Bnass Class Handoufs #5 Supplementary Texts 1 French Horn Fingering Chart. 2 Standard Fingerings, F/B-flat Double Horn........ J Arban #9 and #10........... 4 Morgan Bumper 6 Trumpets from International Music Suppliers.... 8 Educator's Viewpoint: Balanced Life................ Supplernentary Texts Psychological The Inner Game of Tennis by W.Timothy Gallwey The Inner Game of Music by Barry Green I'm OK, You're OKby Thomas A. Hanis P s cho -Cyb erne ti c s by Maxwell Maltz Ultimate Power by Tony Robbins What to Say Wlten You Talk to Yourselfby Shad Helmstetter Brass The Art of Brass Pløying by Phillip Farkas ¡ranon .n0rn,Flngerxngs Fn*re*h FT*rn F'ful.genng tharfr '¡e ,sritten ur F tap fuqurirry on Ë-fltt lwr:r (v¡ilh triger) bottunr furryrirrp nn F hrrn {nr, ltlffiEr} I í,h. ï,r¿ l+X+3 nC* rr/E L+l F fidÊ ûta tri€#r) l+3 î+3 l+ä I 2 0 l+3 2+3 l+3 FdñÊ l+3 I Û l+2 l+?rt I F ridß 0 0 û t ,' 0 t+3 l+? I 0 2 t ?/?+3'l 0ll+1 I x û Fddc cÒpyrighl (c) lÐ9Ê Fon Boerger, É[email protected] 0Kto pht/tûùop}. rxicoPyright irit¡st ri,t.!'.¡tl.r http://www. io. eorn/-rboerger/finger-only. html 0711812000 1 '4 The Llorn o1 Standard F"ingerìngs, F/ts-flat Ðoe¡ble htrorn .€ ,@ E 0 T-2-3 T-t-2 f-f T-2 1-0 r-2-3 1-3 2-3 r-z l_ 2 0 L-2-3 L-3 L-2 l_ ¿ 0 L-2 L 2 € 0 1--2 1 2 U t- 2 U T-2-3 T-]--2 a-a T-2 T T-2-3 !-L-¿ t-J € b* -G € T-2 T r-z T-0 T-t-2 T-1 t-z I-U a J î'þ tu \ , , 2r? ,, 9t ? , ,9 ) ..@- 5{}- ' 7 --€Þ- o tu tr¡ ?tr'} ,, I 1r19}' 7 W 'k+- -€- t r3 9r , t , r9: ,1r? -€- -€- -ê- -€- -6- 2 t 3 3 tu tu , t ) ,, >- )r, 1 ,, -ê- I t 2 tu tu tu tu >>* >- I ,* -WÈ- -{3- o z tu tu tu tu >> L -# t ,. tu tu tu tu - # tu tu \ tu - tt t o 2 -æ I t t t t l-_-t t 3 o 0 2 2 3 åo 3 €F TT 0 t 2 I t 0 t I 2 a 3 t 2 3 3 -ñ- -&-- -€- 2 I ,. 1 2 2 r0 6t 2 3 2 7- TT- +- Êe 2 2 t t 0 0 2 t 0 2 0- r 0 r 3 2, 2 2 0 t 212 { L L I t t 3 , 2 Æ o 2 , o 2 s V 4J ('., 1r" :L,r-L,¿t 0 I @ 021 ? t ð t 1'=-z 3 2 ù r)t { i. 2 ,l q t 01 2 3? k q oI ü I 2\-'-'-' L2 fv, 3 t 3 ð J tt, i t 2 0 i o I 3 I l'-: 7 I l.v þ 01 t I 0 D I 1 3 o q I ffi- -ry- 2 t 0 1 0 û21 t t I ð ó 3 -{H- -e* ì_ÊF_ -e- , 0r 2 t 0 { o4 02 2 t J.uo-ro, ( I t-15) u >r¡ ^¡¡ - -1- :*¡- > rf \t r> --'t--{-ìgI- :-EI-T; 12. ¡l ll \ :----¡l > :--> ¡ fy ;> tl tr YY þ-"-- I :>' :Þ \ > -Þ -t 13. -> I :- < --. --r-- :- )>-.__._- v 1{. -Ð- V l¡ ¡ +È- -{ _< -.-æ T Morgan Bumper Company Fage I of3 The Morgan Bumper is designed to provide orthodontic patients with a comfortable, easily installed èfr¡elO for their brackets that bumpers their lips and cheeks from discomfort often associated with braces. pain t¡c.itGÂtt Any orthodontic patient who is experiencing lip and cheek or úriflÉf:i1 distress related to orthodontic care can benefit from the use of the Morgan Bumper. The device provides a smooth surface that inhibits Ctf¡l41,lâL I.Eß ulceration formation and allows existing ulcerations to heal. ÊlOc¡E The Morgan Bumper is formed from soft, pliable medical grade polyvinylchloride (PVC) that was chosen for its flexibility and adaptability at body temperature. _;i ,.r:: :r ' - :^11::i::,!.,: t ;-. -:ì !r. .:.r r -i ;É r.: .1r::r':¡ì: ,r .!r: r r'"":.:a .r-- ; .¡ iii:- ì ; t:-r::l The Bumper clamps over the braces and its C-shaped patient press the device into place. design allows the to F¡,IÀCl(ET ridges snap over the brackets and O-rings Semi-cylindrical ¡11ûF'îÂN There is no force or pressure applied by the Bumper. gur,rÈÈR The elasticity of the legs of the Bumper tend to close the channel, snapping the ridges into engagement with the brackets and O-rings outer sudaces. This facilitates retention of the shield on the brackets. c).Ft¡i5 rilTGE Once the device is in place, the patient's lip applies additional inward pressure to keep the shield in place. lnexpensive and attractive, the Morgan Bumper is available in clear and flourescent colors. / Llp http ://www.morganbumper. com/details.htm k? 3118t2005 Nforgan Bumper Company Fage 2 of3 rTl rl"rrfrt r Irl trl tIII'If.III] [ü :rr-r Step 1 Step 2 Step 3 Trim the Morgan Bumper to Place the middle of the cut You will notice immediately length as required to fit your section over your two front braces. teeth and smooth the Bumper toward your back ' The smooth comfort This can best be determined teeth using your index inside your lip. by wrapping the Bumper over fingers. the outside of your lips, ' lrritated areas will not hurt. holding one end on the back Some trimming may be practice brace of one side and required or installing ' Sores caused by braces wrapping to the back brace of your Bumper to match the or trauma will heal in a the other side... then simply ends of your braces. short time. cut the Bumper to length. ñ How To Use The Bumper More Effectively . Remove the Bumper when eating . Brush your teeth after eating and before reinstalling your Bumper. Remove the Bumper before playing sports, swimming, or going to sleep http://www.morganbumper.com/details.htm 7 31r8t2005 band), a "right down the middle" trumpet prices Our instrument are so may be the best idea. The 37 bell in the fantastic that our manufacturers standard weight willwork well in all situa- prefer that we do not print them. tions. One can make a significant change (darker Callto discuss the instrument that in the tone of this bell or lighter) by using the appropriate mouthpiece. is right for you! Principal trumpeters are very concerned Vincent Bach combined with consistency of tone quality in all reg- his unique talents as both isters, clarity of attack and blend both a musician and an engi- within the section and with the other sec- neer to create brass instru- tions of the orchestra (strings and winds). ments of unequaled tonal For the Bb trumpet, the 37 bell is the quality - instruments which most popular and 229 or 239 for the C today remain the sound choice of artists trumpet. The 256 C bell (which is relative- worldwide. ly new) is gaining in popularity. These bell choices will meet the rigors of orchestra Trumpets playing. t? Bach Trumpet Bell Options . Yellow Brass (Standard) . Gold Brass . Heavy Yellow Brass The Bach trumpets that make these great . Heavy Gold Brass sounds come in a variety of confgura- . Sterling Plus (100% Sterling Silver) tions. Bach Bb Trumpet Bell Styles Many great players play Bach trum- 37 The "standard" Bach bell. lt has a pets...Adolph Herseth (Chicago warm, centered sound that performs well Symphony Orchestra - Principal since in any musical situation. Rolf Smedvig 1948), Rolf Smedvig (Empire Brass), and Wynton Marsalis both have record- Nick Drozdof (Maynard Ferguson Band), ings playing this bell. lt is used by more "Kid" Marhevka (Big Bag Voodoo Daddy) classical and jazz players than any other. and Lew Solofi (Blood, Sweat and Tears) to name a few. They have found Bach to 43 Brighter than the 37 bell. This bell will provide the right sound for their varying give a livelier sound for concert work and brands of trumpet playing. it will project through a jazz ensemble. 72 Darker than the 37 bell. A very free Lead trumpet players are very concerned blowing feel and a very warm sound. with projecting over the ensemble and One can develop a lot of volume with this enduring a great deal of time in the upper bell. ln the standard weight, a soloist or register at high volume levels. To that jazz combo player may especially like end, many tend to move toward light- this bell because the tone can be warm weight bells with a slower flare (light- and sweet. ln the lightweight version, a weight 43, for example). For a student lead or section player in a jazz ensemble who is required to play in many different or show orchestra may be attracted to types of ensembles (concert band, the free blowing qualities and potential for orchestra, brass choir, quintet and iazz a great deal of volume. 800-762 -1116 www.IntlMusicalSuppliers.com All Prices Subject to Change Without Nolice 1 6L2 Bach Bb Trurnpet Lead pipes Bach G Trurnpet tsell Styles 25 Standard. The most popular lead pipe 239 Standard. This is the brightest sound- for the Strad.