Publishing Information The following Dances of Universal Peace are copyright Sufi Islamia Ruhaniat Society 1975, 1980, held in trust for individual creators: original Dances of Murshid Samuel L. Lewis: As-Salaam Aleikum Greeting Dance; Bismillah Dance with Partners; Dervish Cycle – Part I: Ya Hayy, Ya Haqq; Dervish Cycle Part II: El Allah Hu; Dervish Cycle – Part III: Hu Turn; Hare Krishna, Hare Rama; Introductory Bismillah; Kalama; Kalama with Partners; Nembutsu Dance; Om Namah Shivaya Square Dance; Rahmat Dance; Ram Nam Circles of Five; Ram Nam Partner; Ram Nam Snake Dance; Rasul Dance with Turns; The Rose Dance; Three Wazifa Dance; Ya Hayy Ya Haqq Dance; Ya Hayy Ya Haqq Progressive; Ya Muhammad Abdullah Dance; Zikr Devotional Dance; Zikr Square Dance. Also these Dances: Anta’l Hadi, Anta’l Haqq; Ashem Vohu; As-Salaam Aleikum ‘May Day’ Dance (Peace Greeting Dance); Bismillah Alhamdulillah Greeting Dance; Bismillah Round (Ya Fattah); Bismillah Zikr (ir-Rahman, ir-Rahim); Ek Ong Kar (Sat Nam Dance); Estaferallah; Ganga Ki Jai Jai Line Dance; Ganga Ki Jai Jai Circle Dance; Gopala; Hare Rama, Hare Krishna Bhajan Dance; Heart Sutra Dance; Kadosh Partner Dance; Kwan Zeon Bosal Dance; Kyrie Eleison Healing Dance; Kyrie Partners Dance; Om Mani Padme Hum Prayer Wheel Dance; Om Tara Dance; Peace Darood Dance; Qalbee Dance of the Heart; Ram Nam Bhajan Square Dance; Ram Nam Melodic; Ram Nam Pranam Partner Dance; Shalom Aleichem Dance I, II; Shema Yisrael; Sita Ram Nama Bhajo; Universal Worship Dance; Wah Guru Dance; Ya Az’m Greeting Dance; Zoroastrian Sun Dance. Also these writings: Ten Lessons on the Walks, Introduction to Astrological Yoga Dances, Libretto for Planet Pageant (SIRS, 1974), Wazifa Walks, and Element Practices. All rights reserved, including the right to republish or re-record in any form. The following Dances of Universal Peace are copyright Sufi Islamia Ruhaniat Society 1985 held in trust for individual creators: Hu Allah Hu Line Dance; Aramaic Lord’s Prayer (Abwoon d’bashmaya); Baruch Kevod; Boe Kala; Harmonic Kalama; Humata, Hukata, Huvarshta; Ivdu Ha Shem b’Simcha; Om Nama Shivaya; Ram Nam for Peace; Subhan Allah Raga; Zikr Dance II (Allah Dance). All rights reserved, including the right to republish or re-record in any form. The following Dances of Universal Peace are copyright PeaceWorks International Network for the Dances of Universal Peace 1990 held in trust for individual creators: Allah, Ya Jamil; Ama Usum Gal Ana; Ave Maria; Kol Ha N’shama Telal El Ya; Shalom Benediction; Ya Basir, Wali Allah; Zikr Dance in Five. Also the writings: Steps Toward Peace Through Spritual Dance and Walk; Movement in Stillness, Stillness in Movement; Keys to Dancing. All rights reserved, including the right to republish or re- record in any form. The following Dances of Universal Peace are copyright PeaceWorks International Network for the Dances of Universal Peace 1990 held in trust for individual creators: Estarse Amando al Amado; First Aramaic Beatitude. All rights reserved, including the right to republish or re-record in any form. The following Dances of Universal Peace are copyright PeaceWorks International Network for the Dances of Universal Peace 1994 held in trust for individual creators: Om Buddha Maitreya; Shabbat Shalom; Shanoon; Unguwa; Yemaya. All rights reserved, including the right to republish or re-record in any form. The following Dances of Universal Peace are copyright International Network for the Dances of Universal Peace UK 1997 held in trust for individual creators: B‘reshith; Jewish Line Dance (Hevenu Shalom Aleichem); Radhe Bol Dance; The Thousand Armed Chenrezig Dance. All rights reserved, including the right to republish or re-record in any form. ©copyright 2016 PeaceWorks International, Foundation Dances & Walks Manual. Do not copy. Publishing information Publishing information The following Dances of Universal Peace are copyright International Network for the Dances of Universal Peace Europe 1988, 1991, 1992, 1994 held in trust for individual creators: Radhe Bolo; Allah Huma (Peace Darood); Ya Hayyo-Ya Qayoom. All rights reserved, including the right to republish or re-record in any form. The following Dances of Universal Peace are copyright International Network for the Dances of Universal Peace Europe 1990, 1994 held in trust for individual creators: Qawwalli Allah Hu. All rights reserved, including the right to republish or re-record in any form. The following Dance of Universal Peace is copyright Dances of Universal Peace Boulder, CO 1997 held in trust for individual creators: The Mantra Dance of Tara. All rights reserved, including the right to republish or re-record in any form. The following texts are copyright PeaceWorks International Network for the Dances of Universal Peace 1997 held in trust for individual creators: all attunement notes and commentaries for the original Dances of Murshid Samuel L. Lewis. All rights reserved, including the right to republish or re-record in any form. The following Dances of Universal Peace are copyright PeaceWorks International Network for the Dances of Universal Peace 2001 held in trust for individual creators: Anat Amenta; Belit Mati; Breathing Bismillah; Hazrat Bibi Maryam; Hochma Allahtu; Inana Lachma d’Hayye; Om Mani Peme Hung Partner; Om Tara Partner Dance; Second Aramaic Beatitude; Seventh Aramaic Beatitude; Shaddai; Ya Razzq, Ya Karim, Unguwa (Dance). Also the writings: Ten Keys to Leading the Walks; Background and Purpose of the Walks; The Center Walks; The Walks of the Elements; The Tasawwuri Walks; Ten Keys to Leading the Dances; Attunement Essays for each tradition and additional commentary for previously copyrighted Dances; Forward and Introduction. All rights reserved, including the right to republish or re-record in any form. Music for Ubi Caritas by Jacques Berthier. Copyright 1978, 1980, 1981, 1986 by Les Presses de Taize (France). Used by permission of G.I.A. Publications, Inc., Chicago, IL. All rights reserved. Music for Kyrie Eleison Requiem by John Rutter, copyright 1986 Oxford University Press and Hinshaw Music, Inc. All rights reserved. Excerpts on Elements from The Mysticism of Sound and Music, The Sufi Teaching of Hazrat Inayat Khan, copyright 1991 International Headquarters of the Sufi Movement, Geneva (pp. 121-3). ©copyright 2016 PeaceWorks International, Foundation Dances & Walks Manual. Do not copy. ©copyright 2004 PeaceWorks International, Foundation Dances & Walks Manual. Do not copy. Acknowledgments It has taken many hearts and wings to bring this project to fruition. There is not enough space allotted here to do justice to each story of service and compassionate and passionate offering. Contributors gave freely what was theirs to give. A project of this magnitude could not have been created otherwise. Along the way many dancers periodically and consistently sent words of encouragement to keep the project alive. These words often came at the exact moment when discouragement was beginning to prevail. To all these wonderful volunteers and to those that I may have unintentionally omitted (with apologies), I extend deep gratitude and appreciation on every level. This edition was built upon the work of all the previous editors and archivists who have developed the body of published materials of the Dances of Universal Peace. The first edition of the teachers’ manual was coordinated by Khalifa Amina Erickson with many unnamed helpers. The concentration and research of Saadi Neil Douglas-Klotz, Zamyat Kirby, Daoud Miller and Alia Calendar in publishing Dance booklets, especially the booklet of Original Dances of Murshid Samuel L. Lewis immeasurably benefited this manual. I give special thanks to Saadi for his valuable commentaries on Murshid’s Dances and his further corrections and clarifications for this edition. Zamyat Kirby, Daoud Miller, Ardvisura Carol Griffin, Subhana Ferrio, Karen Mastracchio and this editor each served as Dance archivists during the past fourteen years. The former archivists have graciously been on tap as research personnel for my Dance questions. I was greatly aided in the compilation of the Walking Concentrations material by Saadi Neil Douglas-Klotz, Kamae A Miller, Subhana Ferrio, Wali Ali Meyer, Zamyat Kirby and James Burgess. Saadi and Kamae masterfully sifted and edited the material to bring the Walking Concentrations section to its culmination. I thank all originators of the 101 Foundation Dances (with particular thanks to those who reviewed and re-edited their own Dances): Saadi Neil Douglas-Klotz, Kamae A Miller, Rev. Tasnim Hermila Fernandez, Wali Ali Meyer, Philip Tansen O’Donohoe, Amida Harvey, Jaffar and Pamela Baugh, Ayesha Foot, Allaudin Ottinger, Nancy Norris, Johnannes Barney, Brother Joseph Kilkievice, Ishaq Jud, Mujahid Mark Havill, Zubeida Mitten-Lewis, Abraham and Halima Sussman, Violetta Reiser, Safiya Susan Slack, Prema Dasara, Mansur Kreps, Himayat Inayat Johnson, Muiz Brian Brinkerhoff and Tui Wilschinsky. I am particularly filled with awe and respect for the teachers who wrote spiritual attunement essays for each of the tradition sections. These are: Anahata Iradah, Darvesha McDonald, Gayatri Blumberg, Akbar Eric Manolson, Brother Joseph Kilikevice, Ayesha Foot, Saadi Neil Douglas-Klotz, Sarah Morgan, Wali Ali Meyer, John Mohammed Yahia Barney, Hari Dass Singh Khalsa, Abraham Sussman, and Yasmin Speigel. My thanks go also to Mary Martha Metzler-Prieb, Ellen Kaf-i-Mariam Fietz Hall, Rahmaney Claudia Meyers, and Malika Merrill Endres for attunement and resource assistance for