Document generated on 10/07/2021 8:43 p.m. Papers of the Bibliographical Society of Canada Cahiers de la Société bibliographique du Canada From Paper, to Microform, to Digital? Serials at The ArQuives: Canada’s LGBTQ2+ Archives Donald W. McLeod LGBTQ+ Print Culture: Overviews and Perspectives Article abstract L’imprimé LGBTQ+ au Canada et ailleurs : bilans et perspectives The ArQuives: Canada’s LGBTQ2+ Library and Archives, founded in 1973, holds Volume 57, 2019 one of the largest collections of queer serials in the world. The more than 10,000 titles are mostly in paper, but formats have been evolving. Beginning in URI: https://id.erudit.org/iderudit/1069861ar the 1980s, the ArQuives participated in small microfilming projects. DOI: https://doi.org/10.33137/pbsc.v57i0.30210 Microfilming of the collection greatly increased in 2005, when Primary Source Microfilm (PSM) undertook a large project to film a portion of the collection, resulting in 211 reels devoted to international gay and lesbian periodicals and See table of contents newsletters. The PSM project was later repurposed and expanded by Gale Cengage, beginning in 2015, and forms part of its Archives of Sexuality and Gender online product. This paper examines the evolution of the ArQuives’ Publisher(s) serials holdings from paper to microform to digital formats and explores recent in-house digitization efforts and future prospects for expanding access The Bibliographical Society of Canada/La Société bibliographique du Canada to these materials. ISSN 0067-6896 (print) 2562-8941 (digital) Explore this journal Cite this note McLeod, D. (2019). From Paper, to Microform, to Digital? Serials at The ArQuives: Canada’s LGBTQ2+ Archives. Papers of the Bibliographical Society of Canada / Cahiers de la Société bibliographique du Canada, 57, 107–125. https://doi.org/10.33137/pbsc.v57i0.30210 All Rights Reserved ©, 2020 Donald W. McLeod This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ From Paper, to Microform, to Digital? Serials at the ArQuives: Canada’s LGBTQ2+ Archives Donald W. McLeod Abstract The ArQuives: Canada’s LGBTQ2+ Archives, founded in 1973, holds one of the largest collections of queer serials in the world, with more than ten thousand titles. Most are on paper, but formats have been evolving. Beginning in the 1980s, the ArQuives participated in small-scale microfilming projects. Microfilming of the collection increased greatly in 2005, when Primary Source Microfilm (PSM) undertook a large project to film a portion of the collection, resulting in 211 reels devoted to international gay and lesbian periodicals and newsletters. The PSM project was later repurposed and expanded by Gale Cengage, beginning in 2015, and forms part of its Archives of Sexuality and Gender online product. This paper examines the evolution of the ArQuives’ serial holdings from paper to microform to digital formats, and explores recent in-house digitization efforts and future prospects for expanding access to these materials. Résumé Les ArQuives : les archives LGBTQ2+ canadiennes, fondées en 1973, détiennent une des plus importantes collections de périodiques queer au monde, comprenant plus de dix mille titres. La majorité sont sur papier, mais les formats sont en évolution. Depuis les années 1980, les ArQuives participent à des projets de microfilmage de petite envergure. Le microfilmage a vu une augmentation importante en 2005, lorsque Primary Source Microfilm (PSM) a entrepris un grand projet consistant à microfilmer une portion de la collection, ayant pour résultat 211 bobines consacrées aux bulletins et périodiques gais et lesbiens internationaux. Par la suite, à partir de 2015, le projet PSM a été transformé et élargi par Gale Cengage, et fait maintenant partie de son produit en ligne Archives of Sexuality and Gender. Cet 88486486 - CCahiers-papersahiers-papers 5577 - ffinal.inddinal.indd 110707 220-05-210-05-21 113:163:16 108 Papers of the Bibliographical Society of Canada 57 article examine l’évolution des périodiques, allant du papier aux microfilms jusqu’aux formats numériques, et explore les récents efforts de numérisation internes ainsi que les perspectives d’avenir quant à l’élargissement de l’accès à ces matériels. Introduction The year 2018 marked the forty-fifth anniversary of the founding of the Canadian Gay Liberation Movement Archives, later known for many years as the Canadian Lesbian and Gay Archives (CLGA). At the CLGA’s 2018 AGM, the membership supported a rebranding of the organization as The ArQuives: Canada’s LGBTQ2+ Archives. The growth and development of the ArQuives have been impressive for an organization that is almost entirely community-based and receives no core funding. From its origin as a single filing cabinet in the office of the newsmagazine The Body Politic, the ArQuives has grown into a dynamic organization with a volunteer board of nine members, a full- time paid executive director, dozens of volunteers (more than forty of whom are active regularly), and annual revenue of $517,000.1 Since 2009, the ArQuives has been headquartered in a heritage house at 34 Isabella Street, in the heart of downtown Toronto’s large LGBTQ2+ community. The building is owned by the ArQuives and has been renovated extensively. Although the house is at the heart of the ArQuives’ activities, most of the archival accessions and collections are stored at a modern office building four blocks away, at 65 Wellesley Street East. From its inception, the ArQuives was seen as a “total archive” and collected all manner of items related or of potential research interest to LGBTQ2+ people in Canada and internationally. It holds archival accessions of the papers of individuals and organizations, a library, vertical files for ready reference, photographs, artworks, posters, moving-image and audio collections, and artifacts such as banners, matchbooks, and buttons. If the ArQuives had been formed today, however, its focus would likely be different. It was easier, in 1973, to be inclusive. There wasn’t as much to collect. Today, although the ArQuives still collects internationally in several areas, it can only hope to form representative holdings, even of Canadiana, because of the explosion of LGBTQ2+ material that has become available. 1 The ArQuives is currently the largest independent, community-based LGBTQ2+ archive in the world. For more information, see: http://www.arquives.ca. 88486486 - CCahiers-papersahiers-papers 5577 - ffinal.inddinal.indd 110808 220-05-210-05-21 113:163:16 From Paper, to Microform, to Digital? 109 Figure 1 : The ArQuives, 34 Isabella Street, Toronto. Credit : Don McLeod. The LGBTQ2+ Serials Collection The ArQuives has always collected LGBTQ2+ serials internationally and continues to do so. The collection has been curated since 1977 by Alan V. Miller. It grew rapidly, from 250 titles in 1977 to more than 600 titles, with 5,400 individual issues, by 1979. By 1981, the total had nearly doubled to 1,100 titles. It nearly doubled again, by 1986, to 1,850 titles.2 As of August 2018, there were more than 10,504 LGBTQ2+ serials titles at the ArQuives, one of the largest accumulations in the world.3 A title might be the most obscure, single-sheet, single- issue, mimeographed production—or a high-end, slickly produced, multi-issue work. Some titles, such as The Advocate (Los Angeles), or Xtra! (Toronto), run to hundreds of issues. The LGBTQ2+ serials 2 Alan V. Miller, “The Canadian Lesbian and Gay Archives,” in International Periodicals and Newsletters from the Canadian Lesbian and Gay Archives. Filmed from the Holdings of the Canadian Lesbian and Gay Archives. Series 11, rev. ed. (Woodbridge, CT: Primary Source Media/Gale Cengage Learning, 2009), v. 3 There is also an unsorted cataloguing backlog, which could add even more titles to the total. The only other collection of LBGTQ2+ serials that is comparable in size—and perhaps slightly larger—is housed at the ONE National Gay And Lesbian Archives in Los Angeles. 88486486 - CCahiers-papersahiers-papers 5577 - ffinal.inddinal.indd 110909 220-05-210-05-21 113:163:16 110 Papers of the Bibliographical Society of Canada 57 Figure 2 : The public reading room at the ArQuives. Credit : Don McLeod. collection at the ArQuives takes up considerable space, approximately 250 linear metres of shelving, and is kept in archival boxes mostly at 65 Wellesley Street East. The collection is exceptionally strong for its Canadian serial holdings, and, with 2,075 titles, is by far the largest collection of Canadian LGBTQ2+ serials in existence. But it also has titles from more than fifty other countries, and in multiple languages. The earliest title dates from the 1890s, and although the ArQuives has excellent representation of seminal LGBTQ2+ titles such as Arcadie (Paris), Jahrbuch für sexuelle Zwischenstufen (Berlin), Der Kreis (Zurich), The Ladder (San Francisco/Reno, NV), ONE Magazine (Los Angeles), Der Weg (Hamburg), and so on, the collection is heavily slanted to the period after 1969. Most titles in the collection are of local, as opposed to national or international, interest. Many represent the only surviving record of the activities of obscure local LGBTQ2+ groups or organizations. Erotic or frankly pornographic titles are collected as well.4 4 In accordance with Canadian and international law, the ArQuives does not collect LGBTQ2+ serials that depict minors engaged in sexual activity. 88486486 - CCahiers-papersahiers-papers 5577 - ffinal.inddinal.indd 111010 220-05-210-05-21 113:163:16 From Paper, to Microform, to Digital? 111 One remarkable fact about the LGBTQ2+ serials collection at the ArQuives is that it has been formed entirely through donations.