Bibliography Abrahams, A. (2011a) Interviewed by Evi Tsirigotaki for ‘Simeio Art’. Greek Public Television NET. Available at: http://aabrahams.wordpress.com/tag/eve-tsirigotaki/; https://www.youtube.com/watch?v=0eE36dwhLgg (Both accessed: 31 January 2013). Abrahams, A. (2011b) ‘Trapped to reveal: on webcam mediated communication and collaboration’. Journal for Artistic Research. Available at: http://www. researchcatalogue.net/view/18236/18237 (Accessed: 11 June 2013). Abrahams, A. (2011–12) Angry Women: An Artistic Research Project. Available at: http://www.bram.org/angry/ women/ (Accessed: 17 January 2014). Abrahams, A. (2012) Interviewed by Christina Papagiannouli. 30 November. Available at: http:// etheatre.info/e_theatre/Annie_Abrahams.html (Accessed: 16 January 2014). Adams, M., Ball, M., Robertson, M., Thornbury, S. and Tims, C. (2010) ‘The digital democracy’. The LIFT Talks, 24 June. Available at: http://www.liftfest.com/events/ past-events/2010-lift-festival/the-lift-talks (Accessed: 15 January 2014). Andrews, B. (2001) ‘Brechtian V-effect updated: implications for poetic praxis’. Crayon, 3, pp. 1–12. Available at: http://fordhamenglish.squarespace. com/storage/Bruce%20Andrews%2022Brechtian%20 V-Effect%20Updated22.pdf (Accessed: 19 January 2014). Anstey, J. (2007) ‘Theater and virtual reality’. Noema, Special Section on Drama, Performance and Digital Multimedia, DOI: 10.1057/9781137577047.0009 Bibliography 19th Cairo International Festival for Experimental Theater, Special Arts. Available at: http://org.noemalab.eu/sections/specials/cairo_drama_ conference/Anstey_Cairo.pdf (Accessed: 26 January 2013). Anywhere (2013) Available at: http://anywherefest.com/ (Accessed: 18 January 2014). Aristotle (1981) [1962] The Politics. Translated by T. A. Sinclair. Revised and re-presented by Trevor J. Saunders. Penguin Classics Series. Middlesex: Penguin. Artaud, A. (1958) [1938] The Theater and Its Double. Translated by Mary Caroline Richards. New York: Grove Weidenfeld. Arts and Humanities Research Council. (2012) ‘Funding opportunities: digital research & development fund for the arts’. Arts and Humanities Research Council. Available at: http://www.ahrc.ac.uk/Funding- Opportunities/Pages/Digital-Research-Development-Fund-for-the- Arts.aspx (Accessed: 9 January 2014). Arts Council England (2012) Annual Review 2010/11. London: The Stationery Office. Available at: http://www.artscouncil.org.uk/ media/uploads/pdf/ACEannual_review201011_Accessible_PDF.pdf (Accessed: 9 June 2013). Ashcroft, B., Griffiths, G. and Tiffin, H. (2002)The Empire Writes Back: Theory and Practice in Post-Colonial Literatures, 2nd edn. London and New York: Routledge. Auslander, P. (1999) Liveness: Performance in a Mediatized Culture. Oxon, UK: Routledge. Bakhshi, H. and Throsby, D. (2010) ‘Culture of innovation: an economic analysis of innovation in arts and cultural organisations’. NESTA Research Report, 10 June. London: NESTA. Available at: http://www. nesta.org.uk/sites/default/files/culture_of_innovation.pdf (Accessed: 9 January 2014). Bakhtin, M. (1981) The Dialogic Imagination: Four Essays. Edited by M. Holquist. Translated by C. Emerson and M. Holquist. Austin: University of Texas Press. Ball, M. (2013) ‘Digital futures: “It’s the network, stupid” ‘. The Guardian, 19 February. Available at: http://www.theguardian.com/culture- professionals-network/culture-professionals-blog/2013/feb/19/ clore-essays-digital-arts-network (Accessed: 9 October 2013). Ban Ki-moon (2013) ‘[Message for] International Migrants Day: 18 December’. United Nations. Available at: http://www.un.org/en/ events/migrantsday/ (Accessed: 9 July 2014). DOI: 10.1057/9781137577047.0009 Bibliography Barnett, D. (2011) ‘Undogmatic Marxism: Brecht rehearses at the Berliner’, in Bradley, L. and Leeder, K. (eds) Brecht and the GDR: Politics, Culture, Posterity. Edinburgh German Yearbook: Volume 5. Rochester and New York: Camden House, pp. 25–44. Barnett, D. (2012) ‘Dusting off a lively corpse: excavating Brecht the director from the archive’. TaPRA Directing and Dramaturgy Working Group Paper, TaPRA 2012 Conference, 6 September. Canterbury: University of Kent. Abstract available at: http://tapra.org/category/ news-calls/tapra-conference-2012/ (Accessed: 19 January 2014). Barnett, D. (2013) ‘The Berliner Ensemble: Bertolt Brecht’s theories of theatrical collaboration as practice’, in Britton, J. (ed.) Encountering Ensemble. London and New York: Bloomsbury Methuen Drama, pp. 126–141. Barnett, D. (2015) Brecht in Practice: Theatre, Theory and Performance. London and New York: Bloomsbury Methuen Drama Engage. Beardshaw, T. (2012) ‘The next step to social networking is building your own online community’. The Guardian, 18 January. Available at: http://www.theguardian.com/culture-professionals-network/culture- professionals-blog/2012/jan/18/social-network-arts-wales-theatre (Accessed: 8 October 2013). Beaudry, J. and El Baroni, B. (2010) ‘Postscript’, in Miessen, M., The Nightmare of Participation (Crossbench Praxis as a Mode of Criticality). Berlin: Sternberg Press, pp. 253–256. Available at: http://www. boxwith.com/2010/11/02/a-postscript-to-the-nightmare-of- participation/ (Accessed: 4 January 2014). Beckley, R. (1962) ‘Adaptation as a feature of Brecht’s dramatic technique’. German Life and Letters, 15(4), pp. 274–284. Bennett, J. and Kennedy, R. (2003) ‘Introduction’, in Bennett, J. and Kennedy, R. (eds) World Memory: Personal Trajectories in Global Time. Hampshire: Palgrave Macmillan, pp. 1–15. Bhabha, H. K. (1995) ‘Cultural diversity and cultural differences’, in Ashcroft, B., Griffiths, G. and Tiffin, H. (eds)The Post-Colonial Studies Reader. London and New York: Routledge, pp. 155–157. Available at: http://www.everydayarchive.org/art500/wp-content/uploads/2011/08/ bhabha_cultural-diversity.pdf (Accessed: 20 January 2014). Bishop, C. (2006) ‘The social turn: collaboration and its discontents’. Artforum, February, pp. 178–183. Available at: http://www.gc.cuny.edu/ CUNY_GC/media/CUNY-Graduate-Center/PDF/Art%20History/ Claire%20Bishop/Social-Turn.pdf (Accessed: 18 January 2014). DOI: 10.1057/9781137577047.0009 Bibliography Bishop, C. (2012) Artificial Hells: Participatory Art and the Politics of Spectatorship. New York: Verso. Blandford, S. (2013) ‘Introduction’, in Blandford, S. (ed.) Theatre & Performance in Small Nations. Bristol: Intellect Ltd., pp. 1–18. Blast Theory (2014) ‘Our history and approach’. Blast Theory. Available at: http://www.blasttheory.co.uk/our-history-approach/ (Accessed: 11 January 2014). Bolter, J. D. and Grusin, R. (2000) Remediation: Understanding New Media. Cambridge, MA: MIT Press. Bradley, L. (2006) Brecht and Political Theatre: The Mother on Stage. Oxford, UK: Clarendon Press. Brager, Ø. U. (2012) Interviewed by Christina Papagiannouli. 29 April. Available at: http://etheatre.info/e_theatre/ystein_Ulsberg_Brager. html (Accessed: 16 January 2014). Brecht, B. (1930) He Said Yes / He Said No. Digitalized by RevSocialist for SocialistStories. Available at: http://socialiststories.net/liberate/ He%20Said%20Yes,%20He%20Said%20No%20-%20Bertolt%20 Brecht.pdf (Accessed: 20 January 2014). Brecht, B. (1964a) [1932] ‘An example of pedagogics’, in Willett, J. (ed. and transl.) Brecht on Theatre: The Development of an Aesthetic. New York: Hill and Wang, pp. 31–32. Brecht, B. (1964b) [1932] ‘The radio as an apparatus of communication’, in Willett, J. (ed. and transl.) Brecht on Theatre: The Development of an Aesthetic. New York: Hill and Wang, pp. 51–52. Brecht, B. (1964c) [1933] ‘New technique of acting’, in Willett, J. (ed. and transl.) Brecht on Theatre: The Development of an Aesthetic. New York: Hill and Wang, pp. 136–147. Brecht, B. (1964d) [1949] ‘A short organum for the theatre’, in Willett, J. (ed. and transl.) Brecht on Theatre: The Development of an Aesthetic. New York: Hill and Wang, pp. 179–208. Broadhurst, S. (2007) Digital Practices: Aesthetic and Neuroaesthetic Approaches to Performance and Technology. New York: Palgrave Macmillan. Brock, K., Cornwall, A. and Gaventa, J. (2001) ‘Power, knowledge and political spaces in the framing of poverty policy’. IDS Working Paper 143. Sussex: Institute of Development Studies (IDS). Available at: http://www.ids.ac.uk/idspublication/power-knowledge-and- political-spaces-in-the-framing-of-poverty-policy (Accessed: 5 December 2011). DOI: 10.1057/9781137577047.0009 Bibliography Brook, P. (1996) ‘Peter Brook’, in Delgado, M. M. and Heritage, P. (eds) In Contact with the Gods?: Directors Talk Theatre. Manchester and New York: Manchester University Press, pp. 36–54. Cardwell, S. (2002) Adaptation Revisited: Television and the Classic Novel. Manchester and New York: Manchester University Press. Carney, S. (2005) Brecht and Critical Theory: Dialectics and Contemporary Aesthetics. Oxon and New York: Routledge. Carpentier, N. and Cammaerts, B. (2006) ‘Hegemony, democracy, agonism and journalism: an interview with Chantal Mouffe’. Journalism Studies, 7(6), pp. 964–975 (PDF pp. 1–14). Available at: http://eprints.lse.ac.uk/3020/; http://eprints.lse. ac.uk/3020/1/Hegemony%2C_democracy%2C_agonism_and_ journalism_%28LSERO%29.pdf (Accessed: 22 November 2013). Cartledge, P. (1997) ‘ “Deep plays”: theatre as process in Greek civil life’, in Easterling, P. E. (ed.) The Cambridge Companion to Greek Tragedy. Cambridge: Cambridge University Press, pp. 3–35. Case, S. E. (2007) ‘Digital divas: sex and gender in cyberspace’, in Detsi-Diamanti, Z., Kitsi-Mitakou, K. and Yiannopoulou, E. (eds) The Flesh Made Text Made Flesh: Cultural and Theoretical
Details
-
File Typepdf
-
Upload Time-
-
Content LanguagesEnglish
-
Upload UserAnonymous/Not logged-in
-
File Pages33 Page
-
File Size-