“Hotel Coppelia” Combined Dialogue Continuity and Spotting List (LATAM SPANISH/US ENGLISH) Running time : 104 minutes 30 seconds Number of Titles : 1524 March 31, 2020 SC # CC & DIALOGUE TITLE # START END DURATION SUBTITLE 1 01:00:00:00 FIRST FRAME BLACK 2 01:00:00:10 LOGO ASSEMBLES LATIDO LOGO FADES TO BLACK 3 01:00:11:15 FADE IN. LOGO MINISTERIO DE CULTURA DGCINE DIRECCIÓN GENERAL DE CINE REPÚBLICA DOMINICANA LOGO FADES TO BLACK 4 01:00:16:15 FADE IN. LOGO TABULA RASA FILMS LOGO FADES TO BLACK 5 01:00:22:00 FADE IN. LOGO ASSEMBLES LANTICA MEDIA LOGO FADES TO BLACK 6 01:00:39:10 [SEA WAVES & SEAGULLS] 7 01:00:40:22 1 01:00:40:19 01:00:42:23 00:00:02:04 Trujillo was assassinated in 1961 [SEA WAVES & SEAGULLS CONT'D] FADE IN. TEXT En 1961 fue ajusticiado el dictador Trujillo en República Dominicana después de 31 años de tiranía. 8 2 01:00:43:00 01:00:45:20 00:00:02:20 after 31 years of tyranny after 31 years of tyranny OMIT in the Dominican Republic. 9 01:00:45:16 3 01:00:45:21 01:00:49:17 00:00:04:20 4 years later, the country still endures political chaos [SEA WAVES & SEAGULLS CONT'D.] FADE IN. TEXT Cuatro años después el país vive una conmoción política en busca de su libertad y democracia. 10 4 01:00:49:19 01:00:53:17 00:00:04:14 as it strives for freedom OMIT and democracy. 11 01:00:50:10 [MUSIC IN] 12 01:00:56:16 [MUSIC CONT'D.] EXT. MALECON PLAYA WS. JUDITH LOOKING TOWARDS THE SEA ON A BEACH SHORE AS SHE THROWS SOMETHING TOWARDS THE WAVES. MT#1 LUMY LIZARDO MT#2 NASHLA BOGAERT MT#3 CYNDIE LUNDY MT#4 JAZZ VILÁ MT#5 Y NICK SEARCY 13 01:01:16:11 CU. JUDITH STOOPS DOWN TO COLLECT WATER IN A SMALL POT. 14 01:01:23:21 [MUSIC CONT'D.] WS. JUDITH STANDS UP AND WALKS AWAY FROM THE SHORE. MT#6 RUTH EMETERIO ANTONIO MELENCIANO MT#7 FREISSY GUTIÉRREZ CAMILA SANTANA MT#8 LIA BRIONES JOHN PATRYN 15 01:01:35:04 MS. JUDITH WALKS TOWARDS SOME STAIRS AND GOES UP. MT#9 PRESENTANDO A: JERÚ SÁNCHEZ 16 01:01:40:09 EXT. MALECON MS. JUDITH BACK TO THE CAMERA CROSSES A STREET, HEADING TOWARDS A BUILDING WITH A BROKEN SIGN READING "COP ELIA". A CAR HONKS AS HE ALMOST RUNS INTO HER. THE CAMERA PANS TO MEET THE CAR. 17 01:01:46:06 MS. OVER SHOULDER POV OF PERSON INSIDE THE CAR GESTICULATING. 18 01:01:48:04 MCU HANDHELD FOLLOWING. JUDITH FINISHES CROSSING THE STREET AND TAKES THE KEYS OUT OF HER POCKET. ONCE SHE REACHES THE SIDEWALK THE CAMERA STOPS FOLLOWING HER AND LINGERS. MT#10 1965 SANTO DOMINGO 19 01:02:02:20 5 01:02:17:11 01:02:19:10 00:00:02:19 RAMONA / JUDITH -Ma'am. [MUSIC OUT] -How's it going? INT. HOTEL COPPELIA PLANTA BAJA BAR 6 01:02:19:12 01:02:21:15 00:00:02:03 RAMONA MS. TRACKING. JUDITH CLOSES THE DOOR GOOD, WE JUST NEED ANOTHER BUCKET. AND WALKS INTO THE HOTEL. SHE CROSSES THE BAR ARE AND RUNS INTO RAMONA CARRYING A BUCKET. JUDITH WALKS INTO A 7 01:02:21:16 01:02:22:13 00:00:01:21 JUDITH DINING ROOM AND SHE HEADS TOWARDS THE KITCHEN. SHE TAKES GO QUICK! HER ECHARPE OFF. JUDITH WALKS INTO THE KITCHEN WHERE A LARGE GROUP OF WOMEN ARE GATHERED AROUND THE TABLE. 8 01:02:28:13 01:02:29:08 00:00:01:19 LUISA KEEP GOING! MT#11 DISEÑO DE VESTUARIO 9 01:02:30:09 01:02:31:19 00:00:01:10 DON'T SQUEEZE. MERYDANIA PÉREZ 10 01:02:33:21 02:02:36:13 00:00:03:16 RELAX MAMA, LOOSEN UP THE VAG... MT#12 DISEÑO DE PRODUCCIÓN 11 01:02:39:21 01:02:41:11 00:00:02:14 REMEMBER WHAT WE TALKED ABOUT. WILHEM PÉREZ 12 01:02:49:23 01:02:51:04 00:00:02:05 JUDITH MT#13 EASY, EASY... EDICIÓN 13 01:02:54:21 01:02:55:18 00:00:01:21 NACHO RUIZ CAPILLAS THE J. 14 01:02:58:14 01:902:59:21 00:00:01:07 MT#14 NOT TOO BIG. DIRECCIÓN DE FOTOGRAFÍA 15 01:03:01:11 01:03:02:10 00:00:01:23 HERNÁN HERRERA START PULLING. MT#15 CASTING EDNA LEREBOURS MT#16 MÚSICA ORIGINAL JORGE MAGAZ MT#17 PRODUCTORES EJECUTIVOS ALBERT MARTÍNEZ MARTÍN JOSÉ MARÍA CABRAL NICK SEARCY MT#18 PRODUCIDA POR RAFAEL ELÍAS MUÑOZ JOSÉ MARÍA CABRAL MT#19 ESCRITA Y DIRIGIDA POR JOSÉ MARÍA CABRAL RAMONA Doña. JUDITH Cómo va todo? RAMONA Todo bien pero necesitaban otra cubeta. JUDITH Vete rápido. LUISA Dale. Dale, no apriete. Suelta la vagina Marie, suelta la vagina. Recuérdate lo que lo que hablamo. JUDITH Tranquila, tranquila. La J. Ma fina, ma fina. Ve sacando. 20 01:03:01:23 14 01:03:02:11 01:03:04:10 00:00:02:19 LUISA ALMOST DONE, SWEETIE. INT. COCINA 15 01:03:04:12 01:03:05:23 00:00:01:11 RELAX MARIE, NO SQUEEZING MS. GLORIA LOOKS AT JUDITH WORRIEDLY. 21 01:03:04:20 MCU. MARIE AGONIZING ON THE TABLE. 22 01:03:07:23 16 01:03:07:23 01:03:10:14 00:00:03:14 LUISA STOP SQUEEZING, PLEASE MARIE. MS. LUISA OPERATES THE HOOK INSIDE MARIE'S VAGINA. 17 01:03:10:15 01:03:11:23 00:00:01:08 NICE AND LOOSE... LUISA No me apriete, Marie, no me apriete, porfa no me apriete. Suéltame ahí, sueltame. 23 01:03:12:03 HIGH ANGLE WS. THE SEVEN WOMEN SURROUND MARIE AND TRY TO CONSOLE HER AS SHE LAYS ON THE TABLE. JUDITH CIRCLES THE TABLE SLOWLY. 24 01:03:14:21 18 01:03:14:22 01:03:17:01 00:00:03:02 MARIE YOU DIDN'T SAY IT HURT SO MUCH! MCU. MARIE CONTINUES TO WAIL IN PAIN. MARIE No me dijeron que dolia tanto 25 01:03:16:18 19 01:03:17:04 01:03:17:19 00:00:00:15 JUDITH STOP! MS. JUDITH LEANS OVER MARIE. JUDITH Ya. 26 01:03:18:01 20 01:03:18:02 01:03:20:03 00:00:02:01 JUDITH DEEP BREATH, IT'S ALMOST OVER! MS. JUDITH'S HANDS ARE ON MARIE'S FACE AS SHE TRIES TO CALM HER DOWN. JUDITH (O.S.) Respira profundo que falta poco. 27 01:03:19:10 MS. FRANCISCA AND RAMONA DON'T GET INVOLVED IN THE ACTION. THE LOOK WORRIED AND SCARED, RESPECTIVELY. 28 01:03:21:17 21 01:03:23:14 01:03:24:16 00:00:01:02 LUISA RELAX... MS. JUDITH TAKES HER HANDS OFF MARIE'S FACE AND STARTS TO WALK AWAY. LUISA (O.S.) Afloja la barriga... 29 01:03:24:08 22 01:03:24:20 01:03:26:22 00:00:02:02 MARIE I CAN'T TAKE IT ANYMORE! MCU. MARIE COMPLAINING ON THE TABLE. MARIE [CREOLE] 30 01:03:26:11 MS. JUDITH CIRCLES THE TABLE AND LOOKS AT MARIE. 31 01:03:30:02 23 01:03:32:05 01:03:33:10 00:00:01:05 LUISA ALMOST THERE MCU. A TABLECLOTH IS PRESSED ON MARIE'S SWEATING FOREHEAD. LUISA (O.S.) Ya casi, ya casi... 32 01:03:32:13 24 01:03:33:15 01:03:35:19 00:00:02:14 MARIE CAN'T DO NO MORE. NO MORE. MS. GLORIA LOOKS WORRIED. SHE LOOKS AT LUISA THEN BACK AT MARIE. BEHIND HER, JUDITH OPENS A CABINET DOOR. MARIE [CREOLE] 33 01:03:36:00 25 01:03:37:12 01:03:38:21 00:00:01:09 LUISA GOT IT! IT'S OUT! MCU. LUISA WORKS ON THE RUDIMENTARY ABORTION SHE IS PERFORMING ON MARIE. LUISA Ya // 34 01:03:37:22 26 01:03:39:02 01:03:40:04 00:00:01:02 LUISA RAMONA, TOWELS! MCU. MARIE SCREAMS WHILE A TOWEL IS PRESSED ON HER FOREHEAD. LUISA (CONT'D.) (O.S.) Ya salió, ya salió. Ramona, dame la toalla. 35 01:03:39:09 27 01:03:40:05 01:03:42:04 00:00:02:22 ? DONE MAMA, WE'RE DONE. MCU. JUDITH OPENS THE CUPBOARD AND TAKES SOMETHING OUT BEFORE CLOSING THE 28 01:03:42:06 01:03:43:07 00:00:01:01 LUISA CUPBOARD AND LOOKING BACK AT THE TABLE. A TOWEL! ? (O.S.) 29 01:03:43:09 01:03:44:02 00:00:01:16 ? Ya, mama, ya. CHIN UP. LUISA La toalla, Ramona, la toalla. ? Muy valiente 36 01:03:43:21 30 01:03:44:03 01:03:46:04 00:00:02:02 LUISA IT'S DONE, IT'S OUT. MCU. MARIE IS IN PAIN WHILE HANDS TEND TO HER. LUISA A ver ya, ya salió ya. 37 01:03:45:22 31 01:03:46:06 01:03:46:14 00:00:00:08 JUDITH SEE? MCU. JUDITH WALKS OVER TO THE TABLE. 32 01:03:46:18 00:03:50:13 00:00:04:18 RELAX, THE WORST PART IS OVER. JUDITH Ves? Pasó todo ya// 38 01:03:47:20 33 01:03:51:06 01:03:52:01 00:00:01:18 JUDITH HERE.