Yukultji Napangati

Yukultji Napangati

Yukultji Napangati Yukultji Napangati (c. 1970) is a Pintupi woman and a rising star in the contemporary Indigenous Arts. Born near Wilkinkarra (Lake Mackay), on the border between Western Australia and the Northern Territory, from her birth until 1984 she had no contact with white Australia, living with eight members of her immediate family (the so-called ‘lost tribe’). Like her brother fellow artist Warlimpirrnga Tjapaltjarri, her paintings articulate her relationship to her country and the experience of her upbringing. Yukultji Napangati paints in a linear and optical style characteristic of Pintupi artists, creating vibrant, shimmering aerial landscapes that poetically convey lived and learned experience of place. Now based in Kiwirrkura and a member of the Papunya Tula co-operative, she began painting in 1996 following in the footsteps of senior women Pintupi artists such as Makinti Napanangka, Inuywa Nampitjinpa and Walangkura Napanangka. Napangati’s recent paintings refer to seasons, significant sites, landscapes and ceremonies in the Western desert, using sinuous lines to describe sand hills and mushrooming shapes disrupting the dotted line composition to invoke the flowing water of the rain season. Yukultji Napangati first came to the notice of a wider audience through her inclusion in the prestigious Primavera exhibition at the Museum of Contemporary Art, in 2005. This is an invitational non- selling exhibition for young Australian artists under the age of thirty-five years. In September 2009 Yukultji travelled to New York, along with fellow artist Doreen Reid Nakamarra, to attend the exhibition ‘Nganana Tjungurringanyi Tjukurrpa Nintintjakitja – We Are Here Sharing Our Dreaming’, at the Washington Square East Gallery. In 2011 and 2013 she made the final selection for the Wynne Prize for landscape painting at the Art Gallery of NSW and in 2015 was invited to exhibit in the 8th Asia Pacific Triennial of Contemporary Art at the Queensland Gallery of Modern Art. Her work is included in significant public and private collections, including the Art Gallery of New South Wales, National Gallery of Australia, National Gallery of Victoria and the Hood Museum of Art, USA. .

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