September 1978 CAA Newsletter

September 1978 CAA Newsletter

newsletter VolumeS, Number 3 September 1978 nominations for eAA board of directors The 1978 Nominating Committee has submitted its initial slate of BYRON BURFORD twelve nominees to serve on the CAA Board of Directors from 1979 to University of Iowa 1983. Of these, six will be selected by the Committee as its final slate and fonnally proposed for election at the Annual Members Business BFA and MFA, Univ Iowa. PoSITIONs: prof, Univ Meeting to be held at the Washington Hilton Hotel on February 1, Iowa, 1947-; prof, Univ Minnesota and Univ 1979. To assist the Committee in making its final selection all Massachusetts, summer 1967; also Worcester Art individual members of the Association are invited to cast their votes on Mus, Walker Art Ctr, Nelson! Atkins Gall, Shel­ the preferential ballot. don Art Mus, High Mus Art, California ColI Arts For members' convenience the preferential ballot is in the form of a and Crafts, others. AWARDS: Guggenheim Found prepaid business reply card which is being mailed separately. Please re­ fellow, 1960 and 1961; Ford Found award, 1961, turn it promptly; ballots must be postmarked no later than Oct. 10. 62, 64; Nat! Inst Arts & Letters grant, 1967; Rosenwald fellow; two A brief curriculum vitae for each candidate is given below, followed Yaddo fellowships; Tamarind fellowship; Amer Fed of Arts grant. by a list of present Board members. Please retain this information until EXHIBITIONS: solo Walker Art Ctr, 1958; Babcock Gall, N.Y.C., 1966, you receive your ballot. 1967, 1969, 1975, plus many others; numerous group exhibitions including Venice Biennale, 1968; Biennale de Coltejer, Colombia, PAUL B. ARNOLD 1970; and exhibitions in Milan, London, Antwerp, Hanover, Oberlin College Dusseldorf, Darmstadt and Zurich in 1971, 1972. MEMBERSHIPS: Mid­ America CAA, organized one annual meeting. AB Oberlin Coll. 1940; MA 1941; MFA Univ Minnesota, 1955. POSITIONS: instructor, Oberlin RICHARD G. CARROTT CoIl, 1941-42; instructorto full prof, 1946-; act· University of California, Riverside ing chr. 1967·68; chair, 1970·72 and 1973·76; preceptor, Univ Minnesota, 1951; Director, BA Wesleyan Univ; MA Inst Fine Arts, NYU; Ob.erlin Coll!NDEA East Asian Language and PhD Yale Univ. POSITIONS: Univ California, Area Ctr, 1967-68; visiting prof, Tunghai Uillv, Riverside, since 1961; presently prof and chair; Taiwan, 1973. AWARDS: Ford Found faculty fellowship, 1951-52; instructor, Sweet Briar ColI, 1955-58; visit assoc Great Lakes Colleges Assoc, non-Western studies grant. 1965-66; prof, Univ California, Berkeley (twice). PUBLICA­ Oberlin Coil research status award, 1965-66. EXHIBiTIONS: solo Jersey TIONS: The Egyptian Revival: Its Monuments, City State Coli, 1966; Miami Univ, Oxford, Ohio, 1968; Univ Kansas, Sources and Meaning; Thomas Moran, 1837- Manhattan, 1970; Design Corner Gallery, Cleveland, 1974; 1926 (catalog); articles injournal of Society of Architectural Historz'­ Heidelberg Coli, Tiffin Ohio, 1975; Bay Crafters, Ohio, 1976; ans, Antiques, New Catholt'c Encyr:1opaedt'a. AWARDS: Comite d'hon­ numerous group exhibitions. COLLECTIONS: Seattle Art Mus, Library neur de la Societe AUGUSTA (cultural preservation of the Val of Congress, Dayton Art Inst, Allen Art Mus, Cleveland Mus Art, d'Aosta); Comm of Honour, Exhibit: "Age of Fresco," Metropolitan Wadsworth Atheneum, Baltimore Mus, others. PUBLICATIONS: co­ Mus Art, 1968; Distinguished teaching award, Univ Calif, Riverside, author, The Humanz'ties at Oberl£n, 1957; articles on printmaking 1971. MEMBERSHIPS: Nat! Coordinator, Comm to Resave Italian Art and painting. MEMBERSHIPS: Mid-America CAA, exec bd, 1963·66; (CRIA), 1967-68; Chr, Riverside Cultural Heritage Bd, 1973-74; Soci­ Natl Assoc Schools of Art, bd directors, 1970-76, vice pres, 1972·75, ety of Architectural Historians, Local Comm chr, 1965 and 1977; bd president, 1975-78. CAA ACTIVITIES: Nominating Comm, 1965-66; directors, 1964-66; Nom Corom, 1972; Founders Award Comm, chair, 1965; Comm on MFA Standards, 1975-76; Comm on Placement 1976-78; Ethics Comm, 1976-78. CAAACTIVITIES: chr, general sessions. Standards, 1976-77; co-chair, Comm on Standards for Undergraduate 1972 annual meeting; participant, 1978 annual meeting. Education in the Visual Arts, 1978-; participant numerous studio panels, CAA annual meetings; participant Placement Orientation ses­ ANNE COFFIN HANSON sion, 1978 annual meeting. Yale University BFA Skidmore ColI, 1943; MA in Creative Arts, Preferential Ballot deadline. The issue goes to press amidst Univ North Carolina, 1951; PhD Bryn Mawr threats of a postal strike that would greatly delay delivery of CoIl, 1962. POSITIONS: prof, Yale Univ, 1970-; third class mail. Please be assured that should the strike occur, dept chr, 1974·78; adj assoc prof, NYU, and vis­ the October 10 deadline stated above and on the preferential iting lecturer, Yale Univ, 1969-70; dir, Internatl ballot will be extended. However, please mail your ballots­ Study Ctr, Mus Modern Art, 1968-69;,asst prof, whenever you get them - as promptly as possible. Bryn Mawr ColI, 1964-68; asst prof, Swarthmore ColI," 1963-64; others. PUBLICATIONS:' jacopo d_ella Quercia's Fonte 1977-1978 ANNUAL PLACEMENT REVIEW ...... P.8 <_Continued on p. 2, col. 1 Inomination for CAA board of directors Inomination for CAA board of directors Gaia, 1965; EdouardManet: 1832-1883, 1966; Manet and the Modern DEWEY F. MOSBY ELEANOR TUFTS WILLIAM D. WIXOM Tradition, 1976; articles in The Art Bulletin, Burlington Magazine, Detroit Institute of Arts Southern Methodist University The Cleveland Museum of Art French Nineteenth Century Painting and Lzcerature, many others. AWARDS: ACLS swnmer grant, 1963; NEH fellowship, 1967-68; resi­ BS in pictorial arts, Lamar Univ; MA Univ Cali­ BA Simmons ColI, 1949; MA Harvard Univ, BA Haverford CoIl, 1951; MA Inst Fine Arts, dent, Amer Academy in Rome, 1974; Yale Univ faculty research fornia, Los Angeles, 1969; PhD Harvard Univ, 1957; PhD lust Fine Arts, NYU, 1971. POSITIONS: NYU, 1963. POSITIONS: Cleveland Mus Art, asst award, 1974; MEMBERSHIPS: Council on Museums and Education in 1974. POSITIONS: curator European art, Detroit prof and chr, Southern Methodist Univ, 1974-: curator to curator medieval and renaissance the Visual Arts, 1973-; Screening Comm, Council Intematl Exchange Inst Arts, 1974-; visiting asst prof, Harvard Univ asst prof, Southern Connecticut State CoIl, decorative arts, ] 958-; adjunct assoc prof, Case of Scholars, 1975-; Comitt lnternationale de l'Histoire de L'Art, nat! Summer Sch, 1974: asst prof, SUNY Buffalo, 1966-71; assoc prof, 1971-74; instructor, Univ Western Reserve Univ, 1967-; student fellow, member, 1975-; Art Dealers AssQciation Prize Corom, 1976; Yale 1973-74, asst curator, J. Paul Getty Mus, Bridgeport, 1964-65; asst prof, 1965-66; assoc Metropolitan Mus Art, 1957-58. PUBLICATIONS: director, World University Service, 1960-64; Univ Press Governing Bd, 1977-. :~A ACTIVITIES: Monograph Series 1968-70. PUBLICATIONS: Alexandre-Gabriel Treasures from Medieval France (exhib catalog), Editor, 1968-71; Publication Corom, 1968-; The Art Bulletz'n Comm, Decamps 1803-1860, 1977: Cinco Siglos de obras maestras de la pin­ director, program devel, Council on Internatl Exchange, 1957-60; in­ ]967; Renaissance Bronzes from Oht'o Collections (exhib catalog), 1968-; art history program chr, 1969 annual meeting; bd directors, tura en colecciones norteamencanas cedidas en prestamo a Costa Rica structor' Boston Univ, 1957. PUBLICATIONS: Our H£ddenHeritage: Five 1975; articles in The Art Bulletin, Art Quarterly, Burlington Maga­ 1969-73; exec comm of bd directors, 1971-72: The Art Bulletz'n (exhib catalog), 1978; articles in Master Drawt'ngs, Arts Magazine, Centuries of Women Artists, 1974; articles in The Art Bulletz'n, Art zine, Connoisseur, Gesta, others. EXHIBITIONS: "The Helmarshausen editorial bd, 1971-77: CAA president, 1972-74; Distinguished Minneapolis Inst Arts Bulletz'n, others. EXHIBITIONS: "Degas in the Journal, Art in America, Art News, others. AWARDS: Hartman fellow, Latin Gospels," 1960; "Architecture in Miniature," 1961; "Gothic Art Teaching of Art History Award Comm, 1975, 1976; Millard Meiss Detroit Inst Arts," 1975 (arranged); "French Painting 1774-1830: The HockadaySch, Dallas, 1974; NEHgrant, 1974. MEMBERSHIPS: AAUP, 1360-1440," 1963; Treasures from Medieval France," ]966-67; Publication Fund Comm, 1976-. Age of Revolution," Detroit InstArts, 1975 (arranged); "Master Paint­ vice pres, Southern Connecticut State CoIl chapter, 1972-74: vice pres, "African Tribal Images," 1968; others. AWARDS: Arner Educ Found ings from the Hennitage and the State Russian Museum, Leningrad," Southern Methodist Univ chapter, 1975-76; Women's Caucus for Art, fellowship, 1962; NEA museum professional fellowship, 1973. Detroit InstArts, 1975 (arranged); "Cincosiglos ... ," Museo deJade, natl advisory bd, 1978-; trustee, Dallas Mus Fine Arts, 1975-; Educa­ MEMBERSHIPS: Internatl Ctr Medieval Art, president 1971-74; bd Costa Rica, 1978 (organized); AWARDS: Kress Found grant, 1968-69; tion Comm, 1975-; Comm to Nominate Officers, 1977; academic ad­ member, 1971-; advisory council, Notre Dame Univ Art Gall, 1974-. Grand Prize fellowship, Harvard Univ, 1970-73. MEMBERSHIPS: Muse­ visory panel, World University Service, 1975-; NEH panel for higher CAA ACTIVITIES: participant, ]967 annual meeting. MARILYN ARONBERG LAVIll' um-Univ Relationship Comm, Midwest Art History Society, 1975-: education projects program, 1978. CAA ACTIVITIES: Nominating Princeton University Arts Comm, New Detroit, Inc, 1976-; Detroit

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    9 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us