ROBERT RYMAN SELECTED BIBLIOGRAPHY PERIODICALS 2018 Battaglia, Andy

ROBERT RYMAN SELECTED BIBLIOGRAPHY PERIODICALS 2018 Battaglia, Andy

ROBERT RYMAN SELECTED BIBLIOGRAPHY PERIODICALS 2018 Battaglia, Andy. “First Comprehensive Survey of Robert Ryman Drawings to Show at Pace Gallery in New York” (Pace Gallery exhibition preview). Art News, 25 January 2018. http://www.artnews.com/2018/01/25/first-comprehensive-survey-robert-ryman-drawings-show-pace-gallery- new-york/ Cohen, Alina. “What Makes a Monochrome Painting Good” (Pace Gallery exhibition review). Artsy, 5 March 2018. https://www.artsy.net/article/artsy-editorial-monochrome-painting-good McGlynn, Tom. “Robert Ryman: Drawings” (Pace Gallery exhibition review). Brooklyn Rail, 5 March 2018. https://brooklynrail.org/2018/03/artseen/ROBERT-RYMAN-Drawings Stapley-Brown, Victoria, Ivy Olesen and Gabriella Angeleti. “Three to See: New York” (Pace Gallery exhibition review). The Art Newspaper, 22 February 2018. https://www.theartnewspaper.com/news/three-to- see-new-york-23-2 2017 Colaizzi, Vittorio. “How Robert Ryman got from Jazz to Abstract Painting.” Phaidon, 16 November 2017. http://www.phaidon.com/agenda/art/articles/2017/november/14/how-robert-ryman-got-from-jazz-to-abstract- painting/ Robert Ryman: Selected Bibliography—Periodicals 2 Kennedy, Randy. “A Master of Minimalism Makes a Maximalist Gift.” The New York Times, 13 April 2017: C4, illustrated. Li, Suchao. “White.” Artco China (May 2017): 53–59, illustrated. 2016 Macel, Christine. “Best of 2016: 6. Robert Ryman” (Dia:Chelsea exhibition review). Artforum 55, no. 4 (December 2016): 203, installation view. McDermon, Daniel. “When a White Square Is More Than a White Square” (Dia: Chelsea exhibition review). The New York Times, 4 February 2016. http://www.nytimes.com/interactive/2016/02/04/arts/design/robert- ryman-dia-chelsea.html “10 Farben Weiss Robert Ryman.” Conversation among Urs Raussmüller, Jan Dibbets, Gerhard Richter, Cordy Ryman et al. Blau, no.13, September 2016: 46–57, illustrated. Panicelli, Ida. “New York: Robert Ryman, DIA:Chelsea” (exhibition review). Artforum, accessed 25 March 2016. http://artforum.com/picks/id=57236 Rhodes, David. “Robert Ryman” (Dia: Chelsea exhibition review). The Brooklyn Rail (February 2016), illustrated. http://www.brooklynrail.org/2016/02/artseen/robert-ryman-feb2016 2015 Kahn, Howie. “Home Is Where the Art Is: The Ryman Family.” The Wall Street Journal Magazine, December 2015/January 2016: 156–9, illustrated. Smith, Roberta. “One Color Holds the Key to Many” (Dia: Chelsea exhibition review). The New York Times, 11 December 2015: C25. 2014 Robert Ryman: Selected Bibliography—Periodicals 3 Carabelli, Emilia. “Quando l’arte si combina con il turismo” (Pace at Chesa Büsin exhibition review). Corriere del Ticino, 13 March 2014: 34, illustrated. Jovanovic, Rozalia. “Artnet News’ Top 10 Most Expensive Living American Artists.” Artnet News, 28 April 2014. http://news.artnet.com/market/ten-most-expensive-american-artists-11863 2013 Buchloch, Benjamin H.D. “Painting as Diagram: Five Notes on Frank Stella’s Early Paintings, 1958–1959.” October, no. 143 (Winter 2013): 126–144, illustrated. “Galleries: Pace Gallery” (exhibition review). Time Out New York, 19–25 September 2013: 42. Hudson, Suzanne. “Robert Ryman, Pace” (exhibition review). Artforum 52, no. 4 (December 2013): 260–261, illustrated. Patkin, S. “New York – Robert Ryman: ‘Recent Paintings’ at Pace Gallery Through Oct 26th, 2013” (exhibition review). Art Observed, 29 September 2013. http://artobserved.com/2013/09/new-york-robert-ryman- %E2%80%9Crecent-paintings%E2%80%9D-at-pace-gallery-through-oct-26th-2013/ Pogrebin, Robin. “Art: One Artist, Several Scenes” (Pace Gallery exhibition review). The New York Times, 15 September 2013: 4, illustrated. Plagens, Peter. “Persuasion in Pieces and Disarray” (Pace Gallery exhibition review). The Wall Street Journal, 28 September 2013: A20, illustrated. Wei, Lily. “Robert Ryman” (Pace Gallery exhibition review). Art News 110, no. 10 (November 2013): 112, illustrated. 2011 Archey, Karen. “Signature and Style.” Flash Art 44, no. 276 (January–February 2011: 72–75, illustrated. “Profiles: Robert Ryman.” Art Economist 1, no. 1 (January 2011): 30, illustrated. Robert Ryman: Selected Bibliography—Periodicals 4 2010 Damiano, Michael. “Review: Robert Ryman: Variations and Improvisations at the Phillips Collection” (exhibition review). Artdaily.org, 26 July 2010. http://www.artdaily.org/index.asp?int_sec=2&int_new=39483 Hudson, Suzanne. “Robert Ryman, PaceWildenstein” (exhibition review). Artforum 48, no. 9 (May 2010): 246, illustrated. Rosenberg, Karen. “Robert Ryman: ‘Large-Small, Thick-Thin, Light Reflecting, Light Absorbing’” (exhibition review). The New York Times, 19 March, 2010: C31. Yau, John. “Robert Ryman: Large-small, thick-thin, light reflecting, light absorbing” (exhibition review). The Brooklyn Rail (March 2010). 2009 Berwick, Carly. “Weak Economy, Strong Art.” Art in America (February 2009): 28, illustrated. 2008 Cotter, Holland. “Golden Oldies All Over Chelsea” (Yvon Lambert exhibition review). The New York Times, 4 December 2009: C37. Hudson, Suzanne. “Robert Ryman: The ‘How’ and the ‘What.’” Flash Art 41, no. 263 (November/December 2008): 52–54, illustrated. Imdal, Georg. “Es is ähnlich wie Musik hören.” Kölner Stadt Anzeiger, 1 July 2008. 21, illustrated. Mack, Gerhard. “Die Liebe zur Farbe Weiss.” Art, no. 6 (June 2008): illustrated. Platzker, David. “How to Make Art.” 2wice 9, no. 2 (2008): 4–12. Robert Ryman: Selected Bibliography—Periodicals 5 Schweizer, Martin. “Der Herr der weissen Bilder.” Schaffhauser Nachrichten, 5 April 2008: 19, installation view. 2007 Bonami, Francesco. “Isolated Incident” (Venice Biennale exhibition review). Artforum (September 2007): 396. Coggins, David. “Robert Ryman at PaceWildenstein” (exhibition review). Art in America (November 2007): 207, illustrated. Cohen, David. “Gallery–Going: When Painted Opposites Attract” (PaceWildenstein exhibition review). New York Sun, 15 March 2007: 15, illustrated. Cohen, David. “Venice Biennale 2007: The Olympics of the Visual Arts” (exhibition review). New York Sun, 11 June 2007: 15. Colaizzi, Vittorio. “‘How It Works.’ Stroke, Music, and Minimalism in Robert Ryman’s Early Paintings.” American Art: Smithsonian American Art Museum 21, no. 1 (Spring 2007): 28–49, illustrated. Colaizzi, Vittorio. “Two Kinds of Thickness in Abstract Painting.” The Painting Center. http://thepaintingcenter.org/2007/04/09/two–kind–of–thickness–in–abstract–paintnig/ (accessed 10 May 2007). Hudson, Suzanne. “Robert Ryman’s Pragmatism.” October 119 (Winter 2007): 121–138, illustrated. Jordan, Courtney. “Art Talk: As Seen on TV.” Art News 106 (October 2007): 64. MacAdam, Barbara A. “Reviews: The Venice Biennale” (exhibition review). Art News 106 (September 2007): 144–145. Mack, Joshua. “Art: Robert Ryman” (PaceWildenstein exhibition review). Time Out New York, 5–11 April 2007: 74, illustrated. Robert Ryman: Selected Bibliography—Periodicals 6 Morgan, Jessica. “Categorical Imperatives” (Venice Biennale exhibition review). Artforum (September 2007): 391–397. Ryman, Robert. “In Conversation: Robert Ryman with Phong Bui” (PaceWildenstein exhibition review). The Brooklyn Rail (June 2007): 20–23, illustrated. Tully, Judd. “A Modern Pathfinder.” Art + Auction (March 2007). Schjeldahl, Peter. “The Art World: Abstraction Problem” (PaceWildenstein exhibition review). The New Yorker, 19 March 2007: 146–147. Siegel, Katy. “The Buck Stops Here” (Venice Biennale exhibition review). Artforum (September 2007): 388– 397, illustrated. Tupitsyn, Margarita. “Black Square: Hommage à Malevich” (exhibition review). Artforum (September 2007): 465. Vetrocq, Marcia. “The Venice Biennale, all’americana” (exhibition review). Art in America (September 2007): 136–147+. Wennerstrom, Nord. “Philadelphia—Robert Ryman: Small Works” (exhibition review). Artforum.com, http://www.artforum.com/ (accessed 10 January 2007). 2006 Checkland, Sarah Jane. “Collecting: ‘I Couldn’t Live Without It.’” Financial Times, 2–3 December 2006: 11. Fineman, Mia. “Psst, You Want a Donald Judd? I’ve Got a Connection.” The New York Times, 15 October 2006: 30, illustrated. Tuchman, Phyllis. “Report from Monte Carlo: A Helluva Town” (Grimaldi Forum exhibition review). Art in America (November 2006): 88–89, illustrated. 2005 Robert Ryman: Selected Bibliography—Periodicals 7 “The Art News 200 Top Collectors: Michael Ovitz.” Art News (Summer 2005): 167, discussed. Emerling, Susan. “Looking After Their Own.” Art News 104 (May 2005): 128–131, illustrated. “Forest of Art.” Japan Art Association Newsletter, no. 22 (Winter 2005): illustrated; cover. MacAdam, Barbara A. “Robert Ryman: PaceWildenstein” (exhibition review). Art News 104, no.3 (March 2005): 115, illustrated. Montreuil, Gregory. “On the Edge” (PaceWildenstein exhibition review). The Villager, 5–11 January 2005: illustrated. “On View: Robert Ryman.” Dallas Museum of Art Magazine (October–November 2005): 4, illustrated. Ryman, Robert. “Jazz Tunes and White Paint.” Interview by Ethan Ryman. Yard 2 (2005): 14–21, illustrated. Ryman, Robert. “World Artist: Robert Ryman.” Gallery 248 (December 2005): 14–21, illustrated. “17th Praemium Imperiale given to 5 Laureates.” Sanke Shimbun Tokyo, 18 October 2005: 1, 16, illustrated. Smith, Roberta. “Art in Review: Robert Ryman” (PaceWildenstein exhibition review). The New York Times, 7 January 2005: E43. Van Gelder, Lawrence. “Arts, Briefly: Awards from Japan.” The New York Times, 18 October 2005: E2. 2004 Aono, Naoko. “Art: Men Attracted by White and Nails.” Vogue Nippon Tokyo (September 2004): 214, illustrated. “Artist Talks: Robert Ryman.”

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