1 Inventory of the Papers of Prof Elfriede Knauer Classical Art Research Centre, University of Oxford Compiled by Dr Beryl Bowen 1. Susan B. Matheson, Polygnotos: An Ilioupersis Scene at the Getty Museum. Offprint from Occasional Papers on Antiquities, 2, Greek Vases in The J. Paul Getty Museum. 2. Madeleine Mertens-Horn, Bilder heiliger Spiele: Zur Deutung der sog. “Throne” aus Marmor in Rom und Boston. From Antike Welt, Zeitschrift für Archäologie und Kulturgeschichte, 28. Jahrgang 1997. 3. Adrienne LeZZi-Hafter, Anthesterion und Hieros Gamos. Ein Choenbild des Methyse-Malers. Offprint. 4. Source: Notes in the History of Art, Vol.XV No.1, Fall 1995. Special Issue: Representations of the “Other” in Athenian Art, c.510-400B.C. (Enclosed is a personal letter to E.R.K. from Jenifer Neils, one of the contributors). 5. Adrienne LeZZi-Hafter, Kinderfreund Hermes: Zu einer kanne des Frauenbad-Malers. Offprint from Potnia Theron, Festschrift für Gerda Schwarz Zum 65. Geburtstag, Wien 2007. 6. Adrienne LeZZi-Hafter, Clay, Gold, and Craft: Special Techniques in three Vases by the Eretria Painter and Their Apotheosis in Xenophantos. Offprint from Papers on Special Techniques in Athenian Vases, proceedings of a symposium held in conjunction with the exhibition ‘The Colors of Clay: Special Techniques in Athenian Vases’ at the Getty Villa, June 15-17, 2006, The J.Paul Getty Museum, Los Angeles. 7. Heide Mommsen, Meisterwerke des Töpfers Exekias: Zur Erfindung und Zum Erfolg. Offprint from Meisterwerke: Internationales Symposion anlässlich des 150 Geburtstages von Adolf Furtwängler, Freiburg im Breisgau, 30.Juni – 3. Juli 2003, Hirmer Verlag München. 8. Heide Mommsen, Amasis Mepoiesen: Beobachtungen Zum Töpfer Amasis. Offprint from Athenian potters and Painters, The Conference Proceedings, Oxbow Monograph 67. 9. Heide Mommsen, Irrfahrten des Odysseus: Zu dem Fragment Tübingen S./10 1507. Offprint from Praestant Interna, Festschrift für Ulrich Hausmann, Verlag Ernst Wasmuth, Tübingen. 10. Heide Mommsen, Zur Auswertung von Formfotos und ProfilZeichnungen. Offprint. 11. Heide Mommsen, Siegreiche Gespannpferde. Offprint from Antike Kunst, 45. Jahrgang 2002. 12. Adrienne LeZZi-Hafter, Vasenforschung Heute. Winckelmanns-Vortrag GraZ, 9 DeZember 1999. Typescript. 13. Heide Mommsen, Achill und Aias pflichtvergessen. Offprint from “Tainia”, Roland Hampe zum 70. Geburtstag am 2. Dezember 1978. Publ. Philipp von Zabern, Mainz am Rhein. With this offprint is a personal letter from Heide Mommsen to Elfriede Knauer. 14. Heide Mommsen, Zur Deutung der Exekias-Amphora im Vatikan. From Ancient Greek and Related Pottery, 3rd Symposium, Copenhagen 1987. 15. Heide Mommsen, Griechische Vasen: Zur Technik der Bemalung. Information leaflet from the Württembergisches Landesmuseum Stuttgart, Antikensammlung. [1986] See also 57, 58. 16. Heide Mommsen, Griechische Vasen: Herkunft, Formen, Gebrauch und Herstellung. Information leaflet from the Württembergisches Landesmuseum Stuttgart, Antikensammlung. [1986] See also 57, 58. 2 17. Heide Mommsen, Der Maler von Philadelphia MS 3440. Offprint from Potnia Theron, Festschrift für Gerda SchwarZ Zum 65. Geburtstag, Wien 2007. 18. Heide Mommsen, Die Apollinische Trias auf den Exekiasfragmenten in Narbonne. Offprint from Tekmeria, Archäologische Zeugnisse in ihrer kulturhistorischen und politischen Dimension. Publ. Scriptorium. 19. Heide Mommsen, Zwei schwarZfigurige Amphoren aus Athen. Offprint from Antike Kunst, 32. Jahrgang 1989, Heft 2. 20. Joan R. Mertens, Timeas’s Scarab. Offprint from the Metropolitan Museum Journal 24, 1989. 21. Joan R. Mertens, Some Thoughts on Attic Vase-Painting of the 6th Cent. B.C. Offprint from Ancient Greek and Related Pottery, 3rd Symposium, Copenhagen 1987 22. Joan R. Mertens, Review of the exhibition ‘The Gods Delight: The Human Figure in Classical Bronze’, (then at the MFAB, 1988). Offprint. Ink correction by E.R.K. in margin, p.451. 23. Joan R. Mertens, The Human Figure in Classical BronZe-working: Some Perspectives. Typescript of an article starting from the exhibition The Gods Delight: the Human Figure in Classical Bronze (then at the LA County Mus.), going on to discuss other materials. See No.22 for this exhibition. 24. Joan R. Mertens, a review of CVA Deutschland 39, Würzburg, Martin von Wagner-Museum, Band 1. Offprint from Gnomon 1979. 25. Joan R. Mertens, Attic White-Ground Cups: A Special Class of Vases. Offprint from Metropolitan Museum Journal Vol.9, 1974, pp.91-108. 26. Joan R. Mertens, a critical review of Die Griechischen Vasen by Erika Simon and Max and Albert Hirmer (Munich 1976). Offprint from AJA 81. 27. Joan R. Mertens, A Drawing by Chassériau. Offprint from Metropolitan Museum Journal 15, 1981, pp.153-156. 28. Joan R. Mertens, a review of CVA New Zealand 1. Offprint from Gnomon Band 3, 1981, pp. 786-789. With this offprint is a brief personal note to E.R.K. from J.R.M. (See also no.63). 29. Joan R. Mertens, A Hellenistic Find in New York. (BronZe vessels, jewellery, silver coins, loaned by C. Bastis). Offprint from Metropolitan Museum Journal Vol.11, 1976, pp.71-84. 30. Joan R. Mertens, Three Chalcolithic Figures from Cyprus. Offprint from Metropolitan Museum Journal Vol. 10, 1975, pp.5-8. 31. Joan R. Mertens, a review of CVA USA 18, LA County Mus. of Art. Offprint from AJA 82, pp.417-418. 32. Joan R. Mertens, a review of Attisch weissgrundige Keramik by Irma Wehgartner, (Heidelberger Akademie der Wissenschaften, Kommission für antike Keramik, Keramikforschungen 5), publ. Zabern, MainZ, 1983. 33. Joan R. Mertens, Leodamas and Hippolytos, typescript of an article about aspects of the New York Euphronios krater. Dated by E.K. ix.96. 34. Joan R. Mertens (and Carlos A. Picón). Ancient art at the Metropolitan: Recent acquisitions by the Greek and Roman Department. Offprint from Apollo, July 1996, pp. 27-32. 35. Joan R. Mertens, The jewelry of classical Greece. (Description of the exhibition Greek Gold: Jewelry of the Classical World, and some discussion of the subject). Pages from Antiques, The MagaZine, December 1994, pp.786-793. 36. Joan R. Mertens, Typescript of the article item no.35 (The Jewelry of classical Greece), with attached personal note from J.R.M. to E.R.K. 37. Joan R. Mertens, handwritten letter to E.R.K., dated 27/vi/94. 3 38. Joan R. Mertens, handwritten letter to E.R.K., dated 5/vii/94, a critique of an article written by E.R.K., apparently on a painting by Lippi of the Annunciation (no more precise reference given). 39. Joan R. Mertens (and Carlos A. Picón), Acquisitions in Focus: Greek and Roman Antiquities at the Metropolitan Museum. Offprint from Apollo, July 1993, pp.40-44. 40. Joan R. Mertens, In the Beginning: Some Reflections on Geometric Ornament and Figural Representation. Typescript of a lecture to be given at a conference (no further details). E.R.K. notes that she received this in Feb. 1995. 41. Joan R. Mertens, Small BronZe Sculpture from the Ancient World, a paper from a Symposium organiZed by the Depts. of Antiquities and Antiquities Conservation at the Getty Museum, March 16-19, 1989, pp. 85-102. Publ. By the J.Paul Getty Museum, Malibu, California, 1990. 42. Joan R. Mertens, Some New Vases by Psiax. Offprint from Antike Kunst, 22.Jahrgang 1979, Heft 1, pp.22ff. 43. Joan R. Mertens, An Archaic Bronze Oinochoe with a Panther Head in the Metropolitan Museum of Art. Offprint from BCH Supplément 38, Etudes d’Iconographie en l’Honneur de Lilly Kahil, pp.377-381. 44. Joan R. Mertens, Attic Vase-painting: A Brief Introduction. Typescript of an article ‘destined for publication in Japan’ (Post-It note attached by J.R.M. to the first page, dated 16/iv 90(?). 45. Joan R. Mertens, An Early Greek BronZe Sphinx Support. Copy of an article from the Metropolitan Museum Journal 37, 2002, Essays in Honour of Clare Le Corbeiller, pp.23-33. 46. Joan R. Mertens,’ Master’ and ‘Masterwork’ in Elucidating the Earliest Greek Art. Typescript of a lecture to be given at a Symposium in Freiburg im Breisgau, Germany. Date received by E.R.K. noted as V/2003. 47. Joan R. Mertens, An Attic Black-Figure Vase of the Mid-Sixth Century B.C. (Neck-amphora of Panathenaic shape by the Painter of Berlin 1686). Offprint from the Metropolitan Museum Journal 18, 1984, pp.17-27. 48. Joan R. Mertens, typescript of a lecture on the wall-paintings from Boscotrecase in the Metropolitan Museum. Given in Freiburg, Germany? (Prof. Strocka thanked, cf. Item 46 above). Date received by E.R.K. noted as 3/1988. 49. Joan R. Mertens, A Black-Figure Hydria of Red-Figure Date. (IUAM 77.33). Copy of an article in the Indiana University Art Museum Bulletin 1979, pp.6-15. 50. Joan R. Mertens, a review of Greek Art: Archaic into Classical, the publication of papers from a Symposium at the Univ. of Cincinnati Dept. of Classics, April2-3 1982. Cincinnati Classical Studies, New Series 5, publ. Brill, Leiden 1985. Review AJA 1986, pp.235-236. 51. Joan R. Mertens, The Amasis Painter: Artist and Tradition. Copy of an article from papers on the Amasis Painter and his World, Malibu, 1987, pp.168-183. 52. Joan R. Mertens, Greek BronZes in the Metropolitan Museum of Art. MMA Bulletin vol.XLIII no.2, Fall 1985. 53. Joan R. Mertens, ‘Master’ and ‘Masterwork’ in Elucidating the Earliest Greek Art. Offprint from Meisterwerke, Internationales Symposion anlässlich des 150. Geburtstag von Adolf Fürtwängler, Freiburg im Breisgau, 30.Juni – 3. Juli 2003. Publ. Hirmer Verlag, München. (See Item 46 above for the typescript). 54. Joan R. Mertens, The Baker Mirror in the Metropolitan Museum of Art: an Archaic View. Offprint from Genethlion, pp.211-218. Nicholas P. Goulandris Foundation, Museum of Cycladic Art, Athens 2006. 4 55. Joan R. Mertens, The new Greek and Roman Galleries at the Metropolitan Museum of Art: An Array of Challenges. Typescript of a lecture given by J.R.M.