president’s column david epstein, aia, leed ap 2005 president aiaVT November was a busy month for AIAVT. We began the month with the ArtGate Competition. Spearheaded by board members John Anderson, Cleary Buckley and Jerry Bridges, Artgate was a design competition for a mixed-use devel- aiaVT opment in the south end of Burlington. Partnering with the City of Burlington and Burlington City Arts, the ArtGate Competition challenged the entrants to combine a 600 parking garage with artist’s housing and studios. While many of the entries stretched the imagination, the project is real. The City of Burlington plans to build a parking garage on the site, and now, as a result of the competi- tion, has designated space on site for the artist’s spaces. The aiaVT newsletter is published by AIA Vermont, Another great aspect of the competition was the tremendous support from the the Vermont Chapter of the building professional community. As a result, AIAVT was able to award four American Institute of Architects. $1000 awards to each winner. They are: Executive Director: Hanne Williams, Hon. AIAVT [email protected] • Michael Wisniewski 1662 Mill Brook Road • Ted Montgomery Fayston, Vermont 05673 • Brian Mac, architect and Brian Malley, artist p 802.496.3761 • Jon Racek http://www.aiavt.org/ f 802.496.3294 Later in the month AIAVT sponsored our first annual Canstruction design competition. Canstruction is international community service project where architect-led teams design and build sculptures from canned food. The canned food is then donated to local food shelves. Developed by the Society of Design website: VT aia cont. excerpt from Street protests appear suddenly in prominent public places — their effect is to stand out in public, in dramatic and symbolic contrast to a context. http://bad.eserver.org/issues/2004/65/cowan.html In their conspicuousness, they enliven and animate the city as a form of public theatre. Berthold Brecht developed the idea of ‘city as theatre’ in Street Protest Architecture - Dissent Space in Australia his constructivist creative productions in modern Germany, and Frankfurt Street protests appear suddenly in prominent public places - their School thinkers Benjamin and Adorno theorized its modernity. In such effect is to stand out in public, in dramatic and symbolic contrast to a context. theatre-cities, protest structures surprise and challenge both govern- In their conspicuousness, they enliven and animate the city as a form of public theatre. Gregory Cowan cont. Bad Subjects 12.05:1 Issue #65, January 2004 calendar Administration, Canstruction occurs every November in over 50 cities across the continent. For our first event, there were six teams from local firms: December 7, 2005 2005 AIA Vermont Annual Meeting • Black River Design Architects and Design Awards Presentations • Bread Loaf Corporation • DEW Construction w/The Renaissance School 6:00 p.m. at College Hall on the Vermont • The McKernon Group College Campus in Montpelier. Cash bar and • 12-22 North fantastic buffet by the New England Culinary • Truex Cullins & Partners Architects Institute. The teams did a great job and the event was a huge success. Not only were they sculptures inventive and whimsical, but we are pleased to announce that December 15, 2005 this event donated over 15,000 cans to the Vermont Food Bank. This is enough Lavalley University Construction College food (we are told) to provide supplemental food to over 20,000 people. There 12:00-2:00 Lavalley Building supply, Inc. was a lot of enthusiasm at the awards ceremony to make this a yearly tradition. Colonial Plaza, West Lebanon, NH. This is the We are hoping our only problem will be finding a bigger venue. Big thanks first in a series of presentations on current and to Marsha Wilmot, Guy Teschmacher, Hanne Williams and Juliet Landler for new product uses, installation techniques and organizing this great event. specifications. A hot lunch will be provided. AIA CEU’s available. Contact Bob Monahan or call As outgoing president, this will be my last president’s column for the newsletter. 603-863-1050 x243. I will be staying on the board next year to assist Michael Hoffman, the 2006 president of the chapter. Michael is a professor at Norwich University and long- time board member. I am sure you will enjoy Michael’s wit and insight in the December 16, 2005 months to come. Green Building Workshop Series: Towards Zero Net Energy Homes Have a great holiday season and hope to see you at the Design Awards pro- Vermont History Center in Barre, Vermont from gram this month. 8:30 AM to 4:30 PM with Marc Rosenbaum, http://www.aiavt.org/ P.E. of Energysmiths, Inc. Learn about the plan- ning and design of environmentally friendly homes that can annually produce as much clean energy as they consume. The workshop will include website: useful handouts describing various design strategy ments and citizens, actively engaging them in public space as players in options. the ‘political’ affairs of the city and state. These constructions are more VT than mere physical phenomena, endowed with ideas and motivations aia on a larger scale than the city. They represent more than buildings, and however unsettling, they form a necessary part of the civic architecture. Protest structures help to bring human and domestic elements into public and political life. Architecture in western traditions connotes constructions of authority and significance owing to its definition of the Greek origin of arche tekton, original or authoritative making. As such, protest structures are frequently misunderstood as the antithesis of architecture, but on the contrary, their architectural role in democratic cities is significant. This article suggests that conflicts and encounters between the ancient continent of Australia and its more recent Western/global architecture and culture are indicative of a process which gives rise to an architecture of cont. 12.05:2 ArtGate: A parking garage, studios . and that which, platonically speaking, never is. Donald Maurice Kreis Virtue is its own reward, which is good news for Burlington architect Michael Wisniewski. As one of four honorees in the Vermont AIA’s recent ArtGate competition, Wisniewski pocketed a $1,000 prize for his design scheme. Entrants grappled with a quasi-hypothetical commission for a combination arts center and public parking garage on a vacant site in his home town, between the proposed South End Connector highway and a small neighborhood known as the Lakeside Community. Specifically, Wisniewski grappled for 75 hours – a fact he somewhat sheep- ishly confessed when competition organizer John Anderson publicly asked the entrants to estimate how much time they had put into their efforts. That works out to slightly more than $13.33 an hour – plus virtue and any other inchoate emoluments. By contrast, and even more sheepishly, Ted Montgomery admitted to whipping his winning entry into computer-assisted form in just a few hours in the days immediately preceding the deadline. Somewhere in the middle, presumably, were the other two winning entries: one by Jon Racek and the other a joint effort by Brian Mac and Brian Malley. It might seem superficial, even insulting, to focus on hours of work rather than http://www.aiavt.org/ how the designers actually proposed to solve the architectural problem they confronted. In reality, the question of time goes right to the heart of things. This was no mere competition, but a test of a longstanding design principle Michael Wisniewski ArtGate Submission website: held by competition organizer, architect and artist John Anderson of Burlington. It is Anderson’s view that great design begins with the exercise of the unen- VT aia cont. protest. Architecture has often been regarded as an edification of ideas, but importantly, it is also used experimentally. In the avant-garde traditions of art, the case of experimental protest constructions is of interest be- cause it suggests where our unsettled society may be going, rather than only where it has been. In the unsettled world today, many Australians are looking for a direction. Protest architecture is not so much driven by the construction of materials and shelter as it is by the relations and tectonics of people and ideas. In the context of cultures of social debate and dissent mediated through television and the internet, street protest architecture is 12.05:3 primordial, real, and tactile. cont. cumbered imagination, one not fettered by budget or skeptical evaluation by an architecturally conservative outside world. The way Anderson figures it, one should start with the whole universe of beauty and grandeur and let the irritat- ing constraints impose themselves in due course. Considered against that hypothesis, ArtGate seems to have proven two related and disheartening things: (1) Natural selection has leached the ability to disregard those constraints out of most Vermont architects, and (2) whatever the rewards of virtue, the prospect of a thousand bucks is inadequate to induce even the most brilliant Vermont architects to soar above practicality, given that such flight itself requires a prodigious output of energy and, most particularly, time. There were, after all, only nine designs competing for the four prizes. Apart from those dreary realities, the competition must be deemed a success for having generated some ideas that could, if developed, qualify as both art and architecture. The four award-winners are indeed the most promising in that regard. The two Brians took the counterintuitive path of burying the art spaces below grade, presumably yielding comfortable skylit lairs. They celebrate the lunacy of the automobile era by turning the parking garage into an iconic cantilever bridge-to-nowhere crowned with wind turbines. The turbines’ purpose is to recharge electric cars while their owners are out and about. Racek wittily morphed ArtGate into AggreGate and literally treated the com- mission as an opportunity to aggregate cars and artists, the former untethered from the customary Cartesian parking grid and the latter mixed in via round http://www.aiavt.org/ John McLeod and Dominggus Paliling ArtGate Submission http://www.aiavt.org/ studio towers.