Real-time HDR/WCG Conversion with Colorfront Engine™ Video Processing $7,995 US MSRP* Real time HDR Conversion for 4K/UHD/2K/HD Find a Reseller 4-Channel 2K/HD/SD or 1-Channel 4K/UltraHD HDR and WCG frame synchronizer and up, down, cross-converter FS-HDR is a HDR to SDR, SDR to HDR and Bulletproof reliability. Incredible Conversion Power. connectivity including 4x 3G-SDI with fiber options**, as well as 6G-SDI HDR to HDR universal converter/frame and 12G-SDI over copper or fiber**. synchronizer, designed specifically to FS-HDR is your real world answer for up/down/cross conversions meet the HDR (High Dynamic Range) and realtime HDR transforms, built to AJA’s high quality and reliability In single channel mode, FS4 will up scale your HD or SD materials to and WCG (Wide Color Gamut) needs of standards. 4K/UltraHD and back, with a huge array of audio channels over SDI, AES, broadcast, OTT, post and live event AV and MADI for an incredible 272 x 208 matrix of audio possibilities. In four environments. Powered by Colorfront Engine, FS-HDR’s extensive HDR and WCG channel mode, independent transforms can be applied to each 2K/HD or SD channel. FS-HDR offers two modes for processing support enables real time processing of a single channel of comprehensive HDR/WCG conversion 4K/UltraHD/2K/HD including down-conversion to HD HDR or up to four and signal processing. Single channel channels of 2K/HD simultaneously. FS-HDR also enables the conversion Maintaining Perceptual Integrity. mode provides a full suite of 4K/UltraHD of popular camera formats from multiple vendors into the HDR space, processing and up, down, cross- plus conversion to-and-from BT.2020/BT.709, critical for the widespread FS-HDR’s HDR/WCG capabilities leverage video and color space processing conversion to and from 2K, HD or SD. deployment of HDR alongside SDR in broadcast and OTT workflows. algorithms within Colorfront Engine™, specially-licensed by AJA from Four channel mode offers 4x 2K/HD/SD Colorfront, and developed by Colorfront’s Academy Award winning team channels of simultaneous processing and conversion. 4K/UltraHD delivery, processing and synchronization is fast becoming the of color scientists. next standard, and FS-HDR gets you there with a wealth of digital video www.aja.com * Pricing is for US only. International pricing will vary. Please contact a local AJA Reseller for pricing details. 2 | FS-HDR ** with optional SFP modules Original Scene Dynamic Range What Viewer Sees Color Contrast Capture Postproduction Mastering Distribution Display Color Contrast SDR .0005 - 100 nits Original Scene Dynamic Range What Viewer Sees HDR Color Contrast Capture Postproduction Mastering Distribution Display Color Contrast .0005 - 1000 nits In: Dynamic Range/Color Gamut HDR Workflows for UltraHD/HD Comprehensive Input Formats: FS-HDR opens a range of exciting possibilities for the integration of HDR within a range of • SDR BT.709 100 Nits workflows: HDR Conversions • PQ BT.2020 1000 Nits • PQ P3D65 1000 Nits • Converting from a house HDR standard to a Modern cameras are inherently HDR capable with their wide dynamic ranges • Hybrid Log Gamma BT.2100 delivery HDR standard. available from the sensor on, and for live events and broadcasts, it’s crucial to • Sony S-Gamut3/S-Log3 • Converting from a camera OETF to a house translate their Log and Gamut capabilities to the accepted standards now being • ARRI Log C Wide Gamut HDR standard. employed for HDR delivery. With support for leading cameras on input, and output • Panasonic V-Log • Converting from a HDR standard to SDR for to (Perceptual Quality) PQ which is at the heart of HDR 10 as well as support for • RED Log3G10 Wide Gamut delivery or monitoring. widely accepted (Hybrid Log Gamma) HLG, FS-HDR takes the pain out of HDR • Canon Log 2 • Converting SDR camera output to a house conversion and makes realtime camera to HDR workflows instantly possible. With • Canon Log 3 HDR standard. SDR to HDR conversion, you can even bring in your current materials and upgrade • Converting SDR sources to HDR for integrating them to match your live HDR programming output. For live event large LED displays into an HDR program utilize FS-HDR for HDR to HDR conversion, and for enriching your SDR sources, SDR Out: Dynamic Range/Color Gamut • C onverting HD SDR BT.709 sources to UHD to HDR conversion. Output formats: HDR BT.2020 • SDR BT.709 100 Nits • C onverting UHD HDR BT.2020 sources to HD • PQ BT.2020 1000 Nits SDR BT.709 • Hybrid Log Gamma BT.2100 • C onverting source inputs to Sony S-Gamut3/ • Sony S-Gamut3/S-Log3 S-Log3 www.aja.com 3 | FS-HDR Rec 601/709 color space Rec 2020 color space 0.9 0.9 0.9 0.9 520 520 Rec 2020520 color space 520 10 0.8 0.8 0.8 0.8 540 540 540 540 y y y y 0.7 0.7 0.7 0.7 560 560 560 560 0.6 0.6 0.6 0.6 1 500 500 500 500 580 580 580 580 0.5 0.5 0.5 0.5 12bit PQ 13bit Log 0.4 600 0.4 600 0.4 600 0.4 600 D65 620 D65 620 D65 620 D65 620 15bit Gamma0.3 16bit OpenEXR 700 0.3 700 0.3 700 0.3 700 0.01 490 490 490 490 0.2 0.2 0.2 0.2 Minimum Contrast Step (%) Step Minimum Contrast 480 480 480 480 0.1 0.1 0.1 0.1 470 470 470 470 460 460 460 460 0.01 0.0 0.0 0.0 0.0 0.001 0.01 0.1 1 100.8 0.8380 0.8100 0.8 0.81000 0.8 0.810000 0.8 0.8 0.8 0.8380 0.8 0.8 0.8 0.8 0.8 0.8 0.8 0.8 0.8380 0.8 0.8 0.8 0.8 0.8 0.8 0.8 0.8 0.8380 0.8 0.8 0.8 0.8 0.8 0.8 0.8 Luminance (cd/m2) x x x x Realtime Camera Log Conversions Colorfront Engine™ PQ, HLG and Log Convert Today’s SDR to HDR SDR equates to around 6-stops of dynamic range, FS-HDR’s HDR/WCG capabilities leverage To facilitate the most flexibility for emerging HDR To match your HDR live programming and live HDR expands that to around 15 stops, greatly video and color space processing algorithms pipelines, it has to be recognized that HDR is a event feeds, you are going to need SDR to HDR increasing both dynamic range and an expanded within Colorfront Engine™, specially-licensed new toolset and standards are evolving to serve conversions to match your HDR feeds and integrate color gamut, producing a much richer and by AJA from Colorfront, and developed by different needs while still resulting in the result legacy materials. fuller image, closer to what cameras today are Colorfront’s Academy Award winning CTO Bill desired; gorgeous, rich imagery. FS-HDR includes SDR to HDR conversions, intrinsically capable of and closer to the ultimate Feighter and Lead Engineer Tamas Perlaki. FS-HDR recognizes this and provides you choice. allowing you to bring in your current SDR materials goal, the HVS (Human Vision System). Powered by Colorfront Engine, FS-HDR’s and upgrade them to match your live HDR Preserving as much of the camera sensor detail FS-HDR can take this incoming imagery from the extensive HDR and WCG processing support programming output. and range as possible with support for Log most popular professional cameras in the world enables real time processing of a single channel inputs as well as HDR and SDR standards, FS-HDR For live event large LED displays with high nit today and convert their Log output in realtime to of 4K/UltraHD/2K/HD including down-conversion transforms this data to the standards now being counts, utilize FS-HDR for realtime HDR to HDR, or 4K/UltraHD or multiple channels of 2K/HD and to HD HDR or up to four channels of 2K/HD employed for HDR delivery. SDR to HDR conversions, bringing your screens to output as either HDR, SDR or both. simultaneously. rich and colorful life. FS-HDR makes your real time HDR workflows This greatly simplifies workflows in a mixed The “secret sauce” in terms of the Colorfront come to life in the formats you need, including camera environment, as FS-HDR can take in Engine™ is that the emphasis is on maintaining PQ (Perceptual Quality) HDR 10 and HLG (Hybrid multiple camera log formats and provides for a perceptual integrity and creative intent, not “just Log Gamma), or Log formats such as Sony unified workflow output to HDR or SDR capable the math” to convert between color spaces. S-Gamut3/S-Log 3, as well as BT.709 and switchers and more. The algorithms available in FS-HDR results in BT. 2020 transformations. Additionally, FS-HDR provides the ability to a final image that benefits from years’ worth of convert to Sony S-Gamut3/S-Log3 on output for work on Hollywood’s biggest productions; field workflows requiring a Log feed to compatible tested, critiqued and supported by the industry’s switchers and more when needed. greatest artists. www.aja.com 4 | FS-HDR 4K UltraHD HD SD Single-Channel Mode Four-Channel Mode Incredible Digital Connectivity Remote Configuration & Control Single-channel mode for 4K/UltraHD or 2K/ Four-channel mode for simultaneous FS-HDR offers the connectivity to meet the FS-HDR is network ready and supports SNMP HD frame sync and conversion including HDR independent 2K/HD/SD channels including HDR demands of your projects.