Research Journal of English Language and Literature (RJELAL) WRITINGS of SAROJINI SAHOO: a REINFORCEMENT of FEMALE INDIVIDUALIS

Research Journal of English Language and Literature (RJELAL) WRITINGS of SAROJINI SAHOO: a REINFORCEMENT of FEMALE INDIVIDUALIS

Research Journal of English Language and Literature (RJELAL) A Peer Reviewed (Refereed) International Journal Vol.3.Issue.1.2015 http://www.rjelal.com RESEARCH ARTICLE WRITINGS OF SAROJINI SAHOO: A REINFORCEMENT OF FEMALE INDIVIDUALISM IN POST INDEPENDENCE ERA SWASTIKA MUDULI LECTURER, DEPARTMENT OF ENGLISH U.N.S MOHAVIDYALAYA, JAJPUR UTKAL UNIVERSITY ABSTRACT This present paper studies about the female individualism and its values rather than social values in the writings of Sarojini Sahoo. It focusses the priority given to individualism specifically to women in Odia literature. In Odia literature, a reader can see there is always a conflict between social values and individual values. This conflict can be seen from the first short story ‘Rebati’ by Fakir Mohan Senapati to till now. In nineteenth century, the social values are the domain factor in Odia fiction but in post-independence age, more individual value based fictions came to the light. Female individualism approached equality legally and the key concept of feminism with individualism--- such as equality, justice and class--- bear so little SWASTIKA MUDULI relation to the concepts as used by socialists.It is not merely a position on affirmative action or civil liberties. It is a comprehensive, integrated system of Article Info:03/02/2015 beliefs concerning women’s relationship to society. linda Gordon in woman’s body Revised on: 14/03/2015 and woman’s right wrote, the closer we look, the harder it is to distinguish social Accepted on: 17/03/2015 puritry group from frminist ones. In this context Sarojini says: as a feminist I think I am more a writer and as a writer I think Iam more a feminist. Her focus on female individualism articulates polyphonies voices speaking to women, urging them to empower themselves coaxing them to speak, to write, to tell their stories, to break their silence.the richness of this tradition is not surprising when you realise that the very root of feminism were profoundly individualistic. Key words:Individualism, feminism, sexuality, spiritualism, gender bias, socialism. © Copyright KY Publications SarojiniSahoois purely a feminist writer, stories have been published to her credit. In Odia, bilingual south Asian feminist writer in there are eight short stories collections and eight contemporary Odia literature. Though she is a novels in published form to her credit. Her fiction bilingual writer, she prefers to write her creative always projects feminine sensibility like restrictions writings in Odia and her critical appraisal in English. in adolescence or pregnancy, the fear factors like In English, one novel and two anthologies of short being raped or being condemned by society and the 121 SWASTIKA MUDULI Research Journal of English Language and Literature (RJELAL) A Peer Reviewed (Refereed) International Journal Vol.3.Issue.1.2015 http://www.rjelal.com concept of a bad girl etc. are the themes of her approached equality in a more strictly legal manner, novels. appealing to natural law theory. They wished the Firstly, I propose to define Individualism is individual rights of women to be fully acknowledged the right of the individual to freedom and self- under laws that protected the person and private realisation. Individualism is thus also associated with property of men and women identically. It makes artistic and bohemian interests and lifestyles where the self-ownership which referred to the moral there is a tendency towards self-creation and jurisdiction every human being has over his or her experimentation as opposed to tradition and own body and over the products of his or her own popular mass opinions and behaviours. labour. This approach not only embraced private Individualism holds that a person taking part in the property and natural rights to choose any lifestyle society attempts to further his or her own interests that did not involve aggression against another. The or at least demands the right to serve his or her own first wave feminism fought for votes for women, the interests, without taking the interest of society into second wave feminists believed in women’s consideration. They cared deeply about social collective empowerment, producing expressions problems, but they did not believe in governmental such as “sisterhood is powerful” or “the personal is solutions. Although many were firmly puritanical in political. The third wave feminism from the mid- their views and personal conduct, they were even 1990s onward emerged of a new postcolonial world firmer in their commitment to the right of peaceful order, challenging the notion of “universal individuals to choose. womanhood”. Women fought for being recognised Browsing the history of Odisha, before as capable, strong, and assertive social agents. All independence, the language of odia was basically in these three waves of feminism had in common goal: Sanskrit or literary idioms but after independence to focus people’s attention on them, to demolish the the writers freely used the western concepts, cultural ideology according to which women’s lives idioms, images, and adaptation of western myths. are not interesting and are not worth attention. During the early decades of the twentieth century, Because they were consigned to the historical several factors including the moment for the margins as well. preservation of Odia language, the of Odia regional According to Sahoo, feminism should not consciousness, the advent of BramhoSamaj, the act in opposition to men as individuals. To her, campaign for widow remarriage, the legal abolition feminism is against oppressive and out dated social of untouchability and the struggle for national structures which forces both men and women into movement--- odia women writers like Sarala Devi, positions which are false. Her writing deals with Bidyutprava Devi, KuntalaKumariSabat, Sita Devi female sexuality, the emotional lives of women and Khadanga etc. show their social values towards Odia the intricate fabric of human relationships, depicting people and language and also in their writings. But extensively about the inferior experiences of women post-independence writers mainly focus upon the and hoe their burgeoning sexuality is seen as a individual values, though their writings based upon threat to traditional patriarchal society. According to the social values. The modern woman adopted myth her, feminism is not a gender problem. It is an as a strategy to challenge the pre conceived notion integral part of femaleness separate from the of woman so as to recreate her in new ways. Their masculine world. Her feminism is constantly linked writings interface with many progressive events in to sexual politics of a woman. She denies patriarchal the state, such as rise of female education, trade limits of sexual expression for a woman and she union movements and women’s participation in identifies women’s sexual liberation as the real various aspect of civil and political life and also motive behind the women’s movement.To her, women’s liberation which paves the way for the common women writer's voice while relating the process of social recognition. truth and exposing their inner self. Even their The priority is given to the theme of weaknesses or love relations are also not expressed individualism of women that the Individual feminists clearly in fear of social scandal of their character. A 122 SWASTIKA MUDULI Research Journal of English Language and Literature (RJELAL) A Peer Reviewed (Refereed) International Journal Vol.3.Issue.1.2015 http://www.rjelal.com typical womanish shyness prevents them to write woman in India. At the same time, it also portrays a their actual feelings towards sex and love. This is not story of how a perverted man, over time, becomes a only due to any restriction imposed by their family, perfect man. It also delves into the relationship but much time we find that an idea of being a good between the ‘state’ and the ‘individual’ and comes girl pursues them to hide their own feelings and to the conclusion that ‘the state’ represents the experiences. moods and wishes of a ruler and hence, ‘the state’ Her first attempt in Odia literature to focus actually becomes a form of ‘an individual.’ on sexuality as a part of social revolt by any woman. Additionally, it takes a broader look at terrorism and Medha, the protagonist of the novel Upanibesh was state-sponsored anarchism. a bohemian.In her premarital stage, she was Her description about Sexuality, it is thinking that it was boring to live with a man something that can be related to many other lifelong. Perhaps she wanted a chain free life,where aspects of culture tightly linked with on individual there would be any monotony. But she had to life. Anyone’s class or geographic identity could be marryBhaskar. Can Indian society imagine a lady closely associated to his or her sexuality. For her, with bohemianism?Her another novel organism is the body’s natural call to feminist Pratibandidescribes about the thematic politics. If being a woman is this good, women must development of sexuality in a woman. Priyanka, the be worth something. Her novels like Upanibesh, protagonist of the novel has to encounter the Pratibandiand GambhiriGhara cover an areas from loneliness develops into a sexual urge and soon, sexuality to philosophy, from the politics of the Priyanka finds herself sexually attached with a home to the politics of the world.Sexuality may well former member of parliament. Though there is an be the most rewarding bliss of all possible age gap between them, his intelligence impress her experiences that life can offer between two people and she discovers a hidden archaeologist in him. passionately attracted to each other. The union it Her famous novel GambhiriGhara(The Dark produces between men and women in love is so Abode) describes an unusual relationship between close and so complete that two finite individuals can two people---a Hindu house wife of India and a interrelate almost as if they were one indivisible Muslim artist of Pakistan.

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