BIBLIOGRApHY PUBLISHED WORKS BY SAMUEL BECKETT Beckett, Samuel. “Dante… Bruno. Vico.. Joyce.” In Poems, Short Fiction, Criticism. Vol. 4 of The Grove Centenary Edition, 495–510. New York: Grove, 2006. ———. Disjecta: Miscellaneous Writings and a Dramatic Fragment. Edited by Ruby Cohn. London: Calder, 1983. ———. Eleutheria. Paris: Les Éditions de Minuit, 1995. ———. Eleutheria. Translated by Barbara Wright. London: Faber, 1996. ———. Fin de Partie. Paris: Les Éditions de Minuit, 1957. ———. “First Love.” In Poems, Short Fiction, Criticism. Vol. 4 of The Grove Centenary Edition, 229–246. ———. Ill Seen Ill Said. In Poems, Short Fiction, Criticism. Vol. 4 of The Grove Centenary Edition, 451–470. ———. “La Fin.” In Nouvelles et Textes pour rien, 77–123. ———. L’Innommable. Paris: Les Éditions de Minuit, 2004. ———. Malone Dies. In Novels II. Vol. 2 of The Grove Centenary Edition, 171–281. ———. Malone Meurt. Paris: Les Éditions de Minuit, 2004. ———. Mal vu mal dit. Paris: Les Éditions de Minuit, 1981. ———. Mercier and Camier. In Novels I. Vol. 1 of The Grove Centenary Edition, 381–479. ———. Mercier et Camier. Paris: Les Éditions de Minuit, 1970. ———. Molloy. In Novels II. Vol. 2 of The Grove Centenary Edition, 1–170. ———. Molloy. Paris: Les Éditions de Minuit, 1982. ———. Murphy. In Novels I. Vol. 1 of The Grove Centenary Edition, 1–168. ———. Murphy. Paris: Les Éditions de Minuit, 1965. © The Author(s) 2018 213 T. Lawrence, Samuel Beckett’s Critical Aesthetics, https://doi.org/10.1007/978-3-319-75399-7 214 BIBLIOGRAPHY ———. Nouvelles et Textes pour rien, avec 6 illustrations d’Avigdor Arikha. Paris: Les Éditions de Minuit, 1958. ———. Pour finir encore et autres foirades. Paris: Les Éditions de Minuit, 1976. ———. Premier Amour. Paris: Les Éditions de Minuit, 1970. ———. Proust. In Poems, Short Fiction, Criticism. Vol. 4 of The Grove Centenary Edition, 511–554. ———. Têtes-Mortes. Rev. ed. Paris: Les Éditions de Minuit, 1972. ———. Texts for Nothing and Other Shorter Prose 1950–1976. Edited by Mark Nixon. London: Faber and Faber, 2010. ———. “The Capital of the Ruins.” In As the Story Was Told: Uncollected and Late Prose, 17–28. London and New York: John Calder, 1993. ———. “The Calmative.” In Poems, Short Fiction, Criticism. Vol. 4 of The Grove Centenary Edition, 261–274. ———. The Collected Poems of Samuel Beckett. Edited by Seán Lawlor and John Pilling. London: Faber, 2012. ———. “The End.” In Poems, Short Fiction, Criticism. Vol. 4 of The Grove Centenary Edition, 275–293. ———. “The Expelled.” In Poems, Short Fiction, Criticism. Vol. 4 of The Grove Centenary Edition, 247–259. ———. The Grove Centenary Edition. Edited by Paul Auster. 4 vols. New York: Grove, 2006. ———. The Letters of Samuel Beckett. Vol. 1, 1929–1940. Edited by Martha Dow Fehsenfeld and Lois More Overbeck. Cambridge: Cambridge University Press, 2008. ———. The Letters of Samuel Beckett. Vol. 2, 1941–1956. Edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck. Cambridge: Cambridge University Press, 2011. ———. The Letters of Samuel Beckett. Vol. 3, 1957–1965. Edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck. Cambridge: Cambridge University Press, 2014. ———. The Letters of Samuel Beckett. Vol. 4, 1966–1989. Edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck. Cambridge: Cambridge University Press, 2016. ———. “The New Object.” In “Samuel Beckett: Out of the Archive.” Edited by Bryan Radley and Peter Fifield. Special issue,Modernism/modernity 18, no. 4 (2012): 873–880. ———. The Unnamable. In Novels II. Vol. 2 of The Grove Centenary Edition, 285–407. ———. “Three Dialogues with Georges Duthuit.” In Poems, Short Fiction, Criticism. Vol. 4 of The Grove Centenary Edition, 555–563. ———. Trois Dialogues. Translated by Beckett and Edith Fournier. Paris: Les Éditions de Minuit, 1998. BIBLIOGRAPH Y 215 ———. “Trois Poèmes”/“Three Poems.” Transition Forty-Eight 2 (1948): 96–97. ———. Watt. In Novels I. Vol. 1 of The Grove Centenary Edition, 169–479. ———. Watt. Translated by Ludovic and Agnès Janvier, in collaboration with Samuel Beckett. Paris: Les Éditions de Minuit, 2007. ARCHIVAL SOURCES Beckett, Samuel. “MacGreevy on Yeats.” Trinity College Dublin, TCD MS 9072, fols. 10–13. ———. “Notes on Philosophy.” Trinity College Dublin, TCD MS 10967. ———. “Notes on Psychology.” Trinity College Dublin, TCD MS 9072/7- 8. Duthuit, Georges. Letters to Samuel Beckett. Les Héritiers Matisse, Paris, Archive Duthuit MSS 108, 112, 208. SECONDARY SOURCES Acheson, James. “Beckett, Proust, and Schopenhauer.” Contemporary Literature 19, no. 2 (1978): 165–179. Ackerley, C.J. Demented Particulars: The Annotated Murphy. Rev. ed. Edinburgh: Edinburgh University Press, 2010. ———. Obscure Locks, Simple Keys: The Annotated Watt. Rev. ed. Edinburgh: Edinburgh University Press, 2010. ———. and S.E. Gontarski. The Faber Companion to Samuel Beckett. London: Faber, 2006. Adams, Ellen E. After the Rain: Surrealism and the Post-World War II Avant- garde, 1940–1950. PhD diss., New York University, 2007. Adamson, Natalie. Painting, Politics and the Struggle for the École de Paris. Farnham: Ashgate, 2009. Addyman, David. “En attendant Godot: A New Landscape.” In Samuel Beckett: Debts and Legacies, edited by Peter Fifield and David Addyman, 63–85. London: Bloomsbury, 2013. ———. “Where Now?: Beckett, Duthuit and The Unnamable.” In “Revisiting Molloy, Malone Meurt/Malone Dies and L’Innommable/The Unnamable,” edited by David Tucker, Mark Nixon and Dirk Van Hulle, special issue, Samuel Beckett Today/Aujourd’hui 26 (2014): 179–192. ———, and Matthew Feldman. “Samuel Beckett, Wilhelm Windelband, and the Interwar ‘Philosophy Notes’.” In “Samuel Beckett: Out of the Archive,” edited by Peter Fifield and Bryan Radley. Special issue,Modernism/modernity 18, no. 4 (2012): 755–770. Ades, Dawn and Simon Baker, eds. Undercover Surrealism: Georges Bataille and Documents. Cambridge, MA: MIT, 2006. 216 BIBLIOGRAPHY Adorno, Theodor. Aesthetic Theory. Edited by Gretel Adorno and Rolf Tiedemann. Edited and translated by Robert Hullot-Kentor. London: Continuum, 2004. ———. “Looking Back on Surrealism.” In Notes to Literature, vol. 1, edited by Rolf Tiedemann, translated by Shierry Weber Nicholsen, 86–90. New York: Columbia University Press, 1991. ———. “Notes on Beckett.” Translated by Dirk Van Hulle and Shane Weller. Journal of Beckett Studies 19, no. 2 (2010): 157–178. ———. and Max Horkheimer. Dialectic of Enlightenment. Translated by John Cumming. London and New York: Verso, 1997. Albright, Daniel. Beckett and Aesthetics. Cambridge: Cambridge University Press, 2003. Alvarez, A. Beckett. Fontana Modern Masters. Glasgow: Fontana and Collins, 1973. Antle, Martin. “Towards Re-Presentation: Spatiality and Voice in Roger Vitrac’s Surrealist Sketches.” Modern Language Studies 20, no. 2 (1990): 19–27. Appelqvist, Hanne. “Why Does Wittgenstein Say that Ethics and Aesthetics Are One and the Same?” In Wittgenstein’s Tractatus: History and Interpretation, edited by Peter Sullivan and Michael Potter, 40–58. Oxford: Oxford University Press, 2013. Ardoin, Paul. “Perception Sickness: Bergsonian Sensitivity and Modernist Paralysis.” In Understanding Bergson, Understanding Modernism, edited by Paul Ardoin, S.E. Gontarski and Laci Mattison, 128–140. London: Bloomsbury, 2013. Atik, Anne. How It Was: A Memoir of Samuel Beckett. London: Faber, 2001. Auerbach, Erich. “Figura.” Translated by Ralph Manheim, in Scenes from the Drama of European Literature, 11–78. Minneapolis: University of Minnesota Press, 1984. Bair, Deirdre. Samuel Beckett: A Biography. New York: Touchstone, 1993. Balakian, Anna. “The Post-surrealism of Aragon and Eluard.” Yale French Studies 2 (1948): 93–102. Barry, Elizabeth. Beckett and Authority: The Uses of Cliché. Basingstoke and New York: Palgrave Macmillan, 2006. ———. “One’s own Company: Agency, Identity and the Middle Voice in the Work of Samuel Beckett.” Journal of Modern Literature 31, no. 2 (2008): 115–132. Bataille, Georges. “Dernier Instant.” Œuvres completes, vol. 11, 116–25. Paris: Gallimard, 1980. ———. “Informe.” Documents 1 (1929): 382. ———. L’Impossible. In Romans et récits, 489–594. ———. “Le silence de Molloy.” In Œuvres complètes, vol. 12, 85–94. Paris: Gallimard, 1988. ———. “Le Surréalisme en 1947.” In Œuvres complètes, vol. 8, 259–261. Paris: Gallimard, 1976. BIBLIOGRAPH Y 217 ———. Madame Edwarda. In Romans et récits, 313–348. ———. Madame Edwarda. Translated by Austryn Wainhouse. In The Bataille Reader, edited by Fred Botting and Scott Wilson, 223–236. Oxford and Cambridge, MA: Blackwell, 1997. ———. “Non-savoir, rire et larmes.” In Œuvres complètes, vol. 8, 214–233. Paris: Gallimard, 1976. ———. Romans et récits. Edited by Jean-François Louette, Gilles Ernst, Marina Galletti, Cécile Moscovitz, Gilles Philippe and Emmanuel Tibloux. Bibliothèque de la Pléiade. Paris: Gallimard, 2004. ———. “Surrealism in 1947.” In The Absence of Myth: Writings on Surrealism, edited and translated by Michael Richardson, 68–70. London and New York: Verso, 1994. ———. “The Surrealist Religion.” In The Absence of Myth: Writings on Surrealism, edited and translated by Michael Richardson, 71–90. London and New York: Verso, 1994. ———. “The Ultimate Instant.” Translated by Thomas Whalton. Transition Forty-Eight 1 (1948): 60–69. ———. “Un chien andalou.” Documents 4 (1929): 216. ———. “Un-knowing: Laughter and Tears.” Translated by Annette Michelson. October 36, Georges Bataille: Writings on Laughter, Sacrifice, Nietzsche, Un-Knowing (Spring 1986): 89–102. York: Grove Press, 2006. Bayraktar,