09/25/21 Photography: Documentary, Landscape, Politics - 863P4 - Cecile Chevalier | Sussex University Photography: Documentary, Landscape, View Online Politics - 863P4 - Cecile Chevalier Abrahams, F., Stover, E. and Peress, G. (2001) A village destroyed, May 14, 1999: war crimes in Kosovo. Berkeley, Calif: University of California Press. Ackroyd, P. (2000) London: the biography. London: Chatto & Windus. Adams, R. (2001) Summer nights. New York: Aperture. Adams, R. (2008) The new West: landscapes along the Colorado Front range. New York: Aperture. Adams, R. and Fondation Cartier (2007) Time passes. Paris: Fondation Cartier pour l’Art Contemporain. Aesthetica: The Art and Culture Magazine (no date). Available at: http://www.aestheticamagazine.com/. America & Lewis Hine: photographs 1904-1940 (1997). New York, N.Y.: Aperture Foundation. Andrews, P. (2010) Adobe Photoshop Elements 8 for photographers. Oxford: Focal. Available at: http://www.sciencedirect.com/science/book/9780240521893. Appleton, J. (1996) The experience of landscape. Rev. ed. London: Wiley. Arbus, D. (1985) Diane Arbus: magazine work. Phaidon. Arbus, D. (1995) Untitled. London: Thames & Hudson. Arbus, D., Arbus, D. and Israel, M. (1997) Diane Arbus. 25th anniversary ed. New York, N.Y.: Aperture Foundation. Arnatt, K. et al. (2007) I’m a real photographer: Keith Arnatt, photographs 1974-2002. London: Chris Boot. Arnolfini Gallery and Serpentine Gallery (1989) Shifting focus: an international exhibition of contemporary women’s photograpy. UK: Arnolfini/Serpentine. Art and design, photography and architecture. The Guardian (no date). Available at: http://www.theguardian.com/artanddesign. 1/21 09/25/21 Photography: Documentary, Landscape, Politics - 863P4 - Cecile Chevalier | Sussex University Auge ́ , M. (1995) Non-places: introduction to the anthropology of supermodernity. London: Verso. Avedon, R., Holm, M. J. and Crenzien, H. (no date) Richard Avedon photographs, 1946-2004. Humlebæk, Denmark: Louisiana Museum of Modern Art. Bachelard, G. and Jolas, M. (1994) The poetics of space. Boston, Mass: Beacon Press. Badger, G. (2009) The genius of photography: how photography has changed our lives. London: Quadrille. Barnard, L., Stallabrass, J. and Shinkle, E. (2014) Hyenas of the battlefield, machines in the garden. London: Gost Books. Barney, T. (1991) Friends and relations. Washington, D.C.: Smithsonian Institution Press in association with Constance Sullivan Editions. Barney, T. and Grundberg, A. (1997) Photographs: theater of manners. Zurich: Scalo. Barthes, R. (2000) Camera lucida: reflections on photography. London: Vintage. Bate, D. (2009a) Photography: the key concepts. English edition. Oxford: Berg. Available at: http://ezproxy.sussex.ac.uk/login?url=http://search.ebscohost.com/login.aspx?direct=true &scope=site&db=nlebk&db=nlabk&AN=288231. Bate, D. (2009b) Photography: the key concepts. English ed. Oxford: Berg. Bell, C. and Solomon R. Guggenheim Museum (1996) In/sight: African photographers, 1940 to the present. New York, N.Y.: Guggenheim Museum Publications. Bell, J. and Harrington, G. (2000) Gold rush: athletes. Stockport: Dewi Lewis. Benjamin, W. (1997) Charles Baudelaire: a lyric poet in the era of high capitalism. London: Verso. Benjamin, W. and Arendt, H. (1999) Illuminations. London: Pimlico. Berger, J. (2008) Ways of seeing. London: Penguin. Berger, J., Mohr, J. and Philibert, N. (1982) Another way of telling. Writers and Readers. Berman, N. (2004) Purple hearts: back from Iraq ; photographs and interviews. London: Trolley. Berman, N. (2008) Homeland. London: Trolley. Bieber, J. (2006) Between dogs and wolves: growing up with South Africa. Stockport: Dewi Lewis. 2/21 09/25/21 Photography: Documentary, Landscape, Politics - 863P4 - Cecile Chevalier | Sussex University Billingham, R., Collins, M. and Germain, J. (2000) Ray’s a laugh. Zurich: Scalo. Bittencourt, J. (2008) In a window of Prestes Maia 911 building. Stockport: Dewi Lewis Publishing. Bolton, R. (1989a) The contest of meaning: critical histories of photography. Cambridge, Mass: MIT P. Bolton, R. (1989b) The contest of meaning: critical histories of photography. Cambridge, Mass: MIT P. Boomkens, R., Visser, H. and Amsterdam (Netherlands) (2000) Beat Streuli, Gabriele Basilico: urban views. Rotterdam: NAi Publishers. Brandt, B., Jeffrey, I. and Barbican Art Gallery (1994) Bill Brandt: photographs, 1928-1983. New York, N.Y.: Thames and Hudson. Brighton and Hove (1999) Brighton and Hove: a different kind of city. The Council. Brighton and Hove: Britain’s elegant seaside resort. (no date). Brighton and Hove and Sussex Careers Services (2001) Setting the scene: a review of the Brighton and Hove economy. Hove: Brighton and Hove Council. Brighton Photo Fringe (no date). Available at: http://www.photofringe.org/. ‘British journal of photography’ (no date). Broomberg, A. and Chanarin, O. (2013) Scarti. [London, England]: Trolley Ltd. Brothers, C. (1997) War and photography: a cultural history. London: Routledge. Burgin, V. (1982a) Thinking photography. Basingstoke: Palgrave Macmillan. Burgin, V. (1982b) Thinking photography. Basingstoke: Palgrave Macmillan. Burke, J. and Norfolk, S. (2011) Burke + Norfolk: photographs from the war in Afghanistan. Stockport: Dewi Lewis. Burtynsky, E. et al. (2005) China : the photographs of Edward Burtynsky. Göttingen: Steidl. Bustamante, J.-M., Criqui, J.-P. and Centre national de la photographie (1999) Jean-Marc Bustamante: oeuvres photographiques 1978-1999. Paris: Centre national de la photographie. Campany, D. (2003) Art and photography. London: Phaidon. Capa, R. and Whelan, R. (1996) Robert Capa: photographs. New York: Aperture Foundation. 3/21 09/25/21 Photography: Documentary, Landscape, Politics - 863P4 - Cecile Chevalier | Sussex University Chambers, I. (1988) Popular culture: the metropolitan experience. London: Routledge. Chapman, S. et al. (2013) Home truths: photography and motherhood. Edited by S. Bright. London: Art/Books. Chelbin, M. (2008) Strangely familiar: acrobats, athletes, and other traveling troupes. New York: Aperture. Chevalier, T., Wiggins, C. and Hunter, T. (2005) Tom Hunter: living in hell and other stories. London: National Gallery. Chrystel Lebas (1AD) Chrystel Lebas: Between Dog and Wolf. Azure Publishing. Available at: http://www.amazon.co.uk/Chrystel-Lebas-Between-Dog-Wolf/dp/0954647815/ref=sr_1_1?s =books&ie=UTF8&qid=1426003326&sr=1-1&keywords=Chrystel+Lebas%3A+Between+ Dog+and+Wolf. Clark, E. (2010) Guantanamo: if the lights go out. Stockport: Dewi Lewis. Clarke, D. J. (2007a) Hong Kong x 24 x 365: a year in the life of a city. Hong Kong: Hong Kong University Press. Clarke, D. J. (2007b) Hong Kong x 24 x 365: a year in the life of a city. Hong Kong: Hong Kong University Press. Available at: https://ebookcentral.proquest.com/lib/suss/detail.action?docID=677367. Clarke, G. (1992) The portrait in photography. London: Reaktion Books. Clarke, G. (1997) The photograph. Oxford: Oxford University Press. Clements, J. (2005) A comprehensive guide to digital black & white photography. Lausanne: AVA. Coekin, C. (2006) Knock three times. Stockport: Dewi Lewis. Cooper, C. (1988) Presence. Manchester: Cornerhouse. Coplan, J. and Weegee (1982) Weegee’s New York: photographs 1935-1960. London: Schirmer Art Books. Coppock, C. et al. (2006) So now then. Cardiff: Ffotogallery. Crewdson, G. et al. (2002) Twilight. New York, N.Y.: Harry N. Abrams. Crewdson, G. and Banks, R. (2008) Beneath the roses. New York: Abrams. Cross, A. (2002) Some trains in America. Munich: Prestel. Davidson, B. (1970) East 100th Street. Harvard U.P. Davies, J. (2006) The British landscape. London: Chris Boot. 4/21 09/25/21 Photography: Documentary, Landscape, Politics - 863P4 - Cecile Chevalier | Sussex University Davies, J. and Powell, R. (1987) A green & pleasant land. Manchester: Cornerhouse Publications. Davies, J., Walker, I. and Ffotogallery (1992) Cross currents. Cardiff: Ffotogallery. DeCarava, R. et al. (1996) Roy DeCarava: a retrospective. New York, N.Y.: Museum of Modern Art. Delahaye, L. (2003) Winterreise. London: Phaidon. Delahaye, L. and Baudrillard, J. (1999) L’autre. London: Phaidon. Derges, S. and Stour Valley Arts (2003) Kingswood. Challock, Kent: Stour Valley Arts. Deriu, D., Kamvasinou, K. and Shinkle, E. (eds) (2014) Emerging landscapes: between production and representation. Farnham: Ashgate Publishing Ltd. Available at: https://ebookcentral.proquest.com/lib/suss/detail.action?docID=1589703. Dewi Lewis (no date). Available at: http://www.dewilewispublishing.com/. Dexter, E. and Weski, T. (2003) Cruel and tender: the real in the twentieth-century photograph. London: Tate. DiCorcia, P.-L., Galassi, P. and Museum of Modern Art (New York, N.Y.) (1995) Philip-Lorca DiCorcia. New York, N.Y.: Museum of Modern Art. Dijkstra, R., Ehlers, C. and Rondeau, J. (2002) Rineke Dijkstra: beach portraits. Chicago. Ill: LaSalle. Diprose, G., Craig, C. and Seaborne, M. (2009) London’s changing riverscape: panoramas from London Bridge to Greenwich. London: Frances Lincoln. Dream/Life and Beyond (1999). Hot Chilli. Dunlop, N. (2013) Brave new Burma. Stockport, England: Dewi Lewis Pub. Durden, M. (2014) Photography today. London: Phaidon Press. Edwards, E. and Royal Anthropological Institute of Great Britain and Ireland (1992) Anthropology and photography, 1860-1920. New Haven, Conn: Yale University Press in association with the Royal Anthropological Institute, London. Edwards, S. (2006a) Photography: a very short introduction. Oxford: Oxford University Press. Available at: