Flatpicking Guitar Styles—Pioneers and Legends: Maybelle Carter Style: • Wayfairing Stranger—Carter Style, by Dan Huckabee, Volume 4, Number 1, page 21 • Jimmy Brown the Newsboy, arranged by Earl Scruggs, Volume 4, Number 1, page 57 • Jimmy Brown the Newsboy, arranged by Maybelle Carter, Volume 4, Number 1, page 60 • Jesse James, arranged by Dix Bruce, Volume 4, Number 2, page 45 • Shady Grove, arranged by Orrin Star, Volume 4, Number 6, page 46 • Storms Are On The Ocean, arranged by Dix Bruce, Volume 5, Number 1, page 46 • Grandfather’s Clock, arranged by Dix Bruce, Volume 5, Number 6, page 50 • Will The Circle Be Unbroken, arranged by Harold Streeter, Volume 9, Number 3, page 56 • Worried Man Blues, arranged by Dan Miller, Volume 9, number 4, page 46 • You Are My Flower, arranged by Maybelle Carter, transcribed by Dix Bruce, Volume 9, number 4, page 49 • You Are My Flower, arranged by Earl Scruggs, transcribed by Dix Bruce, Volume 9, Number 5, page 47 • Farther Along, arranged by Dix Bruce, Volume 10, Number 1, page 51 • More Pretty Girls Than One, arranged by Dix Bruce, Volume 10, Number 4, page 44 • Storms Are On The Ocean, arranged by Kathy Barwick, Volume 11, Number 3, page 33 • Little Darlin/This Land, arranged by Dix Bruce, Volume 11, Number 6, page 50 • Red River Valley, arranged by Adam Granger, Volume 11, Number 6, page 62 • Worried Man Blues, arranged by Orrin Star, Volume 12, Number 1, page 38 Doc Watson Style: • Texas Gales, arranged by Doc Watson, Volume 2, Number 6, page 11 • Way Downtown, arranged by Doc Watson, Volume 2, Number 6, page 49 • Beaumont Rag, arranged by Doc Watson, Volume 2, Number 6, page 73 • Way Downtown, arranged by Doc Watson, Volume 2, Number 6, page 49 • Way Downtown, arranged by Doc Watson, transcribed by Dix Bruce, Volume 3, Number 5, page 45 • Way Downtown, arranged by Doc Watson, transcribed by Dix Bruce, Volume 3, Number 6, page 47 • The Watson Feeling, by Steve Kilby, Volume 6, Number 4, page 16 • Doc Watson Tribute (Cover Story), by Dan Miller, Volume 16, Number 6, page 6 • Jack Lawrence, On The Road with Doc, by Dan Miller, Volume 16, Number 6, page 41 • Blind But Now I See: The Doc Watson Biography, by Dan Miller, Volume 16, Number 6, page 65 • The Passing of Doc, by Dan Crary, Volume 16, Number 6, page 72 • Billy In the Lowground, arranged by Tim May, Volume 16, Number 6, page 15 • Lonesome Road Blues, arranged by Doc Watson, transcribed by Dan Miller, Volume 16, Number 6, page 18 • Way Downtown Fill Licks, arranged by Joe Carr, Volume 16, Number 6, page 24 • Jail House Blues, arranged by Doc Watson, Volume 16, Number 6, page 27 • Ragtime Annie, arranged by Doc Watson, Volume 16, Number 6, page 29 • Whistlin’ Rufus, arranged by Doc Watson, transcribed by John Carlini, Volume 16, Number 6, page 32 • Beaumont Rag, arranged by Brad Davis, Volume 16, Number 6, page 36 AllAll Back Back Issues Issues are are Available Available for for Download Download at www.flatpickdigital.comat www.flatpickdigital.com • Black Mountain Rag, arranged by Jeff Troxel, Volume 16, Number 6, page 38 • Blackberry Rag, arranged by Kathy Barwick, Volume 16, Number 6, page 46 • Billy In The Lowground, arranged by Orrin Star, Volume 16, Number 6, page 51 • Little Sadie, arranged by Dix Bruce, Volume 16, Number 6, page 55 • Black Mountain Rag, arranged by Steve Pottier, Volume 16, Number 6, page 68 Tony Rice Style: • Nobody Loves Me, arranged by Tony Rice, transcribed by Joe Carr, Volume 1, Number 4, page 16 • St. James Hospital, arranged by Tony Rice, Volume 3, Number 1, page 15 • Little Beggarman, arranged by Tony Rice, Volume 3, Number 1, page 14 • Tony Rice and the Consequences of Greatness, by Orrin Star, Volume 2, Number 2, page 38 • Tony Rice, by Chris Jones, Volume 3, Number 1, page 39 • The Rice Style, by Mike Maddux, Volume 3, Number 1, page 53 • Homage to TR, by John Carlini, Volume 5, Number 2, page 37 • The Riceolian Mode, by John Carlini, Volume 5, Number 4, page 34 • Muleskinner Blues, arranged by Tony Rice, transcribed by John Carlini, Volume 9, Number 1, page 28 • Slades’s Guitar, by Peter Rowan, guitar solos arranged by Rowan and Rice, Volume 9, Number 2, page 12 Clarence White Style: • Clarence White Style #1, by Steve Pottier, Volume 1, Number 1, page 48 • Clarence White Style #2 (Crawdad Song), by Steve Pottier, Volume 1, Number 2, page 48 • Clarence White Style #3: The Rest Stroke (Carter’s Blues), by Steve Pottier, Volume 1, Number 3, page 50 • Clarence White Style #4 (Wildwood Flower), by Steve Pottier, Volume 1, Number 4, page 54 • Clarence White Style #5 (Fire On The Mountain), by Steve Pottier, Volume 1, Number 5, page 54 • Clarence White Style #6 (Flop-Eared Mule), by Steve Pottier, Volume 1, Number 6, page 53 • Clarence White Style #7, by Steve Pottier, Volume 2, Number 1, page 53 • Clarence White Style Rhythm Guitar, by Joe Carr, Volume 2, Number 5, page 16 • Huckleberry Hornpipe, arranged by Clarence White, Volume 2, Number 5, page 29 • Ron Block on Clarence White, by Chris Jones, Volume 2, Number 5, page 32 • A Fool Such As I, arranged by Clarence White, Volume 2, Number 5, page 44 • Clarence Revisited (Fly Around Pretty Little Miss), by Steve Pottier, Volume 2, Number 5, page 56 • Confessions of a Clarence Collector, by Joel Stein, Volume 2, Number 5, page 58 • John Delgatto, Sierra Records and Legacy of Clarence White, Volume 4, Number 2, page 57 • Shuckin’ The Corn, arranged by Clarence White, Volume 4, Number 2, page 65 • Yellow Rose of Texas, arranged by Clarence White, Volume 4, Number 3, page 61 • Clarence Classics (Eight More Miles), arranged by Clarence White, Volume 5, Number 5, page 64 • Clarence Classics (New River Train), arranged by Clarence White, Volume 5, Number 6, page 66 • Clarence Classics, (I Might Take You Back), arranged by Clarence White, Volume 6, Number 2, page 65 • Clarence Classics (Farewell Blues), arranged by Clarence White, Volume 6, Number 3, page 61 • In The Pines, arranged by Clarence White, transcribed by Steve Pottier, Volume 7, Number 1, page 66 All Back Issues are Available for Download at www.flatpickdigital.com ª A Tribute to Clarence White, by Beppe Gambetta, Volume 7, Number 5, page 75 • Chug-A-Lug, arranged by Clarence White, transcribed by Steve Pottier, Volume 7, Number 6, page 66 • Crazy Creek, arranged by Clarence White, transcribed by Steve Pottier, Volume 9, Number 3, page 64 • Sally Goodin’, arranged by Clarence White, transcribed by John Carlini, Volume 11, Number 6, page 26 • Clarence White and the Roots of Bluegrass Guitar in Southern California, by Wayne Erbsen, Volume 17, Number 5, page 66 Norman Blake Style: • Arkansas Traveler, arranged by Norman Blake, Volume 1, Number 5, page 9 • Bonaparte’s Retreat, arranged by Craig Vance, Volume 4, Number 5, page 11 • Cricket on the Hearth, arranged by Craig Vance, Volume 9, Number 2, page 15 • Done Gone, arranged by Craig Vance, Volume 8, Number 6, page 13 • Elzic’s Farewell, arranged by Craig Vance, Volume 6, Number 1, page 12 • Forked Deer, arranged by Craig Vance, Volume 4, Number 1, page 19 • Marquis of Huntley, arranged by Craig Vance, Volume 6, Number 4, page 11 • Miller’s Reel, arranged by Craig Vance, Volume 4, Number 6, page 12 • Molly Bloom, arranged by Craig Vance, Volume 9, Number 4, page 12 • Old Brown Case, part 1, arranged by Craig Vance, Volume 11, Number 2, page 11 • Old Brown Case, part 2, arranged by Craig Vance, Volume 11, Number 3, page 11 • Picking Flat 2, arranged by Norman Blake, Volume 1, Number 5, page 10 • White Oak Swamp, arranged by Craig Vance, Volume 4, Number 4, page 12 Solo Flatpicking (Dan Crary Style): • The Loneliness of the Solo Flatpicker, by Dan Crary, Volume 6, Number 5, page 38 • Between the Lines in G, by Dan Crary, Volume 6, Number 6, page 41 • The Fundamentals of Chord Change Runs, by Dan Crary, Volume 7, Number 1, page 40 • Explorations in E, by Dan Crary, Volume 7, Number 2, page 38 • Explorations in A, by Dan Crary, Volume 7, Number 3, page 39 • Crosspicking, by Dan Crary, Volume 7, Number 4, page 40 • Crosspicking, Part II, by Dan Crary, Volume 7, Number 5, page 36 • Things to Do in D, by Dan Crary, Volume 7, Number 6, page 37 • The Quiet Beauty of the Church Lick, by Dan Crary, Volume 8, Number 1, page 32 • From Struggler to Player, by Dan Crary, Volume 8, Number 3, page 57 • When You Get There, There is There There, by Dan Crary, Volume 8, Number 5, page 38 • Fatten Up A Melody Line, by Dan Crary, Volume 8, Number 6, page 64 • Fatten Up A Melody Line II, by Dan Crary, Volume 9, Number 1, page 65 • The Third Presidential Debate Should Have Been a Jam Session, by Dan Crary, Volume 9, Number 2, page 65 • Polish It, Make It Shine, by Dan Crary, Volume 9, Number 3, page 71 • Paints a Picture, Don’t It, by Dan Crary, Volume 9, Number 4, page 66 AllAll Back Back Issues Issues are are Available Available for for Download Download at www.flatpickdigital.comat www.flatpickdigital.com • X-treme Git-Tar Thrashing (and its cure), by Dan Crary, Volume 9, Number 5, page 63 • Tunes and Variations, by Dan Crary, Volume 9, Number 6, page 68 • Cowboys and Waltzes, by Dan Crary, Volume 10, Number 2, page 76 • Accompaniment Bits & Pieces, by Dan Crary, Volume 10, Number 3, page 69 • The Old Plectrosaurus, by Dan Crary, Volume 15, Number 2, page 21 • A Lesson from Jacquelin du Pre, Flatt & Scruggs, and Don Sullivan, by Dan Crary, Volume 15, Number 4, page 50 • Across the Tracks in E, by Dan Crary, Volume 15, Number 6, page 58 • Beginning the Guitar, by Dan Crary, Volume 16, Number 1, page 67 • Not Just Another’n, by Dan Crary, Volume 16, Number 2,