/art/T02 6666#T026668. [39] Estilo desornamentado - Grove Art Online: http://www.oxfordartonline.com.proxy.library.lincoln.ac.uk/subscriber/article/grove/art/T02 6814. [40] Feliciano, María Judith; 2006. Introduction: Interrogating Iberian Frontiers. (2006). [41] Gauvin Alexander Bailey Art on the Jesuit Missions in Asia and Latin America, 1542-1773. 6/14 09/26/21 Early Modern Cultural and Artistic Encounters: Hybridity and Globalisation (HST3074M) | University of Lincoln [42] Getty Vocabularies (Getty Research Institute): http://www.getty.edu/research/tools/vocabularies/index.html. [43] Gloria Fraser Giffords Sanctuaries of Earth, Stone, and Light: The Churches of Northern New Spain ... [44] Gruzinski, S. 2015. Art History and Iberian Worldwide diffussion. Circulations in the global history of art. T.D. Kaufmann et al., eds. Ashgate. 47–58. [45] Hamann, Byron Ellsworth 2010. Interventions: the mirrors of Las Meninas: cochineal, silver, and clay. (2010). [46] Harley, J. B 1988. 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[53] Home | The John Carter Brown Library (one of the major collections/repositories re. colonial America): https://www.brown.edu/academics/libraries/john-carter-brown/. [54] How to Be a Global Historian: review articles: 2009. http://www.publicbooks.org/nonfiction/how-to-be-a-global-historian. [55] Image Resources & Collections (Getty Research Institute): http://www.getty.edu/research/tools/article_databases/images.html. [56] Indo-Portuguese Art Research Papers - Academia.edu (open access): http://www.academia.edu/Documents/in/Indo-Portuguese_Art. 8/14 09/26/21 Early Modern Cultural and Artistic Encounters: Hybridity and Globalisation (HST3074M) | University of Lincoln [57] Jackson, A. and Jaffer, A. 2004. Encounters: the meeting of Asia and Europe, 1500-1800. V&A Publications. [58] John Irwin 1955. Reflections on Indo-Portuguese Art. The Burlington Magazine. 97, 633 (1955), 386–390. [59] Kagan, R.L. and MariÌas, F. 2000. ‘Spain and America: A cartographic Encounter?’ inUrban images of the Hispanic world, 1493-1793. Yale University Press. 45–70. [60] Kahr, M.M. 1975. Velazquez and Las Meninas. The Art Bulletin. 57, 2 (Jun. 1975). DOI:https://doi.org/10.2307/3049372. [61] Kaufmann, T.D. et al. eds. 2015. Circulations in the global history of art. Ashgate. [62] Kaufmann, T.D. et al. eds. 2015. Introduction: Reintroducing circulations: historiography and the project of global art history. Circulations in the global history of art. Ashgate. 1–22. [63] Kubler,

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