Videogames, Distinction and Subject-English: New Paradigms for Pedagogy

Videogames, Distinction and Subject-English: New Paradigms for Pedagogy

Videogames, distinction and subject-English: new paradigms for pedagogy Alexander Victor Bacalja ORCID identifier: 0000-0002-2440-148 Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy May, 2017 Melbourne Graduate School of Education The University of Melbourne 1 Abstract At a time when the proliferation of videogame ownership and practice has led to greater attention on the consequences of increased engagement with these texts, schools and educators are engaged in active debate regarding their potential value and use. The distinctive nature of these texts, especially in contrast to those texts which have traditionally dominated school environments, has raised questions about their possible affordances, as well as the pedagogies most appropriate for supporting teaching with and through these texts in the classroom. While much has been written about the learning benefits of videogames, especially in terms of opportunities for the negotiation of self (Gee, 2003), there has been less research addressing the impact of applying existing English subject-specific pedagogies to their study. In particular, there are few case-study investigations into the suitability of subject-English classrooms for the play and study of videogames. The project utilised a naturalistic case-study intervention involving eight 15-year-old students at a co-educational school in the outer-Northern suburbs of Melbourne. Data was collected during a five- week intervention in an English classroom context at the participants’ home-school. This involved the teacher-researcher leading a series of learning and teaching activities informed by dominant models of subject-English (Cox, 1989), Cultural Heritage, Skills, Personal Growth, and Critical Literacy, that focussed on several popular videogames. Data was analysed using Bourdieu’s theory of practice (1977) to reveal a social reality at the centre of this intervention co-created by a dialectical relationship between the habitus of students (especially in terms of their videogame, school and gendered identities) and the field of the classroom, with its own historically constituted and legitimised/authorised ways of being and doing textual study, as realised by the teacher. Mediating this relationship were the intrinsic features of videogames. The findings are presented through a Framework for Videogame Literacies in Subject-English which synthesises the relationship concerning past and present approaches to textual study in the subject, and the need to embrace what Locke terms, an “informed and critical eclecticism” (2015, p. 25). Firstly, the study found that the inclusion of videogames in subject-English provided the material for rich, rigorous and authentic learning experiences. Much of this can be achieved through the appropriation of existing paradigms of subject-English and their associated pedagogical practices, resisting the privileging of any single component of the framework and instead encouraging an awareness of the different purposes which each part serves. Secondly, analysis demonstrated the ways in which dominant approaches to the subject must evolve in response to the unique design features and intrinsic textual practices associated with these texts. Lastly, the study revealed that 2 attempts to bring these texts into English classrooms will need to negotiate the disciplinary forces which organise these spaces, in terms of both the habitus of students, and the historically constituted structures which establish what is possible in such places. This work contributes to the field of research examining videogame literacies in classrooms, especially in terms of the impact of bringing technologies typically engaged for entertainment into subject-English learning contexts. The study suggests that future research is needed to test the efficacy of the Framework, and to identify ways for teachers to respond to inevitable developments in the design features of videogames so that current and future iterations of videogames can be incorporated into schools for rigorous learning and teaching. 3 Declaration Page This is to certify that: (i) the thesis comprises only my original work towards the PhD except where indicated in the Preface, (ii) due acknowledgement has been made in the text to all other material used, (iii) the thesis is fewer than 100 000 words in length, exclusive of tables, maps, bibliographies and appendices as approved by the RHD Committee. Signed: 4 Acknowledgements I would like to acknowledge the support I have received from the Melbourne Graduate School of Education, at the University of Melbourne, and especially the assistance of Larissa Mclean Davies and Pamela Macintyre. In the true spirit of how I have come to understand learning and teaching, you have supported me where I was lacking, encouraged me when motivation was low, and welcomed me into a community of practice. 5 Table of Contents Contents Abstract ................................................................................................................................................... 2 Declaration Page ..................................................................................................................................... 4 Acknowledgements ................................................................................................................................. 5 Table of Contents .................................................................................................................................... 6 Figures ................................................................................................................................................... 10 Chapter 1: Introduction and Contexts .................................................................................................. 11 1.1 Introduction ................................................................................................................................ 11 1.2 The Research Questions .............................................................................................................. 15 1.3 Contexts ...................................................................................................................................... 19 The context of pedagogy .............................................................................................................. 20 The context of gaming as textual practice .................................................................................... 30 The context of ‘being’ in the twenty-first century ........................................................................ 36 Conclusions ................................................................................................................................... 44 1.4 Summary of the Research Design ............................................................................................... 44 A Naturalistic Case Study Intervention ......................................................................................... 44 1.5 Thesis Structure .......................................................................................................................... 45 1.6 Conclusion ................................................................................................................................... 46 Chapter 2: Literature Review ................................................................................................................ 47 2.1 Self and Text in the twenty-first century .................................................................................... 47 Experiences of youth ..................................................................................................................... 47 Participatory culture and digital practices .................................................................................... 50 Projecting identities ...................................................................................................................... 55 2.2 Videogames and Learning ........................................................................................................... 57 Embodied learning with videogames ............................................................................................ 57 Social practices .............................................................................................................................. 60 Interactivity ................................................................................................................................... 62 Narrative-centred learning ........................................................................................................... 64 Gaming capital .............................................................................................................................. 66 2.3 Videogames and the Subject-English classroom......................................................................... 67 From literacy to videogame literacies in subject-English ............................................................. 68 Arguments in favour of studying videogames in subject-English contexts .................................. 72 Resistance to change .................................................................................................................... 78 6 Case studies of videogames in subject-English contexts .............................................................. 80 2.4 Conclusion

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    281 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us