Phase 4 - List of works with incomplete provenance during the period 1933 - 1945 ABBOTT, Lemuel Francis (1760-1803) Portrait of the Engraver Francesco Bartolozzi , No date Oil paint on canvas 756 x 676 mm Presented by Mrs M. Bernard 1968 T01067 Provenance: • …; Mrs M Bernard, by 1968 Questions in the operative period: No published provenance pre-1968 AGASSE, Jacques Laurent (1767-1849) Two Hunters with a Groom (circa 1805) Oil on canvas 638 x 759 mm Presented by Paul Mellon through the British Sporting Art Trust 1979 T02350 Provenance: • …; reportedly bought by Oscar Johnson (d.1968), before 1963 • Oscar & Peter Johnson Ltd • From whom purchased by Paul Mellon 1968 • Presented by Paul Mellon, 1979 Questions in the operative period: No information on whereabouts prior to acquisition by Oscar Johnson ALKEN, Henry Thomas (1785-1851) The Belvoir Hunt: Jumping into and out of a Lane (circa 1830-40) Oil on canvas 451 x 648 mm Presented by Paul Mellon through the British Sporting Art Trust 1979 T02353 Provenance: • …; Arthur Ackermann and Son Ltd • From whom purchased by Paul Mellon 1964 Questions in the operative period: No information on whereabouts prior to acquisition by Ackermann and Son Ltd ALKEN, Henry Thomas (1785-1851) The Belvoir Hunt: The Meet (circa 1830-40) Oil on canvas 451 x 648 mm Presented by Paul Mellon through the British Sporting Art Trust 1979 T02352 Provenance: • …; Arthur Ackermann and Son Ltd • from whom purchased by Paul Mellon 1964 Questions in the operative period: No information on whereabouts prior to acquisition by Ackermann and Son Ltd ALKEN, Henry Thomas (1785-1851) The Belvoir Hunt: Full Cry (circa 1830-40) Oil on canvas 451 x 648 mm Presented by Paul Mellon through the British Sporting Art Trust 1979 T02354 Provenance: • …; Arthur Ackermann and Son Ltd • from whom purchased by Paul Mellon 1964 Questions in the operative period: No information on whereabouts prior to acquisition by Ackermann and Son Ltd ALKEN, Henry Thomas (1785-1851) The Belvoir Hunt: The Death (circa 1830-40) Oil on canvas 451 x 648 mm Presented by Paul Mellon through the British Sporting Art Trust 1979 T02355 Provenance: • …; Arthur Ackermann and Son Ltd • from whom purchased by Paul Mellon 1964 Questions in the operative period: No information on whereabouts prior to acquisition by Ackermann and Son Ltd ANSDELL, Richard (1815-1885) A Ploughing Match , No date Oil paint on canvas 781 x 1346 mm Purchased 1935 N04798 Provenance: • …; acquired 1935 Questions in the operative period: No early history yet traced BARENGER, James (1780-1831) Jonathan Griffin, Huntsman to the Earl of Derby's Staghounds (1813) Oil on canvas 1016 x 1270 mm Presented by Paul Mellon through the British Sporting Art Trust 1979 T02356 Provenance: • …; anon. sale Christie’s 17 March 1967 (167) • Bought Betts • Arthur Ackermann and Son Ltd, exhibited 1967 • From whom purchased by Paul Mellon 1967 Questions in the operative period: No information on whereabouts prior to 1967 BARRET, George (1767-1842) Landscape with a Bridge, No date Watercolour and graphite on paper 498 x 670 mm Purchased 1974 T01860 Provenance • …; Spink by 1973 Questions in the operative period: No source or date of acquisition by Spink BATEMAN, James (1815-1849) Highland Scene (1844) Oil on wood 203 x 254 mm Presented anonymously in memory of Mrs M. Bernard 1981 T03210 Provenance: • ...; Montague Bernard Esq. • Presented to Tate by M. Bernard, Esq. in memory of Mrs M. Bernard 1981 Questions in the operative period: No source or date of acquisition by Montague Bernard Esq. BEAUMONT, George Howland (1753-1827) Landscape (c. 1795) Oil paint on paper 133 x 159 mm Purchased 1969 T01148 Provenance • …; R. B. Beckett Questions in operative period No source or date of acquisition by Beckett Additional information R. B. Beckett (1891-1973) was editor of Constable’s letters. BEECHEY, Sir William (1753-1839) Portrait of Sir Francis Ford's Children Giving a Coin to a Beggar Boy (exhibited 1793) Oil on canvas 1805 x 1500 mm Purchased with assistance from the National Art Collections Fund 1993 T06734 Provenance: • Painted for Sir Francis Ford (1758-1801) • With his daughter, Caroline and her husband John Hyde at Syndale, Kent, by 1838 • …; ? Colville Hyde sale, Christies, London, 2 March 1922 • …; with Scott & Fowles, New York • …; John M. Schiff (1904-1987), New York • His sale, Sotheby’s New York 10 January 1991 • Bought by the Dover Street Gallery London • By whom sold to the Tate in 1993 Questions in the operative period: Uncertain identification in Colville Hyde sale, Christies 2 March 1922 Uncertain whether Scott & Fowles acquired it at 1922 sale Uncertain whether Schiff acquired it from Scott & Fowles Additional information John M. Schiff’s father Mortimer L. Schiff (1877-1931), successful banker and collector, owned two other Beecheys which he lent to an exhibition in New York in 1912. This painting was illustrated in an (undated) advertisement, held in the Witt Library, for Scott & Fowles the art gallery owned by E. J. Rousuck and active c.1905-43. after BLAKE, William (1757-1827) David Delivered out of Many Waters , No date Graphite and watercolour on paper Bequeathed by Miss Alice G.E. Carthew 1940 N05197 Provenance • …; Miss Alice G.E. Carthew by 1940 Questions in the operative period: No source or date of acquisition by Carthew Additional information Miss Alice G. E. Carthew (b.1868), who bequeathed a large number of works, was collecting by 1911. This work is believed to be a late copy, perhaps by the donor herself. after BLAKE, William (1757-1827) The Raising of Lazarus, No date Watercolour and graphite on paper Bequeathed by Miss Alice G.E. Carthew 1940 N05199 Provenance • …; ?Carfax and Co. by 1906 • Miss Carthew, ?after 1914 Questions in the operative period: Uncertain date of acquisition by Carthew Additional information Miss Alice G. E. Carthew (b.1868), who bequeathed a large number of works, was collecting by 1911. BLAKE, William (1757-1827) Age Teaching Youth (c.1785-90) 108 x 80 mm Bequeathed by Miss Alice G.E. Carthew 1940 N05183 Provenance: • ? Mrs Blake • ? Frederick Tatham • ? sold Sotheby's 29 April 1862 (possibly? in 185, 2 items ‘in colours’, 15/- bought Harvey • with Harvey by 1863 • George A. Smith • sold Christie's 16 July 1880 (102) 14/- • bought J. Pearson • ? U.S. collection, by 1905 • Miss Carthew Questions in the operative period: Uncertain date of acquisition by Carthew Additional information Miss Alice G. E. Carthew (b.1868), who bequeathed a large number of works in 1940, was collecting by 1911 BLAKE, William (1757-1827) First Book of Urizen pl. 21 1796, c.1818 Etching with paint, watercolour and ink on paper 270 x 184 mm Purchased with funds provided by the Art Fund, Tate Members, Tate Patrons, Tate Fund and individual donors 2009 T12999 Provenance: • Inherited by Catherine Blake, the artist’s widow (d.1831) • By whom given to Frederick Tatham, at an unknown date • … purchased by a private collector at a second-hand book sale in north London c.1970 Questions in the operative period: No ownership history between Tatham and c.1970 Additional information Checked with Art Loss Register BLAKE, William (1757-1827) The Book of Thel pl. 6 1796, c.1818 Etching with paint, watercolour and ink on paper 260 x 186 mm Purchased with funds provided by the Art Fund, Tate Members, Tate Patrons, Tate Fund and individual donors 2009 T13000 Provenance: • Inherited by Catherine Blake, the artist’s widow (d.1831) • By whom given to Frederick Tatham, at an unknown date • … purchased by a private collector at a second-hand book sale in north London c.1970 Questions in the operative period: No ownership history between Tatham and c.1970 Additional information Checked with Art Loss Register BLAKE, William (1757-1827) The Marriage of Heaven and Hell pl. 16 1796, c.1818 Etching with paint, watercolour and ink on paper 259 x 187 mm Purchased with funds provided by the Art Fund, Tate Members, Tate Patrons, Tate Fund and individual donors 2009 T13001 Provenance: • Inherited by Catherine Blake, the artist’s widow (d.1831) • By whom given to Frederick Tatham, at an unknown date • … purchased by a private collector at a second-hand book sale in north London c.1970 Questions in the operative period: No ownership history between Tatham and c.1970 Additional information Checked with Art Loss Register BLAKE, William (1757-1827) First Book of Urizen pl. 6 1796, c.1818 Etching with paint, watercolour and ink on paper 250 x 187 mm Purchased with funds provided by the Art Fund, Tate Members, Tate Patrons, Tate Fund and individual donors 2009 T13002 Provenance: • Inherited by Catherine Blake, the artist’s widow (d.1831) • By whom given to Frederick Tatham, at an unknown date • … purchased by a private collector at a second-hand book sale in north London c.1970 Questions in the operative period: No ownership history between Tatham and c.1970 Additional information Checked with Art Loss Register BLAKE, William (1757-1827) First Book of Urizen pl. 10 1796, c.1818 Etching with paint, watercolour and ink on paper 266 x 185 mm Purchased with funds provided by the Art Fund, Tate Members, Tate Patrons, Tate Fund and individual donors 2009 T13003 Provenance: • Inherited by Catherine Blake, the artist’s widow (d.1831) • By whom given to Frederick Tatham, at an unknown date • … purchased by a private collector at a second-hand book sale in north London c.1970 Questions in the operative period: No ownership history between Tatham and c.1970 Additional information Checked with Art Loss Register BLAKE, William (1757-1827) First Book of Urizen pl. 11 1796, c.1818 Etching with paint, watercolour and ink on paper 257 x 184 mm Purchased with funds provided by the Art Fund, Tate Members, Tate Patrons, Tate Fund and individual donors 2009 T13004 Provenance: • Inherited by Catherine Blake, the artist’s widow (d.1831) • By whom given to Frederick Tatham, at an unknown date • … purchased by a private collector at a second-hand book sale in north London c.1970 Questions in the operative period: No ownership history between Tatham and c.1970 Additional information Checked with Art Loss Register BLAKE, William (1757-1827) First Book of Urizen pl.