Master Class with George R.R. Martin: Selected Bibliography The Higher Learning staff curate digital resource packages to complement and offer further context to the topics and themes discussed during the various Higher Learning events held at TIFF Bell Lightbox. These filmographies, bibliographies, and additional resources include works directly related to guest speakers’ work and careers, and provide additional inspirations and topics to consider; these materials are meant to serve as a jumping-off point for further research. Please refer to the event video to see how topics and themes relate to the Higher Learning event. Science Fiction and Fantasy Film Barron, Neil (ed). Fantasy and Horror: A Critical and Historical Guide to Literature, Illustration, Film, TV, Radio, and the Internet. Lanham, MD: Scarecrow Press, 1999. --- (ed). Fantasy Literature: A Reader’s Guide. New York: Garland Publications, 1990. Bellin, Joshua David. Framing Monsters: Fantasy Film and Social Alienation. Carbondale, IL: Southern Illinois University Press, 2005. Bloom, Harold. Modern Fantasy Writers. New York: Chelsea House, 1994. Bould, Mark and Andrew M. Butler, Adam Roberts, and Sherryl Vint. Fifty Key Figures in Science Fiction. New York: Routledge, 2009. Cornea, Christine. Science Fiction Cinema: Between Fantasy and Reality. New Brunswick, NJ: Rutgers University Press, 2007. D’Ammassa, Don. Encyclopedia of Fantasy and Horror Fiction. New York: Facts on File, 2006. Fendler, Susanne and Ulrike Maria Horstmann (eds). Images of Masculinity in Fantasy Fiction. Lewiston, NY: E. Mellen Press, 2003. Fowkes, Katherine A. The Fantasy Film. Hoboken, NJ: Wiley-Blackwell, 2010. Hochscherf, Tobias and James Leggott (eds). British Science Fiction Film and Television: Critical Essays. Jefferson, NC: McFarland & Co., 2011. Howey, Ann F. Rewriting the Women of Camelot: Arthurian Popular Fiction and Feminism. Westport, CT: Greenwood Press, 2001. Hunt, Peter and Millicent Lenz. Alternative Worlds In Fantasy Fiction. New York: Continuum, 2001. James, Edward, and Farah Mendlesohn (eds). The Cambridge Companion to Science Fiction. Cambridge: Cambridge University Press, 2006. 1 Master Class with George R.R. Martin: Selected Bibliography Le Guin, Ursula K. The Language of the Night: Essays on Fantasy and Science Fiction. New York: Putnam, 1979. Mandala, Susan. Language in Science Fiction and Fantasy: The Question of Style. New York: Continuum International Publishing Group, 2010. Martin, George R.R. “George R.R. Martin’s Top 10 Fantasy Films.” Sexy Beast: Entertainment & Fashion (April 11, 2011). Accessed May 5, 2012. http://www.thedailybeast.com/articles/2011/04/11/george-rr-martin-game-of-thrones-writers- top-10-fantasy-films.html Mathews, Richard. Fantasy: The Liberation of Imagination. New York: Routledge, 2002. Moorcock, Michael. Wizardry & Wild Romance: A Study of Epic Fantasy. Austin, TX: Monkey Brain, 2004. Perlich, John R. and Whitt, David (eds). Millennial Mythmaking: Essays on the Power of Science Fiction and Fantasy Literature, Film, and Games. Jefferson, NC: McFarland & Co., 2010. Rabkin, Eric S. The Fantastic in Literature. Princeton, NJ: Princeton University Press, 1976. Reid, Robin Anne (ed). Women in Science Fiction and Fantasy. Westport, CT: Greenwood Press, 2009. Sander, David. Fantastic Literature: A Critical Reader. Westport, CT: Praeger, 2004. Spivack, Charlotte. Merlin’s Daughters: Contemporary Women Writers of Fantasy. New York: Greenwood Press, 1987. ---, and Roberta Lynne Staples. The Company of Camelot: Arthurian Characters in Romance and Fantasy. Westport, CT: Greenwood Press, 1994. Sprague De Camp, L. Literary Swordsmen and Sorcerers: the Makers of Heroic Fantasy. Sauk City, WI: Arkham House, 1976. Sullivan, Charles Wm. Welsh Celtic Myth in Modern Fantasy. New York: Greenwood Press, 1989. Walters, James. Fantasy Film: A Critical Introduction. New York: Berg, 2011. Young, R.G. The Encyclopedia of Fantastic Film: Ali Baba to Zombies. New York: Applause, 2000. Zelazny, Roger. “Fantasy and Science Fiction: A Writer’s View.” in Intersection: Fantasy and Science Fiction. George E. Slusser and Eric S. Rabkin (eds.) Carbondale, IL: Southern Illinois University Press, 1987. 55-59. 2 Master Class with George R.R. Martin: Selected Bibliography Science Fiction and Fantasy Television Brode, Douglas, and Carol Serling. Rod Serling and the Twilight Zone: The 50th Anniversary Tribute. Fort Lee, NJ: Barricade, 2009. Fulton, Roger and John Gregory Betancourt. Encyclopedia of TV Science Fiction. London: Boxtree, 2000. Engel, Joel. Rod Serling: The Dreams and Nightmares of Life in the Twilight Zone: a Biography. Chicago: Contemporary Books, 1989. Jenkins, Henry. “‘It’s Not a Fairy Tale Anymore’: Gender, Genre, Beauty and the Beast” in Textual Poachers: Television Fans and Participatory Culture. New York: Routledge, 1992. 122-154. O’Donnell, Victoria. Television Criticism. Washington D.C.: Sage Publications. Forthcoming 2013. Telotte, J.P. (ed). The Essential Science Fiction Television Reader. Lexington, KY: The University Press of Kentucky, 2008. --- (ed). “In the Cinematic Zone of The Twilight Zone.” Science Fiction Film and Television 3.1 (2010): 67- 80. Weinstein, David. The Forgotten Network: Dumont and the Birth of American Television. Philadelphia: Temple University Press, 2004. Wolfe, Peter. In the Zone: The Twilight World of Rod Serling. Bowling Green, OH: Bowling Green State University Popular Press, 1997. Wright, David C. and Allan W. Austin. Space and Time: Essays on Visions of History in Science Fiction and Fantasy Television. Jefferson, NC: McFarland & Co., 2010. Genre Study Altman, Rick. Film/genre. London: BFI Pub, 1999. Browne, Nick. Refiguring American Film Genres: History and Theory. Berkeley: University of California Press, 1998. Dowd, Garin, Jeremy Strong, and Lesley Stevenson (eds). Genre Matters: Essays in Theory and Criticism. Bristol, U.K: Intellect, 2006. 3 Master Class with George R.R. Martin: Selected Bibliography Grant, Barry K. Film Genre: From Iconography to Ideology. London: Wallflower, 2007. ---, (ed). Film Genre Reader. Austin: University of Texas Press, 1986. Langford, Barry. Film Genre: Hollywood and Beyond. Edinburgh: Edinburgh University Press, 2005. Neale, Stephen. Genre and Hollywood. London: Routledge, 2000. Schatz, Thomas. Hollywood Genres: Formulas, Filmmaking, and the Studio System. Philadelphia: Temple University Press, 1981. Adaptation Studies Becker, Audrey and Kristin Noone (eds). Welsh Mythology and Folklore in Popular Culture: Essays on Adaptations in Literature, Film, Television and Digital Media. Jefferson, NC: McFarland & Co., 2011. Boozer, Jack (ed). Authorship in Film Adaptation. Austin, TX: University of Austin Press, 2008. Cahir, Linda Constanzo. Literature Into Film: Theory and Practical Approaches. Jefferson, NC: McFarland & Co., 2006. Carroll, Rachel (ed). Adaptation in Contemporary Culture: Textual Infidelities. New York: Continuum, 2009. Cartmell, Deborah and Imelda Whelehan (eds). Adaptation: from Text to Screen, Screen to Text. New York: Routledge, 2002. Cartmell, Deborah (ed). A Companion to Literature, Film, and Adaptation. Malden, MA: Wiley & Sons, 2012. Constandinides, Costas. From Film Adaptation to Post-Celluloid Adaptation: Rethinking the Transition of Popular Narratives and Characters Across Old and New Media. New York: Continuum, 2010. Kerman, Judith B. (ed). Retrofitting Blade Runner: Issues in Ridley Scott’s Blade Runner and Philip K. Dick’s Do Androids Dream of Electric Sheep? Madison, WI: University of Wisconsin Press, 1997. Mireia, Aragay (ed). Books in Motion: Adaptation, Intertextuality, Authorship. Amsterdam: Rodopi, 2005. Naremore, James. Film Adaptation. New Brunswick, N.J: Rutgers University Press, 2000. 4 Master Class with George R.R. Martin: Selected Bibliography Rothwell, Kenneth S. A History of Shakespeare on Screen: A Century of Film and Television. Cambridge: Cambridge University Press, 1999. Stratyner, Leslie and James R. Keller (eds). Fantasy Fiction into Film: Essays. Jefferson, NC: McFarland & Co., 2007. Telotte, J.P. and Gerald Duchovnay (eds). Science Fiction Film, Television, and Adaptation Across the Screens. New York: Routledge, 2012. Walker, Elsie. “Pop Goes the Shakespeare: Baz Luhrmann’s William Shakespeare’s Romeo and Juliet.” in The Literature/Film Reader: Issues of Adaptation. James M. Welsh and Peter Lev (eds). Lanham, M.D: Scarecrow Press, 2007. 125-148. Welsh, James M. and Peter Lev (eds). The Literature/Film Reader: Issues of Adaptation. Lanham, M.D: Scarecrow Press, 2007. Tolkien Studies Chance, Jane (ed). Tolkien and the Invention of Myth: A Reader. Lexington, KY: University Press of Kentucky, 2004. Chance, Jane and Alfred K. Siewers (eds). Tolkien's Modern Middle Ages. New York: Palgrave Macmillan, 2005. Drout, Michael D. C. (ed). J.R.R. Tolkien Encyclopedia: Scholarship and Critical Assessment. New York: Routledge, 2007. Fimi, Dimitra. Tolkien, Race, and Cultural History: From Fairies to Hobbits. New York: Palgrave Macmillan, 2009. Fisher, Jason (ed). Tolkien and the Study of His Sources: Critical Essays. Jefferson, NC: McFarland & Co, 2011. Fredrick, Candice. Women Among the Inklings: Gender, C.S. Lewis, J.R.R. Tolkien, and Charles Williams. Westport, CT: Greenwood Press, 2001. Hillegas, Mark R. (ed). Shadows of Imagination: The Fantasies of C. S. Lewis, J. R. R. Tolkien, and Charles Williams. Carbondale: Southern Illinois University Press, 1969. Tolkien, J R. R, and Michael D. C. Drout. Beowulf and the Critics. Tempe, AZ: Arizona Center for