FEMINIST FILM THEORISTS LAURA MULVEY, KAJA SILVERMAN, TERESA DE LAURETIS, BARBARA CREED 1ST EDITION PDF, EPUB, EBOOK Shohini Chaudhuri | 9780415324335 | | | | | Feminist Film Theorists Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed 1st edition PDF Book Skip to content This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. Home Feminist Film Theorists. In most cultural texts, women, rather than men, are depicted in passive positions and men, rather than women, act as aggressors. Interview with Halida Boughriet. In Queer representation, visibility and race in American film and television. That, he argues, is the old concept of power as the law, which is exerted in a hierarchical fashion, and historically embodied in the absolute monarch or medieval feudal lord. As we will see in Chapters 1 and 2, Mulvey, along with other British theorists like Johnston, Kuhn and Pam Cook, swerved away from the US trend by using psychoanalysis, French structuralism, and semiotics. Their aim instead is to bring about a more profound change in values where these kinds of power hierarchies would no longer exist. Following Lacan, Silverman contends that the child, of either sex, is already marked by absence and lack before its awareness of sexual difference. So once I arrived at Montparnasse, on the rolling sidewalk that brought me from one area to another, I filmed the looks of passerby from underneath Looks of shock, terror, worry, voyeurism…I could not identify with the view of others because I was hidden. Begehren, Differenz und Gewalt in Film- und Fernsehwahrnehmung. Was ich erbeute sind Bilder. Thornham, Sue ed. Braidt, Andrea. The reason why critics have avoided looking at the construction of woman as castrator is that here it is more obvious that the woman is not herself castrated; rather, it is the male, who is threatened with castration. New German Critique — Later, at the brink of suicide due to debt and his own sense of failure, George is given a chance — by divine grant — to see what the world would have been like had he never been born. This book focuses on the groundbreaking ideas of four major theorists: Laura Mulvey b. Art History. I am nothing but a silhouette. On the one hand, we must take this critique seriously; many scholars studying the veil, for example, have noted how the veil becomes a fetishized object that denies women any sort of agency. We are left with partial vision. Speculum of the Other Woman. Levine, Philippa. Female voice and paradox in film. My suggestion is. Pages Page size x pts Year Brown, Malcolm D. Rodowick, D. One area of feminist film studies to which lesbian theorists have made substantial contributions considers the Religion and Global Politics. Stam, Robert, and Louise Spence. Instead, queer theory emphasizes the social construction of lesbian and gay sexualities. In this respect it is similar to other fantasies that children or their carers invent to explain the origins of things, for example, the riddle of where babies come from. So Silverman contends that any changes in conceptions of masculinity are bound to impact on the way female subjectivity is lived and perceived. Creed, Barbara. Moreover, despite — or perhaps rather because of — its censorship, Iran has produced an innovative cinema where conventional ways of seeing are challenged. Massumi, Brian. When it arrived in 2 the s, it marked a significant leap in the way films and their spec- 3 tators can be understood. In other words, they appear coded, requiring the help of psychoanalysis and 2 3 4 6 7 8 9 11 2 4 5 6 7 9 1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 other theories to decode them. Mulvey, Laura. Rizzo, Teresa. Feminist Film Theorists Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed 1st edition Writer By successfully negotiating this transition, the girl becomes a woman; that is, she enters the culturally sanctioned role of femininity. From this perspective, the unrealized critical potential of their work, especially on the female voice, the technologies of gender, queering desire, and masculinity in crisis has yet to be mined. Jones, Deborah, und Judith Pringle. All subjects, male and female, are subordinate to the gaze. These are just some of the questions raised in this brilliant and subtle collection. The female Oedipal trajectory is rarely represented in cinema. Third, these thinkers are critical because they are crucially important: they deal with ideas and questions that can overturn conventional understandings of the world, of texts, of everything we take for granted, leaving us with a deeper understanding of what we already knew and with new ideas. In one famous shot, Barbara is shown behind Ali, clasping his 2 3 4 6 7 8 9 11 2 4 5 6 7 9 1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 torso in desire. This anthology charts the history of those debates, bringing together the key, classic essays in feminist film theory. UBC Theses and Dissertations. In Feminist Film Studies , Hrsg. Skip to main content. Zur Re- Medialisierung von Geschlecht im Comicfilm. The lesbian fetish is a symbolic object laden with sociohistorical meanings from cultural and subcultural discourses de Lauretis Although the British femi- 2 nists led the way in turning to French theory, American feminist film 3 theorists now began to take in many of the same influences. Online Streaming. They include primal scene fantasies about where babies come from , seduction fantasies about the origins of sexuality , and castration fantasies about the origin of sexual difference. This pivotal scene has achieved such iconic status in the collective memory of European and American culture that it often serves as a reference point for analyses of other instances of veiling within Islamic revolutionary struggles, such as the Iranian revolution or conflicts in the Middle East in the present day. Robert Stam argues that Fanon himself, as a psychologist in Algeria, inspired both psychoanalysis and critiques of Orientalism even before Edward Said as diagnostics for how the colonizer views the colonized. Von Sternberg, Dietrich, and the masochistic aesthetic. Although she utilizes the tools of semiotics and psychoanalysis, she is critical of those discourses, as she is of the male bias of the work of philosopher and cultural historian Michel Foucault. Veil: Modesty, Privacy, and Resistance. Amer, Sahar. I could not imagine UBC without her expertise, advice, patience, and above all—her kindness. Not least among these technologies of gender is cinema. Forgacs, David. Gregg, Melissa, und Gregory J. The monstrous-feminine. Currie, Kate. Share link DOI :. This offers a lot of information in very little space. The film is a document of a specific moment in which Algeria was trying to establish its presence as an independent nation; news or news-like media was one avenue in which the story of the revolution could be told to a wider audience. Rapoport, Amos. Eileraas, Karina. Die Einstellung ist die Einstellung. Gender Studies. She also takes issue with French feminist theorists, such as Irigaray and Kristeva, who identify the female or maternal body as the source of a pre-Symbolic repressed feminine language, whereas Silverman herself strives to locate the female voice within the Symbolic Order. In Freud, the Oedipus Complex stands for the loving and hostile wishes any child harbours for its parents. Media images of war, violence, torture, death, disaster, and deviant sexual behaviour deliver abjection to the public daily. In most auditoriums, sound speakers are placed next to the screen to enhance the illusion that the images are the source of the sounds and voices when, in fact, sound and images are produced separately; generally, sound is mixed after the images have been produced and often after they have been edited. Through this utopian fantasy, Silverman challenges the cultural equation that places men on the side of mastery, voyeurism, and sadism, and women on the side of passivity, exhibitionism, and masochism. Mauss, Marcel. Visual pleasure and narrative cinema. Susan Thornham, — Enter the email address you signed up with and we'll email you a reset link. Feminist Film Theorists Laura Mulvey, Kaja Silverman, Teresa de Lauretis, Barbara Creed 1st edition Reviews Silverman, Kaja. Her voice is precisely what causes problems when her studio decides to make talking pictures; it refuses to be regulated by the diction coach. Berlin: Vorwerk 8. The historical context of the French unveiling campaign is relevant for an understanding of the films within this study, while feminist critiques and readings of Fanon reiterate a need for a nuanced reading of the veil. De Lauretis, Teresa. Feminist Film Theorists illuminates six key concepts that have been influential in 11 feminist film theory over the last three decades — the male gaze, the 2 female voice, technologies of gender, queering desire, the monstrous- feminine, and masculinity in crisis. The veterans no longer feel comfortable in the small towns where they grew up; everything seems changed and unfamiliar. Sartre argued that human beings exist both in themselves and for themselves, unlike objects that are simply there, existing only in themselves. The television coverage studiously avoided those sorts of images; it also limited the number of eyewitness accounts disclosing harrowing details for which the audience was simply not prepared. Columbus: Ohio State University Press. Advertisement Hide. London: Bloomsbury. So Silverman contends that any changes in conceptions of masculinity are bound to impact on the way female subjectivity is lived and perceived. The eyes must be accustomed to meet a strange gaze. Towards the 7 end of the s, American women activists began to form their own alternative or additional liberation movements.