1 Vertical File Index Abrahams, Roger D. Abrahams, Roger. The Men of Words in the West Indies . Johns Hopkins University, 1983. ---. “The Cowboy in the British West Indies.” A Good Tale and a Bonne Tune. Dallas, Southern Methodist Univ. Press, 1964. ---. “’Pull Out Your Purse and Pay’”A St. George Mumming from the British West Indies.” Folklore 59(Autumn 1968): 176-201. ---. “Christmas Mummings on Nevis.” North Carolina Folklore 1(1973). African-American Literature Baker, Jane S. “Failures of Love: Female Initiation in the Novels of Toni Morrison.” American Literature 52:4 (January 1981). 541-563. Curb, Rosemary. “An Unfathomable Tragedy of American Racism: Alice Childress’s Wedding Band.” MELUS 7:4 (Winter 1980). 57-68. Dandridge, Rita B. “The Motherhood Myth: Black Women and Christianity in The Deity Nodded.” MELUS 12:3 (Fall 1985). 13-22. Dickson, L.L. “’Keep It In The Head’: Jazz Elements in Modern Black American Poetry.” MELUS 10:1 (Spring 1983). 29-37. Diepeveen, Leonard. “Folktales in the Harlem Renaissance.” American Literature 58:1 (March 1986). 64-81. Doyle, Mary Ellen. “Ernest Gaines’Materials: Place, People, Author.” MELUS 15:3 (Fall 1988). 75-93. Farrell, Walter C., Jr. and Patricia A. Johnson. “Poetic Interpretations of Urban Black Folk Culture: Langston Hughes and the ‘Bebop’Era.” MELUS 8:3 (Fall 1981). 57- 72. Fienberg, Lorne. “Charles W. Chesnutt and Uncle Julius: Black Storytellers at the Crossroads.” Studies in American Fiction 15:2 (Autumn 1987). 161-173. Franklin, H. Bruce. “Songs of an Imprisoned People.” MELUS 6:2 (Summer 1979). 6-22. Gibson, Donald B. “Reconciling Public and Private in Frederick Douglass’ Narrative.” American Literature 57:4 (December 1985). 549-569. 2 Gougeon, Len. “Emerson and Abolition: The Silent Years, 1837-1844.” American Literature 54:4 (December 1982). 558-575. Hansen, J.T. “A Holistic Approach to Invisible Man.” MELUS 6:1 (1979). 41-54. Johnson, Claudia. “The Secret Courts of Men’s Hearts: Code and Law in Harper Lee’s To Kill a Mockingbird.” Studies in American Fiction 19:2 (Autumn 1991). 129-139. Johnson, Patricia and Walter C. Farrell, Jr. “How Langston Hughes Used the Blues.” MELUS 6 (Spring 1979). 55-63. Kalb, John D. “The Anthropological Narrator of Hurston’s Their Eyes Were Watching God.” Studies in American Fiction 16:2 (Autumn 1988). 169-180. Matza, Diane. “Zora Neale Hurston’s Their Eyes Were Watching God and Toni Morrison’s Sula : A Comparison.” MELUS 12:3 (Fall 1985). Oliver, Paul. “Can’t Even Write: The Blues and Ethnic Literature.” MELUS 10:1 (Spring 1983). 7-14. Reagan, Daniel. “Voices of Silence: The Representation of Orality in Arna Bontemps’ Black Thunder.” Studies in American Fiction 19:1 (Spring 1991) 71- 83. Rusch, Frederik L. “Jean Toomer’s Early Identification: The Two Black Plays.” MELUS 13:1,2 (Spring-Summer 1986). 115-124. Schor, Edith. “Ralph Ellison, Journeyman: Three Early Stories.” MELUS 15:2 (Summer 1988). 57-69. Schultz, Elizabeth. “African and Afro-American Roots in Contemporary Afro-American Literature: The Difficult Search for Family Origins.” Studies in American Fiction 8:2 (Autumn 1980). 127-145. Scruggs, Charles. “The Tale of Two Cities in James Baldwin’s Go Tell It on the Mountain.” American Literature LII:1 (March 1980). 1-17. Smith, Curtis C. “Werner Sollors’ Beyond Ethnicity and Afro-American Literature.” MELUS 14:2 (Summer 1987). 65-71. Smith, Gary. “Gwendolyn Brook’s A Street in Bronzeville, The Harlem Renaissance and the Mythologies of Black Women.” MELUS 10:3 (Fall 1983). 33-46. Talbert, L. Lee. “The Poetics of Prophecy in Paule Marshall’s Soul Clap Hands and Sing.” MELUS 5:1 (Spring 1978). 49-72. 3 Tracy, Steven C. “To the Tune of Those Weary Blues: The Influence of the Blues Tradition In Langston Hughes’Blues Poems.” MELUS 8:3 (Fall 1981). 73-98. Wagner, Maria. “Mathilde Anneke’s Stories of Slavery in the German-American Press.” MELUS 6:4 (Winter 1979). 9-16. Waxman, Barbara Frey. “Canonicity and Black American Literature: A Feminist View.” MELUS 14:2 (Summer 1987). 87-93. Weir, Sybil. “The Narrows: A Black New England Novel.” Studies in American Fiction 15:1 (Spring 1987). 81-93. Whitlow, Roger. “The Revolutionary Black Novels of Martin R. Delany and Sutton Griggs.” MELUS 5:3 (Fall 1978). 26-36. Yarborough, Richard. “The Quest for the American Dream in Three Afro-American Novels: If He Hollers Let Him Go, The Street and Invisible Man.” MELUS 8:4 (Winter 1981). 33-59. Yellin, Jean Fagan. “Written by Herself: Harriet Jacobs’ Slave Narrative.” American Literature 53:3 (November 1981). 479-486. Alexander, Mary L. Alexander, Mary L. “Woman as Creator/Destroyer in Three Poems of Lorna Goodison.” St. Thomas: University of the Virgin Islands, 1994. Alleyne, Mike. Alleyne, Mike. “Positive Vibration?: Capitalist Textual Hegemony and Bob Marley.” Mike Alleyne, 1994. Asian-American Literature. Blinde, Patricia Lin. “The Icicle in the Desert: Perspective and Form in the Works of Two Chinese-American Women Writers.” MELUS 6:3 (Fall 1979). 51-71. Ching Sledge, Linda. “Maxine Kingston’s China Men: The Family Historian as Epic Poet.” MELUS 7:4 (Winter 1980). 3-22. Fujita, Gayle K. “’’To Attend the Sound of Stone’: The Sensibility of Silence in Obasan.” MELUS 12:3 (Fall 1985). 33-42. Geok-Lin Lim, Shirley. “Twelve Asian-American Writers, In Search of Self-Definition.” MELUS 13:1-2 (Spring-Summer 1986). 57-77. 4 Hunt, Linda. “’I Could Not Figure Out What Was My Village’: Gender vs. Ethnicity in Maxine Hong Kingston’s The Woman Warrior.” MELUS 12:3 (Fall 1985). 5-31. Ling, Amy. “Writer in the Hyphenated Condition: Diana Chang.” MELUS 7:4 (Winter 1980). 69-83. Austen, Jane. Drew, Philip. “Jane Austen and Bishop Butler.” Nineteenth-Century Fiction 35:2 (September 1980). 127-149. Lockwood, Thomas. “Divided Attention in Persuasion.” Nineteenth-Century Fiction 33:5 (December 1978). 309-323. Weinsheimer, Joel C. “Mansfield Park: Three Problems.” Nineteenth-Century Fiction 29:2 (September 1974). 185-205. Wilt, Judith. “Confusion and Consciousness in Dickens’s Esther.” Nineteenth-Century Fiction 32:3 (December 1977). 285-309. Baldwin, James. Albert, Richard N. “The Jazz-Blues Motif in James Baldwin’s ‘Sonny’s Blues’” College Literature XI:2 (Spring 1984). 178-185. Champion, Ernest A. “James Baldwin and the Challenge of Ethnic Literature in the Eighties.” MELUS 8:2 (Summer 1981). 61-71. Harris, Trudier. “The Eye as Weapon in If Beale Street Could Talk.” MELUS 5:3 (Autumn 1978).54-66. Nelson, Emmanuel. “James Baldwin’s Vision of Otherness and Community.” MELUS 10:2 (Summer 1983). 27-31. Barnwell, Kattian. Barnwell, Kattian. “Motherlands and Other Lands: Home and Exile in Jamaica Kincaid’s Lucy and Paule Marshall’s Praisesong for the Widow.” Conference on West Indian Literature, University of Puerto Rico, 1994. Baugh, Edward. Baugh, Edward. “Ethnography and Fiction: The Work of John Stewart.” Mona: University of the West Indies. 5 Besosa, M.N. Besosa, M.N. “Words Confused.” English Composition , 1949. Best, Curwen. Best, Curwen. “Graffiti – Yout Massive! Gangs, Pop Culture, Sex and Getting it Up Every Time.” Conference on West Indian Literature. University of Puerto Rico, 1994. Bickerton, Derek. Bickerton, Derek. “Creolization, Linguistic Universals, Natural Semantax and the Brain.” International Conference on Pidgins and Creoles, University of Hawaii, 1975. Boodhoo, Bryan. Boodhoo, Bryan. “Sexual Markings: The Significance of Mother-Daughter Relationships in the Works of Jamaica Kincaid and Lorna Goodison.” Breight, Curt. Breight, Curt. “’’Treason doth never prosper’: The Tempest and the Discourse of Treason.” Shakespeare Quarterly 41:1 (Spring 1990). 1-28. Briggs – Emanuel, Phyllis. Briggs-Emanual, Phyllis. “The Masks that Conceal Also Reveal: A Look at Masking and Unmasking in Earl Lovelace’s The Wine of Astonishment.” St. Augustine: University of the West Indies, 1991. Bronte, Emily. Fine, Ronald E. “Lockwood’s Dreams and the Key to Wuthering Heights.” Nineteenth- Century Fiction 24:1 (June 1969). 16-30. Shunami, Gideon. “The Unreliable Narrator in Wuthering Heights.” Nineteenth-Century Fiction 27:4 (March 1973). 449-468. Wilson, F.A.C. “The Primrose Wreath: The Heroes of the Bronte Novels.” Nineteenth- Century Fiction 29:1 (June 1974). 40-57. Brydon, Diana. Brydon, Diana. “Tempest Plainsong: Returning Caliban’s Curse.” Transforming Shakespeare: Contemporary Women’s Re-Visions in Literature and Performance. Marianna Novy, Ed. New York: St. Martin’s, 1999. 199-216. 6 Buckeye, Robert. Buckeye, Robert. “The People, Yes, or The People, No: Decisive Moments in the Work of James, Kincaid and Mais.” Caribbean Bibliographies Pagan-Jimenez, Neida. “Estudios del Caribe Indice: 1961-1991. (Caribbean Studies Index: 1961-1991.).” Caribbean Studies 24:3-4 (1991). 302-446. María-Padilla, José. “Informe Sobre Bibliografía del Caribe en el Recinto de Río Piedras.” “Bibliography of the Works of the Caribbean Commission.” “Bibliography III: Publications About the Caribbean Organization.” DeCosmo, Jan. “Religion and Revolution in the Lyrics of Bob Marley.” (May 1994) Cather, Willa. Arnold, Marilyn. “Willa Cather’s Artistic ‘Radicalism.’” The CEA Critic 51:4 (1989). 2- 10. Carpenter, David A. “Why Willa Cather Revised ‘Paul’s Case’: The Work in Art and those Sunday Afternoons.” American Literature 59:4 (December 1987). 590-608. Leddy, Michael. “Observation and Narration in Willa Cather’s Obscure Destinies.” Studies in American Fiction 16:2 (Autumn 1988). 141-153. Romines, Ann. “After the Christmas Tree: Willa Cather and Domestic Ritual.” American Literature 60:1 (March 1988). 61-82. Rosowski, Susan J. “Willa Cather’s Women.” Studies in American Fiction 9:2 (Autumn 1981). 261-275. Ryan, Maureen. “No Woman’s Land: Gender in Willa Cather’s One of Ours.” Studies in American Fiction 18:1 (Spring 1990). 65-75. Schwind, Jean. “Latour’s Schismatic Church: The Radical Meaning in the Pictorial Methods of Death Comes for the Archbishop.” Studies in American Fiction 13:1 (Spring 1985).