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Anon. 1997. ‘Caryatids of Time: Temporality in the Cinema of Agnes Varda.’ PAJ: A Journal of Performance and Art 19(3):1–10. Anon. 2007. ‘Riso Amaro.’ Anon. 2011. ‘La Femme D’ à Côté.’ Arcand, Denys, Lothaire Bluteau, Catherine Wilkening, Johanne-Marie Tremblay, Rémy Girard, Robert Lepage, and Guy Dufaux. 2006. ‘Jesus of Montreal.’ August, Bille. 1988. ‘Pelle the Conqueror.’ Axel, Gabriel. 2004. ‘Babette’s Feast.’ Bardem, Juan Antonio. 1955. ‘Death of a Cyclist.’ Bazin, André, Hugh Gray, and Jean Renoir. 1967. What Is Cinema?: [Vol. 1]. Berkeley: University of California Press. 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Bresson, Robert. n.d. ‘Les Dames Du Bois de Boulogne.’ Bresson, Robert, Georges Bernanos, Léonce-Henri Burel, Robert Sussfeld, Jean-Jacques Grunenwald, Léon Carré, Claude Laydu, and Jean Riveyre. 2008. ‘Diary of a Country Priest.’ Brigitte Rollet. 2008. ‘Paris Nous Appartient: Flânerie in Paris and Film.’ Film Quarterly 61(3):46–51. Brynych, Zbynek. 1965. ‘...a Páty Jezdec Je Strach (...and the Fifth Horseman Is Fear).’ 3/16 09/29/21 European Cinema - Semester 1 | Goldsmiths, University of London Buchar, Robert. 2004. Czech New Wave Filmmakers in Interviews. Jefferson: McFarland. Buñuel, Luis. 1932. ‘Terre sans Pain.’ Buñuel, Luis. 1961. ‘Viridiana.’ Buñuel, Luis. 1965. ‘Simón Del Desierto.’ Buñuel, Luis. 2000. An Unspeakable Betrayal: Selected Writings of Luis Buänuel. Berkeley, Calif: University of California Press. 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Cowie, Peter, and Scandinavian Films. 1992. Scandinavian Cinema: A Survey of the Films and Film-Makers of Denmark, Finland, Iceland, Norway, and Sweden. London: Tantivy Press on behalf of ‘Scandinavian Films’. Cua Lim, Bliss. n.d. ‘Dolls in Fragments: Daisies as Feminist Allegory.’ 16: 2(47):37–77. Dalí, Salvador, and Luis Buñuel. 2005. ‘Un Chien Andalou.’ David Wills. 1986. ‘Carmen: Sound/Effect.’ Cinema Journal 25(4):33–43. Demy, Jacques. 1960. ‘Lola.’ Demy, Jacques, Michel Legrand, and Francois Reichenbach. 2005. ‘The Umbrellas of Cherbourg.’ Don Allen. 1985. Finally Truffaut. London: Secker & Warburg. 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Elsaesser, Thomas. 1996. Fassbinder’s Germany: History, Identity, Subject. Vol. Film culture in transition. Amsterdam: Amsterdam University Press. Enquist, Per Olov, Ingmar Bergman, and Victor Sjostrom. n.d. ‘The Phantom Carriage; The 5/16 09/29/21 European Cinema - Semester 1 | Goldsmiths, University of London Image Makers.’ Erice, Víctor, and Angel Fernandez Santos. 1973. ‘The Spirit of the Beehive.’ Eric Rentschler. 1984. ‘Kluge, Film History, and Eigensinn: A Taking of Stock from the Distance.’ New German Critique (31):109–24. Evans, Peter William. 1999. Spanish Cinema: The Auteurist Tradition. Oxford: Oxford University Press. Ezra, Elizabeth, and Sue Harris. 2000. France
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