POINT Software Varaždin Str. 1 7 UMJETNOST. ARHITEKTURA. FOTOGRAFIJA. GLAZBA. SPORT 782 DRAMSKA GLAZBA 78 BACH bra BACH, Johann Sebastian (1685-1750) 782 Brandenburgische Konzerte : Serie K: Instrumentalkonzerze: Nr. 1 F-dur BWV 1046, Nr. 4 G-dur, Bwv 1049 / Johann Sebastian Bach. - [s.l.]Archiv Produktion des Musikhistorrischen Studio der DGG, 1958 1 LP : mono 33,3 ; 30 cm. - #aDas Schaffen Johann Sebastian Bachs Long play gramofonska ploča Das Schaffen Johann Sebastian Bachs SERIE K: INSTRUMENTALKONZERTE BRANDENBURGISCHE KONZERTE --------------------------------------------------- Nr. 1 F-dur, BWV 1046 Allegro - Adagio - Allegro - Menuetto mit Polacca Rodolfo Felicani, Violino piccolo Helmut Winschermann, Oboe Umberto Baccelli, Cesare Esposito, Corni da Caccia Nr.4 G-dur, BWV 1049 Allegro - Andante - Presto Walter Kagi, Violine Gustav Scheck, 1. Blockflote Valerie Kagi, 2. Blockflote Nr. 6 B-dur, BWV 1051 (Allegro) - Adagio ma non tanto - Allegro Walter Kagi, Bratsche Marianne Majer, Bratsche August Wenzinger, Violoncello Konzertgruppe der Schola Cantorum Basiliensis Leitung: August Wenzinger 78 BEETH son BEETHOVEN, Ludwig Van (1770-1827) 782 Sonata in A major, Op. 47 "Kreutzer" / Ludwig van Beethoven. - London : Columbia, 195?. - 1 LP : mono 33,3 ; 25 cm Long play gramofonska ploča The Opus 47 Sonata was written originally for George Bridgetower, a violinist of African and Europcan parentage who had made his name in the English musical world. Having travelled to Vienna very largely in order to meet Beethoven, he persisted until he had persuaded the great composer to write a work especially for his Vienna debut at the Augarten, the probable date of which was the 24th of May, 1803. The sonata, with Beethoven at the piano, was a great success, in spite of the curious starting time of the concert - 8 a.m. 78 BEETH sy5 BEETHOVEN, Ludwig Van (1770-1827) 782 Symphony No. 5 in C minor / Ludwig van Beethoven. - [New York] : Tops music, 195?. - 1 LP : stereo microgroove 33,3 ; 30 cm Long play gramofonska ploča 78 BISER BISERI varaždinske klasične glazbe 782 Biseri varaždinske klasične glazbe = Pearls of the classical music of Varaždin. - Varaždin : Aulos-VBV, 2008. - 1 CD : stereo ADD ; 12 cm ISBN 3859891693061 Slici Varaždina, kao istaknutog glazbewnog središta godinama su pridonosili umjetnici iz ovog kraja. Ovdje su se pojavili neki od najljepših glasova i brojni poznati instrumentalisti i skladatelji. Kompilacijski album, koji je pred vama, dočarat će vam tek dio raznolikosti koncertnog i opernog repertoara umjetnika kojima se Varaždin s pravom ponosi. Na albumu se nalazi dvadeset izvedbi skladatelja raznih stilova i razdoblja među kojima su i Varaždinci Ebner, Padovec i Bobić. Tonski zapisi, nastali u rasponu od četrdesetak godina svjedočanstvo sudugogodišnje umjetničke tradicije i predstavljaju izuzetan glazbeni užitak. Posebno veseli što ovaj pedeseti album predstavljamo u godini u kojoj Glazbena škola u Varaždinu slavi 180 godina djelovanja, a posvećen je jubilarnoj 800 obljetnici proglašenja Varaždina slobodnim kraljevskim gradom. Vladimir Gotal Created with XFRX, www.eqeus.com, commercial use prohibited. Created with XFRX, www.eqeus.com, commercial use prohibited. POINT Software Varaždin Str. 2 78 BRUCK sym4 BRUCKNER, Anton (1824-1896) 782 4. Sinfonie Es-dur (originalfassung) / Anton Bruckner. - [s.l.] : Deutsche Gramophon Gesellschaft, 1956. - 1 LP : stereo 33,3 ; 30 cm 78 GLUCK orp1 GLUCK, Christoph Willibald (1717-1787) 782 Orpheus und Eurydike : Ausschnitte / Christoph Willibald Gluck. - Hannover : Heliodon, 1965. - 1 LP : stereo transcription 33,3 ; 30 cm Long play gramofonska ploča Margarete Klose (Orpheus) Anny Schlemm (Eurydike) Rita Streich (Amor) Chor des Bayerischen Rundfunks Bamberger Sjmphoniker Berliner Philharmoniker MUnchener Philbarmoniker RIAS Symphonie-Orchester Berlin Dirigent: Artur Rother 78 GOLDE GOLDENES Tenor-Staralbum 782 Goldenes Tenor-Staralbum. - [s.l.] : Parnas, [s.a.]. - 2LP : stereo-mono 33,3 ; 30 cm Long play gramofonska ploča 78 GRIEG aus GRIEG, Edward (1843-1907) 782 Aus Holbergs Zeit : Suite für Streichorchester op. 40 (Holberg-Suite) / Edvard Grieg. - [s.l.] : Deutsche Grammophon Gesellschaft, 1957. - 1 LP : mono HIFI 33,3 ; 25 cm Long play gramofonska ploča Suite for String Orchestra, Op. 40 In 1884 Norway celebrated thc second centenary of the birth of Ludvig Holberg (1684—1754), the great Scandinavian writer of comedies. On this oceasion Edvard Grieg wrote a suite called "From Holberg's Time". At the commemoration ceremony, which took place on December 3rd, 1884 in the market place of Bergen, the composer conducted the highly successful Suite "in a fur coat, fur-lined boots and ditto cap". To be sure, Grieg wrote to his publisher three years later: "It is unfortunately not very flattering . that the Holberg Suite should have been so very succcssful, because there I denied my own personality completely in order to disinter for a short moment times which are faded and gone." Yet the movcments of this eharming Suite, presenting a picture of northern Rococo, display a good many facets of the composer's individual style. The significant Prelude with its improvisatory episodes and baroque cadence formulae does, in fact, hide Grieg; but his personal mode of expression is projected in the next movement, a dignified Sarabande, and even more so in the Gavotte, which includes an original trio, consisting of a Musette with intervals of the fifth given by the droning bagpipe. The Air is forceful in expression, revealing clearly a "Scandinavian" trend, whilst the last movement, a Rigaudon, retains the colouring of the old conventional form in spite of all attempts at transmutation. Many melodious changes and a subtle rhythmic show the master's ability to resurrect the style of the 18th century. Baroque and Rococo are here displayed in a metamorphosis requiring an amount of artistic feeling which only a creative artist of Grieg's calibre could provide. 78 HAYDN st77 HAYDN, Joseph (1732-1809) 782 Streichquartett Nr. 77 C-dur op 76 Nr 3 (Kaiserquartett) / Joseph Haydn. - [s.l.] : Deutsche Grammophon Gesellschaft, 1956. - 1 LP : mono 33,3 ; 25 cm Koechert-Quartett Das Koeckert-Quartett gilt heute als die in Deutschland führende Kammermusikvereinigung. Alle Mitglieder des Quartetts,die Herren Rudolf Koeckert, Willi Buchner, Oskar Riedl und Josef Merz, stammen aus dem deutsch-böhmischen Sudetenland. Sie grundeten ihr Streichquartett bereits kurz nach Beendigung ihres Studiums in Prag, wo sie auch als Konzertmeister der Prager Deutschen Philharmonie wirkten. Nach der Ausweisung aus der Tschechoslowakei fanđdn sich die vier Künstler in Bamberg wieder zusammen, wo sie sich mit anderen Mitgliedern ihres alten Prager Klangkorpers zum Orchester der Bamberger Symphoniker vereinigten. Von Bamberg aus begann der Aufstieg des Koeckert-Quartetts zu einer auch international anerkannten Kammennusik-Vereinigung. Das Koeckert-Quartett wirkt heute neben seiner ausgebreiteten Created with XFRX, www.eqeus.com,Tournee-Tätigkeit commercial im Verband des use von prohibited.Eugen Jochum geleiteten Symphonie-Orchesters des Bayerischen POINT Software Varaždin Str. 3 Rundfunks in München. 78 KARAJ lei KARAJAN von, HErbert 782 Leichte Kavallerie / Herbert von Karajan. - Frechen : Delta Music, 1992. - 1 CD : stereo digital ; 12 cm Compact disc ISBN 4006408160397 78 MOZAR mar MOZART, Wolfgang Amadeus (1756-1791) 782 Maria Stader singt Mozart : Marten aller Arten, Welcher Kummer herrscht in meine Seele Traurigkeit ward mir zum Lose / Wolfgang Amadeus Mozart. - @s.l.] : Deutsche Grammophon Gesellschaft, 1955. - 1 LP : mono 33,3 ; 25 cm Long play gramofonska ploča 78 SMETA mol SMETANA Bedrich 782 Die Moldau,Aus Böhmens Hain und Flur = Vltava, From Bohemia's Woods and Fields / Friedrich Smetana. - [s.l.] : Deutsche Grammophon Gesellschaft, 1953. - 1 LP : mono 33,3 ; 25 cm Long play gramofonska ploöa "FROM BOHEMIA'S WOODS AND FIELDS" At least two of the six symphonic poems from the cycle "My Country" - "Vltava" and "From Bohemia's Woods and Fields" have become famous ali over the world. Smetana's fellow countryman Zeleny explained with the composer's approval the programme behind each piece in the cycle. The programme to "Vltava" reads as follows: "Two little springs burst forth in the shades of the Bohemian woods, one warm and fresh, the other cool and earnest. Becoming a rivulet, the Vltava flows through darkpine woods,from which merry horn calls reecho with the joys of the hunt, then it runs through green meadows where a rustic wedding is beingcelebrated with song and dance. During night-time water nixies and other spirits of the deep frolic on thewaves, which shine golden in fhe moonlight. In the St. Johann rapids the Vltava flows at an inereased speed. Then the river takcs on a new breadth and nobility, flowing onward majestically towards Prague. There it isgreeted by ancient Vyšehrad, the seat from time immemorial of the princely line of the Premyslides. Great and powerful, the river finally disappears from the poct's sight". Similarly poetic is the pastoral idyll of "In Bohemia's Woods and Fields". The powerful G minor opening appears "like the vivid impressions received when one traverses a district for the first time." The transition to the major is "as when a naive country maiden leaves home." The song of a bright summer day is sung in a five-part fugato amid the peace of the woods; a polka tune appears. Once more we are reminded of the loneliness of the woods, and once more we hear the music of Vyšehrad, symbol of