Cambridge University Press 978-1-107-08860-3 — Bach's Numbers Ruth Tatlow Index More Information Index References to tables are given in bold type. acrostic, 6, 12, 39, 42–4, 211, 230 in number alphabets, 65–8, 198, Agricola, Johann Friedrich (1770–74), 18, 73, 266–74 128, 204–17, 238, 354–6, 363, 366 permutation, 12, 69–70, 211, 243, 247, 289, Ahle, Johann Georg (1651–1706), 42 347, 353 Alain, Olivier (1918–94), 200 Bach, Anna Magdalena (1701–60), 69, 155–8, alchemy, 57 306, 356 aliquot numbers, 103 numerical value of name, 69 alphabets, number, 5–6, 44, 57, 67, 323–4, transcriptions 347–8, 366–9 Clavierbüchlein, 1722, 356 milesian, 12, 44, 47, 57, 67 Clavierbüchlein, 1725, 175, 197 natural order, 12, 68, 232, 234–5, 237–8, 293, French Overture in C minor, 177 324, 344 Six Cello Suites, 149 parallel, 266 Six Solos for violin (BWV 1001–1006), trigonal, 44, 67 134, 136–41, 151–5 Altnickol, Elisabeth Juliana Frederica Trio Sonatas (BWV 525–30), (1726–81), 279 287–8 Altnickol, Johann Christoph (1720–59), 240, Bach, Carl Philipp Emanuel (1714–86), 73, 279, 303–4, 367 94–6, 204, 221–2, 291, 293, 327, copies 354–6, 359 The Art of Fugue, 240, 251–2 on Bach as teacher, 47, 96 French Suites, 356–9, 357 Bach’s obituary, 238, 381 Lutheran Masses, 328 on Bach’sunfinished fugue, 240 Six Sonatas (BWV 1014–1019), 158, 215, numerical value of name, 68 140, 146–9 publications, 104, 240 Leipzig Organ Chorales additions, 276, 279, Bach, Johann August (1745–89), 208 282–4, 293 Bach, Johann Bernhard (1676–1749), 257, 259, Ammon, Johann Christoph, 83 260–1, 265 anagram, 6, 39, 42, 61 Bach, Johann Christoph (1642–1703), uncle to Anise anisum,53 JSB, 359 Anna Amalia of Prussia, Princess (1723–87), 267 Bach, Johann Christoph, brother to JSB architecture, 19–20, 37, 98–9, 106, 112–13 (1671–1721), 49 Aristotle (384–322 BCE), 367 Bach, Johann Christoph Friedrich, son to JSB Arnstadt, 51 (1732–95), 240–1, 267 Bach, Johann Elias (1705–55), 182 B and H, 12, 27, 62 Bach, Johann Ernst (1722–77), 259 B-A-C-(H) form, 12, 27, 252–3 Bach, Johann Heinrich (1707–83), 140, 147, in bar numbers, 211, 290 222 in key signature across works, 27, 68, 145, Bach, Johann Nicolaus (1669–1753), 61 173, 178–9, 363 Bach, Johann Sebastian (1685–1750) in melodies, 62, 211, 238, 241, 246 for works ordered by BWV number see intervallic symmetry, 103–4 Bach-Werke-Verzeichnis 400 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-08860-3 — Bach's Numbers Ruth Tatlow Index More Information index 401 Art of Fugue (BWV 1080), 28, 30, 33, 43, ‘Siehe zu, dass deine Gottesfurcht’ (BWV 107, 127, 144, 198, 238–54, 242, 243, 179), 327 244, 246, 249–50, 281, 287 ‘Verjaget, zerstreuet, zerrütet, ihr Sterne’ Ascension Oratorio (BWV 11), 28, 31, (BWV 249b), 349 350–3 ‘Wer nur den lieben Gott lässt walten’ Aufrichtige Anleitung (BWV 772–801), 26, (BWV 93), 219 32–3, 68, 164–6, 165, 168–72, 171, ‘Wo soll ich fliehen hin’ (BWV 5), 174, 290, 290 319–20 Invention No.6 in E major (BWV 777), Christmas Oratorio (BWV 248), 22, 29, 302, 164 319, 336–48, 337–8, 341, 342–3, Sinfonia No.2 in C minor (BWV 788), 166 345–6 Brandenburg Concertos (BWV 1046–51), Clavier Übung series, 97, 180, 202, 353 30–1, 266–74, 269, 271, 355 Clavier Übung I (BWV 825–830), 30, 64, Brandenburg Concerto No.4 (BWV 64, 126, 172–81, 173, 174, 179, 180, 1049), 21, 123, 270–2 290 Brandenburg Concerto No.5 (BWV Partita 1 (BWV 825), 172, 175–7, 176 1050), 270, 272, 273–4 Partita 2 (BWV 826), 23, 25, 172, 174, Canonic Variations (BWV 769), 30, 204–17, 177 214, 216–17, 234 Partita 3 (BWV 827), 172, 175 canons (miscellaneous) Partita 4 (BWV 828), 4–6, 23, 172, 179 Canon a 4 (BWV 1074), 30 Partita 5 (BWV 829), 25, 172, 180 Canon triplex a 6 (BWV 1076), 116 Clavier Übung II (BWV 831, 971), 64, 143, Fourteen canons (BWV 1087), 199–203, 173, 173, 174, 290 200, 212 Italian Concerto (BWV 971), 30, 64, 177, cantatas 179 ‘Aus der Tiefen rufe ich, Herr, zu dir’ French Overture in B minor (BWV 831), (BWV 131), 321 25, 27, 30, 63, 173 ‘Bleib bei uns, denn es will Abend werden’ French Overture in C minor (BWV 831a), (BWV 6), 218–19 27, 177 ‘Du sollt Gott, deinen Herren, lieben’ Clavier Übung III (BWV 669–689, 802–5), (BWV 77), 5 28, 43, 123, 182–90, 187, 213, 221–2, ‘Du wahrer Gott und Davids Sohn’ (BWV 292, 362, 31–2 23), 319 chorale preludes (BWV 669–689), 184, ‘Ein Herz, das seinen Jesum lebend weiß’ 185, 189 (BWV 134), 318 Vater unser im Himmelreich (BWV ‘Entfliehet, verschwindet, entweichet, ihr 682–683), 189 Sorgen’ (BWV 249a), 348 Wir glauben all an einen Gott and ‘Gott der Herr ist Sonn und Schild’ (BWV Fughetta: Wir glauben all an einen 79), 327 Gott (BWV 680–681), 189 ‘Gott ist mein König’ (BWV 71), 30, 319, Prelude and Fugue in E♭ major ‘St Anne’ 319–25, 324, 329 (BWV 552), 186, 192 ‘Herr, deine Augen sehen nach dem Clavier Übung IV, see Goldberg Variations Glauben’ (BWV 102), 327 Early Keyboard Transcriptions (BWV ‘Herz und Mund und Tat und Leben’ 972–82, 592). 258 (BWV 147), 319 BWV 972–4, 264 ‘Ich freue mich in dir’ (BWV 134), 318 BWV 972–977, 262–3, 262 ‘Jesus nahm zu sich die Zwölfe’ BWV 972–982, 173, 262, 263 (BWV 22), 319 592, 255–66 ‘Kommt, fliehet und eilet’ (BWV 249), 349 BWV 972–987, 31 ‘Laβt uns sorgen, laβt uns wachen’ (BWV BWV 977–982, 366 213), 341 BWV 978–980, 264 ‘Meine Seel erhebt den Herren’ (BWV Easter Oratorio (BWV 249), 28, 31, 348–53, 10), 218–19 349 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-08860-3 — Bach's Numbers Ruth Tatlow Index More Information 402 index Bach, Johann Sebastian (1685–1750) (cont.) Neumeister Chorales (BWV 1090–1120), English Suites (BWV 806–811), 31, 356, 290, 359 357 Oratorios, French Suites (BWV 812–817), 31, 355, Ascension BWV 11: Lobet Gott in seinen 356–9, 357 Reichen, 28, 31, 350–3, 351–2 Goldberg Variations (BWV 988), 22, 28, 30, Christmas (BWV 248), 22, 29, 302, 319, 190–7, 192, 195, 201, 281 336–48, 337–8, 341, 342–3, 345–6 Great Six Organ Preludes and Fugues (BWV Easter (BWV 249), 28, 31, 348–53, 352 543–8), 360, 362 Organ Concerto in G major (BWV 592), 264 Prelude and Fugue in E minor, ‘The Orgelbüchlein (BWV 599–644), 31, 96, 358 Wedge’ (BWV 548), 248, 363 ‘Christus, der uns selig macht’ (BWV Harpsichord Concertos (BWV 1052–64) 620), 359 BWV 1052–65, 28, 365 ‘Helfft mir Gottes Güte preisen’ (BWV BWV 1052–57, 364, 365 613), 359 Harpsichord Concerto 6 in F major ‘Kom, Gott Schöpfer, heiliger Geist’ (BWV 1057), 21–2, 123, 269 (BWV 631), 359 Leipzig Organ Chorales (BWV 651–668), 28, Passions 31 St. John Passion (BWV 245), 31, 294, BWV 651–663, 275–93 306–17, 308, 311–12, 314 BWV 651–665, 189 St. Mark Passion (BWV 247), 317–18, 343 ‘Allein Gott in der Höh sey Ehr’ (BWV St. Matthew Passion (BWV 244), 22–3, 25, 664a), 281 30–1, 43, 295–302, 296–7, 325, 355 ‘Fantasia super “Kom, heiliger Geist”’ Prelude in B minor (BWV 923), 162 (BWV 651), 280–1 Schübler Chorales (BWV 645–50), 30, 212, ‘Jesus Christus, unser Heyland’ (BWV 213, 217–23, 219–23, 219, 234, 293 665a), 281 Six Solos for violin (BWV 1001–6), 21, 24, ‘Jesus Christus, unser Heyland’ (BWV 27, 29, 33, 64, 133–45, 134–6, 666), 279 136–41, 140, 149, 355 ‘Komm, Gott Schöpfer, heiliger Geist’ numerical structure, 135 (BWV 667), 279 Sonata 1 for solo violin in G minor (BWV ‘Nun danket alle Gott’ (657a), 280 1001), 136, 137 ‘Nun komm der Heyden Heyland’ (BWV Partita 1 for solo violin in B minor (BWV 661a), 280 1002), 24, 137, 143 ‘Von Gott will ich nicht lassen’ (BWV Sonata 2 for solo violin in A minor (BWV 658a), 280 1003), 143 ‘Vor deinen Thron tret ich hiermit’ (BWV Partita 2 for solo violin in D minor (BWV 668), 279 1004), 23 Magnificat in D major (BWV 243), 319 Sonata 3 for solo violin in C major (BWV Mass in A major (BWV 234), see Masses, 1005), 248 Lutheran Partita 3 for solo violin in E major (BWV Mass in B minor (BWV 232), 4, 22, 24–5, 28, 1006), 21, 138–9 30–2, 108, 121–9, 310, 319, 330–6, Suite in E major for lute (BWV 1006a), 334 139 Masses, Latin, 326–30 Six Cello Suites (BWV 1007–1012), 31, Masses, Lutheran (BWV 233–6), 326–30, 149–58, 152 328 Suite 1 in G major for solo cello (BWV Missa in A major (BWV 234), 31, 329, 1007), 155 331, 331 Suite 5 in C minor for solo cello (BWV Missa in B minor (BWV 232 I), 27, 121, 1011), 150, 156 123, 306 Suite 6 in D major for solo cello (BWV Musical Offering (BWV 1079), 30, 213, 1012), 151, 153, 154 224–38, 228, 231–2, 288 Six Toccatas (BWV 911–16), 356 © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-1-107-08860-3 — Bach's Numbers Ruth Tatlow Index More Information index 403 Six Trio Sonatas (BWV 525–530), 25, 31, 215, transcriptions, Trio Sonatas (BWV 525–30), 284–92, 286, 290,355,292–3 284 Sonatas for Violin and Harpsichord (BWV writing, 88 1014–19), 27, 29, 31, 64, 140, 148–9, Bach-Werke-Verzeichnis (BWV), BWV 2a 355, 146–9, BWV 5: ‘Wo soll ich fliehen hin’, 319–20 bar structure, 147 BWV 6: ‘Bleib bei uns, denn es will Abend Sonata 6 in G major (BWV 1019), 32–3, werden’, 218–19 148 BWV 10: ‘Meine Seel erhebt den Herren’, Sonata 6 in G major (BWV 1019a), 43, 175 218, 219 Suites for Lute (BWV 995–98, 1006a), 139, BWV 11: ‘Lobet Gott in seinen Reichen’ 355 (Ascension Oratorio), 28, 31, 350–3, Prelude, Fugue and Allegro in E♭ major 351–2 (BWV 998), 157 BWV 17: ‘Wer Dank opfert, der preiset Suite in G Minor (BWV 995), 156 mich’, 328 Suites for Orchestra (BWV 1066–69), 355 BWV 22: ‘Jesus nahm zu sich die Zwölfe’, Suscepit Israel puerum suum (BWV 1082), 319 327 BWV 23: ‘Du wahrer Gott und Davids Tilge, Höchster, meine Sünden (BWV 1083),