Upcoming Events Art: First Friday Extended Hours 4/3 University Art Museum 6 -8 PM Low Brass Ensembles Concert Music: Classical Convergence Series: Classical Jam 4/4 Griffin Concert Hall 7:30 PM Conducted by Dr. Chris Van Hof Music: Virtuoso Series Concert: Jazz Goes Grunge: Shilo Stroman, Percussion & Peter Sommer, Saxophone 4/6 Griffin Concert Hall 7:30 PM with featured guests Music: Jazz Combos Concert 4/8 Griffin Concert Hall 7:30 PM Mark Kellogg, trombone & conducting UAM: MFA Thesis Exhibition Opening Reception 4/10 University Art Museum 6 PM Dr. John Seesholtz, voice Music: Men's Chorus & University Chorus Concert 4/10 Griffin Concert Hall 7:30 PM Dance: Spring Dance Concert 4/10, 4/11 University Dance Theatre 8 PM April 2, 2015 Music: Percussion Festival 4/11 Insrumental Rehearsal Hall 10 AM - 4 PM 7:30 P.M. Music: Percussion Ensemble Concert 4/11 Insrumental Rehearsal Hall 5 PM Organ Recital Hall Dance: Spring Dance Concert 4/11 University Dance Theatre 2 PM Music: Voice Area Recital 4/15 Organ Recital Hall 7:30 PM Avenir: Thursday Lecture Series: Textile Conservation at Your House: Your Freezer Can Be Your Friend 4/16 Avenir Museum 7 PM Fanfare Hohenfels Chris Van Hof (b. 1983) CSU Trombone Octet UAM: Exhibition: MFA Thesis Exhibition 4/17 - 5/18 University Art Museum 10 AM - 6 PM Music: Master Class Series with the Borromeo String Quar- University Center for the tet 4/17 & 4/18 Arts ALL DAY Selections from “The Planets” Gustav Holst (1874-1934) Music: Pre-College Chamber Music Festival Concert 4/18 Organ Recital Hall 3 PM arr. Kelan Rooney (b. 1996) Music: Classical Convergence Series: CSU Low Brass Choir Borromeo String Quartet 4/18 Griffin Concert Hall 7:30 PM Music: Student Chamber Music Showcase 4/20 Organ Recital Hall 7:30 PM Music: Jazz Ensembles with Special Guest “O! Du mein holder Abendsterm” from Tannhauser Richard Wagner (1813-1883) Gary Smulyan, Baritone Saxophone 4/22 Griffin Concert Hall 7:30 PM arr. Chris Van Hof Featuring Dr. John Seesholtz, voice Music: Graduate String Quartet Concert: Pluto Quartet 4/23 Organ Recital Hall 7:30 PM Der Erlkonig Franz Schubert (1797-1828) event calendar • e-newsletter registration arr. Chris Van Hof www.uca.colostate.edu General information: (970) 491-5529 “Oraison funebre” from Grande Symphonie Funebre et Triomphale, op. 15 ………….Hector Berlioz (1803-1869) Tickets: (970) 491-ARTS (2787) This is Your UCA arr. Paul Hunt www.CSUArtsTickets.com Season “Green” Sponsor Featuring Mark Kellogg, trombone Thank you for your continued support In Memoriam Ray Premru (1934-1998) Featuring Mark Kellogg, conductor Three Prayers Kim Portnoy This is Your UCA This is Your I. Chant II. Lament and Invocation III. Niggun Performer Biographies MARK KELLOGG Mark Kellogg is Associate Professor of Trombone, Euphonium, and Brass Chamber Music at the Eastman School of Music. A faculty member since 1991, Mr. Kellogg teaches trombone, euphonium, alto trombone, and jazz trombone, and coordinates the brass chamber music program. An active performer, he also holds the position of Principal Trombone of the Rochester Philharmonic Orchestra. Throughout his career he has embraced a wide variety of performing roles, from jazz soloist to chamber musician to orchestral per- former. After receiving his undergraduate training and Performer’s Certificate from the Eastman School, where he studied with John Marcellus and Cherry Beauregard, Mr. Kellogg performed with the San Francisco Sym- phony, the National Repertory Orchestra, and the Syracuse Symphony. In 1989, he joined the trombone section of the Rochester Philharmonic, with whom he also performs euphonium and bass trumpet. Since joining the RPO, Mr. Kellogg has appeared as soloist with the Orchestra on many occasions, performing the concerti of Tomasi, Albrechtsberger, and Jeff Tyzik (commissioned by the RPO in celebration of the Orchestra’s 80th anniversary), works by Elliott Carter and Fred Sturm, and numerous jazz and euphonium solos on the Orchestra’s Pops series. He has also been a soloist with the Brass Band of Battle Creek, Ham- ilton New Music Ensemble, Geneseo’s Friends of Music Orchestra, and the U.S. Army Chamber Orches- tra. Mr. Kellogg has enjoyed a long association as a soloist with the Eastman Wind Ensemble, under the direc- tion of both Donald Hunsberger and Mark Davis Scatterday. He has performed the trombone and eupho- nium works of Grondahl, Nelhybel, Berlioz, and Tyzik in the Eastman Theatre, as well as on the Ensem- ble’s tours to Carnegie Hall and Japan. As a chamber music collaborator, Mr. Kellogg has been a guest artist with Music of the Baroque in Chica- go, San Francisco’s Chamber Music West, the Skaneateles Festival, Rochester’s Fortissimo! Festival, Cham- ber Music Rochester, and Eastman Virtuosi. He was also a founding member of the brass and percussion ensemble Rhythm and Brass, touring the United States and Japan, and recording four CDs during his two years in the group. Active as a jazz musician throughout his career, Mr. Kellogg has performed with Clark Terry, Chris Vadala, Wynton Marsalis, Eddie Daniels, and Mel Tormé. Recent jazz and commercial recordings include collabo- rations with Jeff Tyzik, Gene Bertoncini, Allen Vizzutti, Steve Gadd, and Gap Mangione. His newly re- leased jazz recording with Eastman School faculty colleague pianist Tony Caramia, Upstate Standards, cele- brates the music of upstate New York composers Harold Arlen, Alec Wilder, and Jimmy Van Heusen. Mr. Kellogg has made appearances at numerous low brass sympo- sia including the International Trombone Festival, the Eastman Trombone Workshop, the Falcone International Euphonium and Tuba Festival, the Northeast Regional Tuba-Euphonium Confer- ence, and the New York Brass Conference. He has enjoyed a long association with his RPO colleague, pianist Joseph Werner, per- forming recitals and master classes at music schools and universi- ties across the United States. Mr. Kellogg is a performing artist for Conn-Selmer, Inc. Originally from Hannibal, NY, Mark Kellogg lives in Pittsford, NY with his wife, RPO flutist Joanna Bassett and their son Robbie. Performer Biographies (continued) JOHN SEESHOLTZ John Süßholz, full-lyric baritone, was awarded the Bachelor of Music degree in Vocal Performance from the University of Texas at San Antonio in 2001, a Masters of Music degree in Vocal Performance from the University of Michigan School in 2003 and a Doctorate of Musical Arts in Vocal Perfor- mance with a secondary emphasis in Vocal Pedagogy from the University of North Texas in 2009 which included twelve hours of masters level speech pathology. John’s most prominent voice instructors include Juli Wood, world -renowned vocal coach and author; Martin Katz, published pedagogue: Dr. Stephen Austin and renowned Metropolitan Opera Tenor; George Shirley. His most recent operatic performance credits include; Faust (Valentine), Gianni Schicchi (Gianni Schicchi, Simone), Cosi fan tutte (Guglielmo), Ver- di’s Falstaff (Ford), and Xerses (Ariodate). He has also performed as baritone soloist in Fauré’s Requiem, Beethoven’s Mass in C, Nielsen’s Symphony No. 3, Beethoven’s Symphony No. 9, Brahm’s Requiem, Stravinsky’s Pulchinella, numerous performances of Orff’s Carmina Burana, Mozart’s Requiem, Hay- dn’s Lord Nelson Mass, the Five Mystical Songs and Dona Nobis Pacem by Vaughn Williams, Durufle’s Requiem, and Händel’s Messiah. He has been a recitalist throughout the country and has worked closely with Art Song com- posers: Jake Heggie and Ricky Ian Gordan, through the Texas Lutheran University Artist in Residence series. John gave the west coast debut of Jake Heggie’s “A Question of Light” at Pepperdine University in 2011 and through his collection of AIDS Quilt Songs, he has been blessed with the opportunity to promote and perform modern American Art Song throughout the country, including two recent performances of the AIDS Quilt Songs in Los Angeles in 2012 and again at the College Music Society national convention, in 2013. Some of John’s personal awards include the Irwin Bushman Award as one of the top twelve national finalists in the NATSAA competition, 2nd place in the Singer of the Year Competition, the Alice Dutcher Thornton Award, the D. Ralph Appleman Award, Most Outstanding Graduate Student in the School of Music (UNT), the David L. Schrader full-scholarship (UNT) and finalist for the Merola San Francisco Opera program. John’s publications include, “An Introduction to the AIDS Quilt Songbook and Its Uncollected Works,” (March 2011) and “The Origin of the Verdi Baritone,” (March 2012) with the internationally distributed publication, The Journal of Singing and, “The Lost Songs of the AIDS Quilt Songbook Project Vol. 1″ published by, Classical Vocal Reprints. John presented a lecture recital at the 2010 Texoma NATS Conference on the uncollected works of the AIDS Quilt Songbook and has received a grant to collect, record and published the pieces. John was also the Artis- tic Director for the Singers Cultural Exchange opera/art song program. John has been teaching voice since 1998. Students under his instruction have been accepted into some of the top undergraduate and graduate programs in the country including Juilliard, Eastman, New England Conservatory, and the University of Michigan. His students have excelled greatly at Regional and National Competitions includ- ing the NYC Metropolitan Opera Competition and Regional and District NATS Competitions, they have also been awarded spots in young artist opera programs across the country: Opera in the Ozarks, Opera Orvieto, and Aspen Music Festival. John was elected by the Colorado-Wyoming NATS organization to tour the region giving his workshop-masterclass, “Teaching Men Who Sing” in 2013 and elected Treasurer and Secretary of the Colora- do-Wyoming NATS chapter in 2014. John recently toured the south eastern united states performing and giving masterclasses at five major universities including: Auburn University, University of Missouri, Kansas State University, and Columbus State Universi- ty.