Nietzsche's Comparative Religion: an Analysis of the Anti-Christ

Nietzsche's Comparative Religion: an Analysis of the Anti-Christ

Nietzsche's Comparative Religion: An Analysis of The Anti-Christ t. I Gary Wilson Submitted in partial fulfilment of the requirements for the degree of Master of Arts The University of Cape Town 1994 University of Cape Town The copyright of this thesis vests in the author. No quotation from it or information derived from it is to be published without full acknowledgement of the source. The thesis is to be used for private study or non- commercial research purposes only. Published by the University of Cape Town (UCT) in terms of the non-exclusive license granted to UCT by the author. University of Cape Town i f f I I SUMMARY OF TIIESIS ! r ' This thesis explores the argument that Nietzsche's aim in his book The Anti-Christ is to reveal what he regards as the truth about Christianity, and that he uses detailed comparisons to prove this. Many forms of comparison are used by Nietzsche in The Anti-Christ. One is the comparison between Christianity and other religions such as Hinduism, Buddhism, Judaism, and Islam. Another is the comparison between different forms or even levels of Christianity. And yet another is the comparison between Christianity, science, and Buddhism, based on their degree of contact with reality. As these comparisons are traced in this thesis, a number of contradictions are encountered, and it would appear that these are due to Nietzsche's attempt to address two groups of readers - Christi~ readers, and those readers who are prepared for Nietzsche's radical philosophy. The contradictions arise when Nietzsche tries to i.' please both groups of readers, to be both blunt and sophisticated at the same time. Nonetheless the tension created in attempting to address both these groups makes The Anti- Christ compelling reading, an effect Nietzsche hoped he would achieve. I! l .. II I ACKNOWLEDGMENTS I I I f My thanks are due, in the first place, to my parents, Mr. R. T. and~- D. Wilson, for their generosity and support, which in large part enabled me to complete this thesis. Secondly, I have to thanks my friends, Carina Wright, Loren and Jonty Eales, and Justin Snell, for their I I support and their many helpful comments. Thirdly, I owe acknowledgement to those many at f the University of Cape Town, in the course of discussion with whom I have learnt most of what is here set out; my debt to Professor David Chidester, for example, will be obvious. I I ' have especial reason to be grateful to Professors J. W. de Gruchy, C. A. Wanamaker, and C. I Villa Vicencio, whose teachings greatly informed this work. Fourthly, the financial assistance I of the Centre For Science Development, (H.S.R.C., South Africa), towards this research is ' l! ! i hereby acknowledged. Opinions expressed and conclusions arrived at, are those of the author i and are not necessarily to be attributed to the Centre For Science Development. iI I l •~ ! ~" i i I ! t i I i1 t f ! \; J l kt at t< i I ... Ill ! I ' f I I KEY TO SHORT CITATIONS I t t l ~ i ! The following are the translations of Nietzsche I have cited. In the case of works cited It: repeatedly, title abbreviations are given in parentheses. In the case of works divided into f section numbered consecutively from beginning to end, I have cited only numbers, in Arabic, l' I f except in cases where the sections are lengthy and page specifications are called for. '! 'f i I t The Anti-Christ (A), trans, R.J. Hollingdale. In The Twilight of the Idols and The Anti-Christ, I r I ed. R. J. Hollingdale. Baltimore: Penguin Books, 1961. [ 'i i i : Beyond Good and Evil (BGE), trans. Walter Kaufmann. New York: Vintage Books, 1966. ! ! ""- ,· The Birth of Tragedy (BT), trans. Walter Kaufmann. New York: Vintage Books, 1966. i : ! The Case of Wagner, trans. Walter Kaufmann. New York: Vintage Books, 1966. \ 1 1- 1 Ecce Homo (EH), trans. Walter Kaufmann. New York: Vintage Books, 1968. i !' The Gay Science (GS), trans. Walter Kaufmann. New York: Vintage Books, 1974. i I' Human, All Too Human, (HH), trans. Marion Faber, with Stephan Lehmann. Lincoln: f:•· ; r !. f : University of Nebraska Press, 1984. i t : l ! I! : I I : l: l,. f !' •t f i i I IV I I r On the Genealogy ofMorals (G~1), Walter Kaufmann and R. J. Hollingdale. New York: f t Vintage Books, 1968. Thus Spoke Zarathustra (Z), ed. and trans. Walter Kaufmann. In The Portable Nietzsche, ed. ! f i Walter Kaufmann. New York: Viking Press, 1954. ~ 'i i Twilight of the Idols (Twi), ed. and trans. Walter Kaufmann. In The Portable nietz.sche. ' l : '! Untimely Meditations (UM, trans. R. J. Hollingdale. Cambridge: Cambridge University Press, I I : !. 1983. ! I r : The Will to Power (WP), Walter Kaufmann and R.J.Hollingdale. New York: Vintage Books, !: : ~ l- : 1968. r : ~ : 1 t t ' The following is the German edition of Nietzsche's works that I have cited. It f' : I : ' : : Friedreich Nietzsche: Samtliche Werke: Kritische Studienausgabe, ed. Giorgio Colli and :l t ~ ~· ' Mazzino Montinari, 15 Volwnes, Dtinndruck Ausgabe. Berlin: Walter de Gruyter, ;~ I : ;, 1980. Cited as "KGW." t : ! 't i i I } : f f } : 't t 'I .'t : f: r t f ' t : I ! ! f' f : r f [ 'i : l !!· ! r't ,t ~ CONTENTS INIRODUCTION v-x 1. CHRISTIANilY VERSUS SCIENCE 1 i! : I : 2. SCRIPTIJRE AND PHILOLOGY 20 r : l! : LI : t•• . t . 3. ORIGINATORY FIGURES: JESUS, NIETZSCHE, BUDDHA 33 I·. ).. t . l ':r.. L r • 4. "ALL SUFFERING EXISTENCE" 53 '. IL : I: f '. 5. CONCLUSION 68 t : I~ : p : t : t : l. 6. BIBLIOGRAPHY 71 f: I: ii'. tif,; t ! f : I I le,. f I,t f ( !. t i t: '.I'.: f '.f : l-'.i I: 1. I INTRODUCTION r I I \/ lbis thesis is not an attempt to systematically detail Nietzsche's comparative religion. Attempts to systematically detail with aspects of Nietzsche's thought all too often miss the dynamics that inform Nietzsche's texts. In this case, these dynamics and the textual tensions created by them radically affect the nature of Nietzsche's comparisons. My emphasis on those parts or aspects of The Anti-Christ that most reveal Nietzsche's comparative religion forms part of an exploration of the following thesis: Nietzsche's aim in The Anti-Christ is to reveal what he regards as the truth about Christianity, and he uses detailed comparisons to achieve this. Many forms of comparison are used by Nietzsche in The Anti-Christ. One is the comparison between Christianity and other religions such as Hinduism, Buddhism, Judaism, and Islam. Another is the comparison between different forms or even levels of Christianity. These levels include the Christianity of the Bible read as a revealed text, which Nietzsche compares with the Christianity of the Bible read philologically, as an ordinary text; and the Christianity that arose after the death of Jesus, which Nietzsche compares with the Christian message preached by Jesus. The Anti-Christ is a text directed at two groups of readers and this affects the way these comparisons are understood. In his Foreword Nietzsche presupposes one type of reader, the reader who really understands his writing and his philosophy: "This book belongs to the very few. Perhaps none of them is even living yet. Possibly they are the readers who understand my Zarathustra." It is this reader who will understand Nietzsche's seriousness, and passion, because s/he will, Nietzsche hopes, be prepared by her or his honesty and seriousness for the intricacies of The Anti-Christ. Nietzsche though also presupposes another type of reader, the Christian reader: "If there is today still no lack of those who do not know VI how indecent it is to 'believe' - or a sign of decadence, of a broken will to live - well they will know it tomorrow. My voice reaches even the hard of hearing" (A 50). It is the Christian reader whom Nietzsche hopes to shock out of the torpor of belief. The tactics used by him to f achieve this are often blunt and shocking. Nietzsche wants to reveal Christianity for all he I thinks it is, and he wants every Christian to know this: Wherever there are walls I shall inscribe this eternal accusation against Christianity on them - I can write in letters which make even the blind see ... .I call Christianity the one great curse, the one great intrinsic depravity, the one great instinct for revenge for which no expedient is sufficiently poisonous, secret, subterranean, petty - I call it the one immortal blemish of mankind ... " ( A 62) For the Christian reader the comparisons "Nietzsche draws are resoundingly stark, and Christianity is always compared to its disadvantage. The only exception to this is the person of Jesus. This is because Jesus stands at the center of The Anti-Christ, representing for Nietzsche the original and untainted form of Christianity. As Nietzsche puts it: "there has only been one Christian, and he died on the Cross. The 'Evangel' died on the Cross. What . I '. : was called 'Evangel' from this moment onwards was already the opposite of what he had lived: 'bad tidings', a 'dysangel"' (A 39). Nietzsche aims in his descriptions of Jesus the person and of Jesus' message to recover this original and positive form of Christianity. Nietzsche's overall intention though is still clear; he reveals the misinterpretation, falsity, and deception of the Christianity that developed after the death of Jesus, by comparing this to .. VII Jesus' original message. The attentive readers of The Anti-Christ though, those whom Nietzsche refers to as "the very few," will notice that Nietzsche's anti-Christian message is tainted with a number of contradictions.

View Full Text

Details

  • File Type
    pdf
  • Upload Time
    -
  • Content Languages
    English
  • Upload User
    Anonymous/Not logged-in
  • File Pages
    93 Page
  • File Size
    -

Download

Channel Download Status
Express Download Enable

Copyright

We respect the copyrights and intellectual property rights of all users. All uploaded documents are either original works of the uploader or authorized works of the rightful owners.

  • Not to be reproduced or distributed without explicit permission.
  • Not used for commercial purposes outside of approved use cases.
  • Not used to infringe on the rights of the original creators.
  • If you believe any content infringes your copyright, please contact us immediately.

Support

For help with questions, suggestions, or problems, please contact us